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Brian Eno ??/??/80
Unreleased Tracks, Various, Various
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Set I
Unknown (1)
Unknown (1)
Unknown (1)
Fun Time (2)
Fear (3)
Worlds And Music (4)
Strong Flashes Of Light (5)
More Volts (5)
Mist/Rhythm (5)
Evening Star (6)
Melancholy Waltz (6)
The Secret (6)
Don't Look Back (6)
Set II
 
Set III
 
Comment
Studio SDB

1: Outtakes from Bowie's albums Low and Lodger
(the first three "untitled" tracks, supposedly made during the Low and Lodger sessions, but generally thought as being outfakes rather than outtakes)
2: Studio outtakes with Iggy Pop and David Bowie
3: Studio outtake or soundboard live in 1975 with John Cale
4: Talking and music form the album Wrong Way Up - John Cale
5: From the UK Eno Box only 12" Rarities
6: From the album Music For Films - Brian Eno

Bootleg: Unreleased Tracks (Eno Bowie Cale)
Last Changed By Dave
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.

Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Tangled&Twisted (3/0) CDR / 1 A++ var View  
Notes: "Unreleased Tracks (EnoBowieCale)"
EMSheldon (2/0) FLAC / 1 View   cdr > EAC > wav > flac
Notes: Brian Eno Various 74-76 cdr > EAC > wav > flac TRACKLIST 01. The Paw Paw Negro Blowtorch 3:24 02. Fever 5:16 03. Baby's On Fire 5:19 04. I'll Come Running 4:45 05. The Fat Lady of Limbourg 6:42 06. Third Uncle 5:29 07. Wind on Water-Peter`s Clock-Oaken Gates 19:29 Total Time 50:24 Tracks 1-4 performed by Brian Eno and The Winkies 1 & 2 - Recorded from 'Top Gear', BBC-Radio, London, Feb 19, 1974 3 & 4 - Recorded from 'Top Gear', BBC-Radio, London, Feb 26, 1974 The Winkies are: Brian Turrington: bass Philip Rambow: guitar Guy Humphrys: guitar Michael Desmarias: drums Tracks 5-6 performed by Brian Eno and 801 Recorded at the Reading Festival, Aug 26, 1976 801 is: Phil Manzanera: guitar Simon Phillips: drums, drum machine Bill MacCormick: bass Francis Monkman: Fender Rhodes, clarinet Lloyd Watson: slide guitar Track 7 performed by Brian Eno and Robert Fripp Recorded at The Olympia, Paris, France May 28
Dave (1/5) CDR / 1 View  
Notes: w/Bowie, Cale See notes
Evan Halperin (1/0) SHN - DVD-0018 / 1 View  
Notes: Brian Eno- Installation recording Bonn 1998 'Future Light Lounge Proposal' version 2 a Brian Eno audio recording of the 'Future Light Lounge Proposal' installation (Germany, Bonn Kunsthalle 1998). Time: 66:31 minutes Record source: audio tape < trade CD < .wav < flac Sound quality is roughly 8,5 / 10. The music itself is very minimal, the installation was placed in a small basement room, barely lid by few glowing objects (slowly changing colours) and a trapeze screen on which slides were projected from the back (on the recording you can sometimes here the clicking sound of the slide projectors). The music came from different CD players (each one containing different tracks and permanently shuffeling), creating peranently different music and a different atmosphere. I have to admit that I choose this recording for sentimental reasons. I visited this installation 3 times, each time there was a totally different vibe and I knew for sure, this very music and very vibe will only be there for THIS VERY MOMENT. I remember sitting there for hours, time seemed to move slowlier in there and I felt so guarded and cosy. It was very intense and I saw many people entering and leaving very fast (I was under the impression that many people are unable to stand this minimal surrounding for a while). It's interesting, I have been at 3 ENO installations and each time I feel the same. It's like being kept in a perfect moment/space you never want to leave again. Another reason why I chose this recording is to cover as many facets in ENO's work as possible, and his installations are indeed an important part. Of course an audio recording cannot capture the full impact since the visuals are missing. But I hope you like this. This text is from the promotional flyer handed out at the museum: Brian explains: "I want to make places that feel like music. I want to make things which are like music for the eyes. I want to extend music out into space, into the 3 dimensions of space, and into colour. I want to make the kind of art that would be found in the kind of world I would like to live in. Can you create a world by suggesting the objects and experiences that would belong in it? Is this the way we move into our futures, casting little hooks forward and then pulling ourselves along by them?" Enjoy and help seeding after the download. More ENO will follow soon
Evan Halperin (1/0) SHN - DVD-0018 / 1 View  
Notes: Brian Eno- Installation recording Bonn 1998 'Future Light Lounge Proposal' version 2 a Brian Eno audio recording of the 'Future Light Lounge Proposal' installation (Germany, Bonn Kunsthalle 1998). Time: 66:31 minutes Record source: audio tape < trade CD < .wav < flac Sound quality is roughly 8,5 / 10. The music itself is very minimal, the installation was placed in a small basement room, barely lid by few glowing objects (slowly changing colours) and a trapeze screen on which slides were projected from the back (on the recording you can sometimes here the clicking sound of the slide projectors). The music came from different CD players (each one containing different tracks and permanently shuffeling), creating peranently different music and a different atmosphere. I have to admit that I choose this recording for sentimental reasons. I visited this installation 3 times, each time there was a totally different vibe and I knew for sure, this very music and very vibe will only be there for THIS VERY MOMENT. I remember sitting there for hours, time seemed to move slowlier in there and I felt so guarded and cosy. It was very intense and I saw many people entering and leaving very fast (I was under the impression that many people are unable to stand this minimal surrounding for a while). It's interesting, I have been at 3 ENO installations and each time I feel the same. It's like being kept in a perfect moment/space you never want to leave again. Another reason why I chose this recording is to cover as many facets in ENO's work as possible, and his installations are indeed an important part. Of course an audio recording cannot capture the full impact since the visuals are missing. But I hope you like this. This text is from the promotional flyer handed out at the museum: Brian explains: "I want to make places that feel like music. I want to make things which are like music for the eyes. I want to extend music out into space, into the 3 dimensions of space, and into colour. I want to make the kind of art that would be found in the kind of world I would like to live in. Can you create a world by suggesting the objects and experiences that would belong in it? Is this the way we move into our futures, casting little hooks forward and then pulling ourselves along by them?" Enjoy and help seeding after the download. More ENO will follow soon