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Set I
Intro1: "The Lord Is My Shepard" Diamanda Galas
Intro2: "Count To Six And Die" Instrumental
Irresponsible Hate Anthem
The Death Song
Disposable Teens
Great Big White World
Tourniquet
The Fight Song
The Nobodies
Astonishing Panorama Of The End Times
Rock Is Dead
The Dope Show
Cruci-fiction In Space
Burning Flag
In The Shadow (Of The Valley Of Death)
Sweet Dreams (Hell outro)
Valentine's Day
The Love Song
The Beautiful People
1996
Intro2: "Count To Six And Die" Instrumental
Irresponsible Hate Anthem
The Death Song
Disposable Teens
Great Big White World
Tourniquet
The Fight Song
The Nobodies
Astonishing Panorama Of The End Times
Rock Is Dead
The Dope Show
Cruci-fiction In Space
Burning Flag
In The Shadow (Of The Valley Of Death)
Sweet Dreams (Hell outro)
Valentine's Day
The Love Song
The Beautiful People
1996
Set II
Set III
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Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Kevin (5/5) | FLAC / 0 | View | Aud | |||
| Notes: | Dat Master | |||||
| vht (5/5) | Lossless / 0 | A | View | Sonic Studios DSM-6S > PA6LC2 > Sony TCD-D7 | ||
| MG (5/5) | lossless (CDR) / 2 | B+ | View | SRC: Sonic Studios DSM-6S > PA-6LC2 > Sony TCD-D7 GEN: DAT > CDR(4) |
||
| Notes: | #0582 | |||||
| Mike Marteny (5/5) | cdr / 2 | A | View | SS-DSM6>D7>DAT(M)>CDR(1)>FLAC>CDR(1) | ||
| Notes: | D1 69:25 D2 15:29 | |||||
| alberto (5/4.8) | CD-AUDIO / 0 | A | View | |||
| alberto (5/4.8) | FLAC / 0 | A | View | |||
| Industrial (Complete info at mansonstuff.com) (5/5) | FLAC / 1 | A | View | Sonic Studios DSM-6S > PA6LC2 > Sony TCD-D7 | ||
| Andi (5/4.9) | lossless / 0 | View | ||||
| Adamn (5/4.7) | flac / 2 | View | Sonic Studios DSM-6S > PA6LC2 > Sony TCD-D7 | |||
| Steve (5/0) | CD-R/FLAC / 2 | A+ | View | Sonic Studios DSM-6S > PA6LC2 > Sony TCD-D7 | ||
| Notes: | Another amazing recording from the Japanese leg of the "GGG" tour. | |||||
| King Bean (4/0) | FLAC / 1 | A | View | Sonic Studios DSM-6S > PA6LC2 > Sony TCD-D7 > DatMaster > cd(3) > flac | ||
| Johnnf (4/5) | Flac / 2 | View | Sonic Studios DSM-6S>PA6LC2>Sony TCD-D7 > DatMaster > cd(3) > cd(4) | |||
| Spiz (4/5) | flac / 2 | A- | View | Sonic Studios DSM-6S>PA6LC2>Sony TCD-D7 | ||
| MMCollector (3/4.8) | FLAC / 1 | View | ||||
| JDManson (3/0) | Lossless / 2 | View | ||||
| Chris (3/0) | CD-R / 2 | View | ||||
| Jeff (3/0) | Lossless / 1 | A | View | Sonic Studios DSM-6S > PA6LC2 > Sony TCD-D7 | ||
| disposable bootlegs (3/5) | FLAC / 2 | View | ||||
| Greg P (2/5) | cd / 2 | View | ||||
| Karyn (2/5) | flac / 1 | View | Sonic Studios DSM-6S>PA6LC2>Sony TCD-D7 | |||
| Preston Klingler (1/4.9) | FLAC / 1 | A+ | View | Sonic Studios DSM-6S > PA6LC2 > Sony TCD-D7 Gen: DAT(M) > CDR(3) > FLAC | ||
| Notes: | Fucking amazing. This is so clear and so close to flawless, you'd swear it was a soundboard! There are a few drops here and there, probably from the taper trying to hide his mic from security, it is quick, and there is still good sound. | |||||
| Do NOT Use (1/5) | CD / 2 | View | Aud | |||
| Notes: | Dat Master | |||||
| Do NOT Use (1/5) | FLAC / 0 | View | Aud | |||
| Notes: | Dat Master | |||||
| Kattatonia (1/4) | FLAC / 0 | View | Source: Sonic Studios DSM-6S>PA6LC2>Sony TCD-D7. Lineage: DatMaster > cd(3) > cd(4) (Your copy).... | |||
| Stuart Ferguson (1/4.3) | CDR / 2 | View | Audience | |||
| Notes: | DVD 1923; lineage: Source: Sonic Studios DSM-6S>PA6LC2>Sony TCD-D7. DatMaster > cd(3) > cd(4) | |||||
| Tony (1/0) | FLAC / 2 | View | Sonic Studios DSM-6S>PA6LC2>Sony TCD-D7. | |||
| acc123456 (1/5) | cd / 2 | View | DSM-6S > Sony TCD-D7 | |||
| cc (1/2.8) | FLAC / 2 | View | most likely --> Sonic Studios DSM-6S > PA6LC2 > Sony TCD-D7 | |||
| Notes: | another fanfuckingtastic recording / best one of the japan dates / on top of all that a blistering setlist | |||||
| Ringo (1/4.8) | CDR / 1 | A- | View | AUD | ||
| Notes: | encore "1996" is cut [79'25"] | |||||
| sajbot (1/0) | CD FLAC / 2 | A | View | Sonic Studios DSM-6S > PA6LC2 > Sony TCD-D7 > DAT(M) | ||
| Notes: | An amazing show! Very clear, sounds almost like a soundboard recording. | |||||