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Set I
Acoustic:, Comes A Time, Motor City, Down By The River, Soul Of A Woman, Old Ways, Old Man, Helpless, Dance, Dance, Dance, Heart Of Gold, Don't Be Denied, Sail Away, Powderfinger, Ohio*, After The Goldrush, Transformer Man, My My Hey Hey, Mr. Soul, Sugar Mountain
Set II
Jellyroll Man, That's Alright, Mama, Wonderin', Kinda Fonda Wanda, Bright Lights, Big City, Get Gone, Everybody's Rockin', Do You Wanna Dance
Set III
Comment
Neil Young & The Shocking Pinks, * = w/Graham Nash
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Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| John (5/5) | FLAC / 2 | View | ||||
| Notes: | source: first generation MaxellXLIIS > AIWA AD-F810 > Creative SB1260 > Audacity > wav file > edited w Nero > flac > Dime Most of you will know the format of the 1983 shows which were MC'd by Newell Alexander in the role of Dan Clear. During intervals between sets Clear would interview crew, musicians etc and between interviews there would be old TV ads and shows playing. The original tapes for this concert ran a monster 2hours 41 mins. The taper turned his machine on at the start and left it running pretty much - apart from tape flips - for the rest of the show - interviews / intervals / music - even the PA broadcast of "The Star Spangled Banner" at the end. This clearly required some editing and I have tried to do the right thing for everyone. If you have never heard a full version of of a show from this tour you may wish to download the Dan Clear segments to give you some idea of his involvement - tracks 1, 12, 13, 14, 22. These have been carefully edited to remove dead time and TV ads etc - as a result the commentary and interviews run almost continuously - in reality there were often stretches in between where the audience amused themselves. However should you choose to omit tracks 1, 12, 13, 14 and 22 the rest will still form a coherent concert. | |||||
| Jack Warner (5/5) | FLAC / 0 | View | MAC>C>CD | |||
| sean hite (5/0) | / 0 | View | ||||
| Notes: | source: first generation MaxellXLIIS > AIWA AD-F810 > Creative SB1260 > Audacity > wav file > edited w Nero > flac > Dime | |||||
| Marinus van der Plaats (4/5) | cdr/flac / 2 | View | first generation MaxellXLIIS > AIWA AD-F810 > Creative SB1260 > Audacity > wav file > edited w... | |||
| joe m (3/5) | FLAC / 0 | View | Aiwa CM-30 Stereo Cardioid >Sony WM-D6 >Cass 1 >CDR >FLAC XLII Cass I Transferred: Sony TC-D5M... | |||
| arfarf (1/5) | flac / 0 | View | Lawn: Aiwa CM-30 Stereo Cardioid >Sony WM-D6 >Cass 1 >CDR >FLAC | |||
| Notes: | XLII Cass I Transferred: Sony TC-D5M >HHb CDR 800 PRO CD Masters >Audacity (Minor Edits) >FLAC (Level 8) + Tags Via xACT 2.37 Master Recorded, With Early Model WM-D6 (Not D6C) & Transferred By Jim Ho XLII Cass I Transfer, Audacity, FLAC & Tags By OldNeumanntapr *(Missing: Don't Be Denied. Sail Away, Powderfinger, Ohio, After The Goldrush) OldNeumanntapr Notes- I got this show as a 1st gen cassette from my friend Jim Ho, who recorded the master. I don’t know why a portion of the acoustic set is missing. Perhaps Jim only had one tape and was saving some room for the Shocking Pinks portion of the show. We recorded a few shows together in the early 90s. Jim’s D6 was a first-year model and lacked metal tape and Dolby C capability, and did not have a line out like the newer WM-D6C decks (like mine) had. | |||||
| OldNeumanntapr (1/5) | FLAC / 2 | A- | View | Lawn: Aiwa CM-30 Stereo Cardioid >Sony WM-D6 >Cass 1 >CDR >FLAC | ||
| Notes: | XLII Cass I Transferred: Sony TC-D5M >HHb CDR 800 PRO CD Masters >Audacity (Minor Edits) >FLAC (Level 8) + Tags Via xACT 2.37 Master Recorded, With Early Model WM-D6 (Not D6C) & Transferred By Jim Ho XLII Cass I Transfer, Audacity, FLAC & Tags By OldNeumanntapr *(Missing: Don't Be Denied. Sail Away, Powderfinger, Ohio, After The Goldrush) OldNeumanntapr Notes- I got this show as a 1st gen cassette from my friend Jim Ho, who recorded the master. I don’t know why a portion of the acoustic set is missing. Perhaps Jim only had one tape and was saving some room for the Shocking Pinks portion of the show. We recorded a few shows together in the early 90s. Jim’s D6 was a first-year model and lacked metal tape and Dolby C capability, and did not have a line out like the newer WM-D6C decks (like mine) had. | |||||