Notes: |
Source: DPA 4015 Wide Cardioid > DPA AO0182 XLR > Grace Design Lunatec V3 Integrated Pre | 24/96 A/D (@96kHz) > Canare DA-206 Custom AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to V3 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB > Metric Halo MIO Beta Recording Console (@ 24-bit / 96kHz) / Taper: Chris Jones / Location: Stageright rear orchestra; row RR, seat 125, ~25' from stageright stack. Stand at 9', wide cardioids A-B, as part of a Corey-Martin surround configuration (see below). Conversion: Apple PowerBook G4/1gHz/768MB > Apple PowerMac G4 MP800/512 > MOTU Digital Performer 4.11 (@24/96kHz) > Spark XL 2.8 >xACT / Dithered to 16-bit and resampled via T.C. Works' MegaBitMax Ultra-Noiseshapping. / Notes: Mics were arrayed in a Corey-Martin surround configuration, with 4015 subcardioids (the source of this recording) A-B, spaced about 12", and pair of DPA 4011's oriented vertically, aimed at the ceiling, spaced about 14", and placed behind the forward-facing subcardioids. All channels were tracked to disk simultaneously, and should result in a multichannel, 24/96 surround DVD-Audio disc in the near future. The source for the surround channels was the following: DPA 4011 > DPA AO0182 XLR > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to V3 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB > Metric Halo MIO Beta Recording Console (@ 24-bit / 96kHz) |