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User (active/rating) |
Media / # |
Show |
Sound |
Details |
DB Source |
User Source |
Denis Charette (5/4.5) |
CDR / 2 |
|
A |
View |
|
Exc. Aud. |
Notes: |
"Berlin, Germany 2007" Exc. Aud. |
buc2220 (5/5) |
CDR / 2 |
|
A |
View |
|
AUD |
Jack Warner (5/5) |
FLAC / 0 |
|
|
View |
|
MAD>FLAC |
Roy Martin\'s Music Collection (5/5) |
FLAC / 0 |
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|
View |
|
Tom Moore source (AD014) |
Notes: |
M-Audio Micortrack24/96 with 16 bit and 44kHz wav edit with WavePurity, decode with flac frontend (Level 6)
|
Roy Martin\'s Music Collection (5/5) |
FLAC / 0 |
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|
View |
|
Bach source (AD014 & MM007) |
Notes: |
Lineage: Neumann AK40 > MTX 191 A > MicroTrack 24/96 >WaveTerminal > WaveLab 6.01 > dBpower AMP Music Converter > MD5summer
|
sean hite (5/0) |
LB-5017 / 0 |
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View |
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Notes: |
LB-5017, (75min+60min), cb;; d1t10 is close eac match to d2t1 with difference at the very beginning where d2t1 has some silence; in w-way comparison bach LB-4807 was the warmest, and this , romeo LB-4939 and tom moore LB-4808 were similar; (did not listen to all of this) |
sean hite (5/0) |
LB 4808 / 0 |
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View |
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|
Notes: |
LB 4808 Technical Information:
Taper: audience recording by TOM MOORE
Microphone: OKM II Rock
Recorder: M-Audio Micortrack24/96 with 16 bit and 44kHz wav
edit with WavePurity, decode with flac frontend (Level 6) |
Mat Brewster (5/5) |
MP3 / 2 |
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View |
|
|
Marc Dreilinger (5/2.3) |
FLAC / 2 |
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View |
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SP-CMC-4U > SP-SPSB-8 (bass roll-off @ 95 Hz) > M-Audio MicroTrack 24/96 (44100 16bit) >... |
Notes: |
Archived Box 1 Disc 129 |
Yojimbo_ (4/0) |
cdr / 2 |
|
|
View |
|
Neumann AK40 > MTX 191 A > MicroTrack 24/96 >WaveTerminal > WaveLab 6.01 > |
Travis Autrey (3/5) |
CDR / 2 |
|
A |
View |
|
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ItsAllOneSong (3/0) |
/ 0 |
|
|
View |
|
|
Moonstroke (2/4.8) |
FLAC / 2 |
A |
A- |
View |
|
Neumann AK40 > MTX 191 A > MicroTrack 24/96 > Tascam DA 40 professional >... |
TREV (2/0) |
cd / 0 |
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|
View |
|
|
dfries (2/0) |
/ 0 |
|
|
View |
|
|
dfries (2/0) |
/ 0 |
|
|
View |
|
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Jerry Morgan (1/5) |
cd / 2 |
|
|
View |
|
|
Notes: |
bach |
forgottenspace (1/4.5) |
CD / 2 |
|
|
View |
|
OKM II Rock > M-Audio Micortrack24/96 (16/44.1) |
forgottenspace (1/4.5) |
CD / 2 |
|
|
View |
|
SP-CMC-4U > SP-SPSB-8 (bass roll-off @ 95 Hz) > M-Audio MicroTrack 24/96 (44100 16bit) |
forgottenspace (1/4.5) |
CD / 2 |
|
|
View |
|
CB |
forgottenspace (1/4.5) |
CD / 2 |
|
|
View |
|
Neumann AK40 > MTX 191 A > MicroTrack 24/96 |
forgottenspace (1/4.5) |
CD / 2 |
|
|
View |
|
OKM II Rock > M-Audio Micortrack24/96 with 16 bit and 44kHz |
Mike Kelly (1/4.3) |
cdr / 2 |
|
|
View |
|
audience recording |
Ed Izsak (1/5) |
CDR / 2 |
|
|
View |
|
DAUD |
Stuart Ferguson (1/4.3) |
CDR / 2 |
|
|
View |
|
Audience; LB-4808 |
Notes: |
DVD 819; lineage: LB-4808. audience recording by TOM MOORE, Microphone: OKM II Rock, Recorder: M-Audio Micortrack24/96 with 16 bit and 44kHz wav, edit with WavePurity, decode with flac frontend (Level 6). In comparison to bach LB-4807 this is not as warm but is fuller more upfront sounding; excellent sound [A]. level fluctuations d2t2 1:28, 2:06 |
Dan Anderson (1/4.9) |
CD-R / 2 |
A |
A |
View |
|
|
Maria Reine (1/5) |
CD-R / 2 |
|
|
View |
|
|
Notes: |
[LB-4807](Total time = 75:00, 50:00). Audience recording > Neumann AK40 > MTX 191 A > MicroTrack 24/96 > WaveTerminal > WAV > WaveLab 6.01 > dBpower AMP Music Converter > ? > FLAC. Bach version.
FLAC[sg160jk] |
Maria Reine (1/5) |
CD-R / 2 |
|
|
View |
|
|
Notes: |
[LB-4939](Total time = 74:09, 49:30). Audience recording > SP-CMC-4U > SP-SPSB-8 > M-Audio MicroTrack 24/96 > WAV > CD Wave > Cool Edit > FLAC. Taped by romeo.
FLAC[sg160jk] |
Asa (1/5) |
CD-R / 2 |
|
|
View |
|
Taper: audience recording by TOM MOORE Microphone: OKM II Rock Recorder: M-Audio Micortrack24/96... |
TF (0/0) |
cd / 0 |
|
A |
View |
|
|