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Set I
It Takes A Lot To Laugh It Takes A Train To Cry
Expressway
It's Too Late
One Kind Favor
After Midnight
The Night They Drove Old Dixie Down
Expressway
It's Too Late
One Kind Favor
After Midnight
The Night They Drove Old Dixie Down
Set II
I Second That Emotion
It's No Use
Like A Road
That's Alright Mama
My Funny Valentine
Finders Keepers
The Harder They Come
Postively 4th Street
How Sweet It Is To Be Loved By You
It's No Use
Like A Road
That's Alright Mama
My Funny Valentine
Finders Keepers
The Harder They Come
Postively 4th Street
How Sweet It Is To Be Loved By You
Set III
Comment
Last Changed By
Joe Jupille
Sources
(8076) View Source
Garcia & Saunders: MAC (Jerry Moore, AKG D1000Es > Sony TC-110) > D > CD.
(16878) View Source
Garcia & Saunders: MAC (Taped by Jerry Moore, single AKG D-1000E [hand-held from left mezzanine, Row N, Seat 10A for first song, then on ledge from first row of mezzanine] > Sony TC-110 [TDK C-120SD]) > Tascam 112MK-II playback > Sony R500 {SBM} > Delta Dio 24/96 > wav > .shn (mkwACT) > wav (mkwACT) > tracking (CD Wave v1.6) > miniscule editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn (mkwACT).
(136778) View Source
JGMS; sbd > master-reel > dat(48k)
(8076) View Source
Garcia & Saunders: MAC (Jerry Moore, AKG D1000Es > Sony TC-110) > D > CD.
(16878) View Source
Garcia & Saunders: MAC (Taped by Jerry Moore, single AKG D-1000E [hand-held from left mezzanine, Row N, Seat 10A for first song, then on ledge from first row of mezzanine] > Sony TC-110 [TDK C-120SD]) > Tascam 112MK-II playback > Sony R500 {SBM} > Delta Dio 24/96 > wav > .shn (mkwACT) > wav (mkwACT) > tracking (CD Wave v1.6) > miniscule editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn (mkwACT).
(136778) View Source
JGMS; sbd > master-reel > dat(48k)
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Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| sean hite (5/0) | SHN / 0 | View | 16878 | |||
| Notes: | (16878) Garcia: Garcia & Saunders: MAC (Taped by Jerry Moore, single AKG D-1000E [hand-held from left mezzanine, Row N, Seat 10A for first song, then on ledge from first row of mezzanine] > Sony TC-110 [TDK C-120SD]) > Tascam 112MK-II playback > Sony R500 {SBM} > Delta Dio 24/96 > wav > .shn (mkwACT) > wav (mkwACT) > tracking (CD Wave v1.6) > miniscule editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn (mkwACT). | |||||
| sean hite (5/0) | SHN / 0 | View | 8076 | |||
| Notes: | (8076) Garcia: Garcia & Saunders: MAC (Jerry Moore, AKG D1000Es > Sony TC-110) > D > CD. | |||||
| Rick Martin (5/5) | Flac / 3 | A | View | 136778 | sbd > master-reel > dat(48k) | |
| Notes: | SBD 2016 | |||||
| SpacedDeadhead (5/4.8) | CDR / 3 | View | ||||
| Steve (5/5) | CDR / 3 | A- | View | 8076 | ||
| Marc Ciccarelli (5/0) | SHN / 0 | View | MAC (Taped by Jerry Moore, single AKG D-1000E | |||
| Mike (5/5) | CDR / 3 | A- | View | AUD | ||
| Jon Pavuk (5/4.3) | SHN / 2 | A | B+ | View | 8076 | AUD (Jerry Moore, AKG D1000Es > Sony TC-110):C > D > CD |
| Jason (5/4.8) | CDR / 3 | View | AUD (Jerry Moore, AKG D1000Es > Sony TC-110):C > D > CDR | |||
| niccolo mugnaioni (5/5) | cdr / 3 | View | aud>mac>dat>cdr | |||
| mike (5/0) | shn / 3 | View | .shn | |||
| Rudolf E. Zielinski (5/5) | CDR / 3 | A+ | View | AUD | ||
| Joe Rizzo (5/4.8) | CD / 3 | View | ||||
| Notes: | 2 SHN | |||||
| Adam Lawler (5/0) | .shn / 2 | View | 16878 | AUD | ||
| Matt Bertollo (5/5) | CDR / 3 | AUD | View | 16878 | MAC (Taped by Jerry Moore, single AKG D-1000E [hand-held from | |
| Notes: | 3 Audio or 2 SHN | |||||
| RamblinRose (5/5) | CD-R / 3 | View | 8076 | MAC (Taped by Jerry Moore, single AKG D-1000E [hand-held from MAC (Taped by Jerry Moore, single... | ||
| Notes: | A very nice aud, a little bit of fuzzy oversaturation, but very nice. It is especially important as the only Garcia/Saunders show from between July '73 and January '74 in digital circulation. There are some tremendous performances of very rare songs here. | |||||
| Cristina Giammarco (5/5) | SHN / 3 | View | 16878 | single AKG D-1000E [hand-held from left mezzanine, Row N, Seat 10A for first song, then on ledge... | ||
| Notes: | Taper: Jerry Moore | |||||
| angela (5/5) | SHN / 0 | View | ||||
| Lawrence Haley (5/4.8) | shn / 2 | View | ||||
| Craig Behymer (5/5) | shn / 2 | View | 16878 | |||
| Dean Hayward (5/0) | CDR / 3 | View | Audience | |||
| Robert and Shawna Margesson (5/4.7) | CD / 3 | A | View | AKG D-1000E | ||
| Steve Sears (5/0) | SHN / 2 | View | 8076 | |||
| katy miller (5/5) | shn / 3 | View | ||||
| mjlaurent (5/4.7) | cd / 3 | View | aud | |||
| Chris (5/0) | shn / 2 | View | 8076 | |||
| HIGHnoon (5/0) | SHN / 0 | View | 16878 | |||
| Grayson Kimball (4/4.8) | CDR / 3 | A+ | View | |||
| Notes: | Set 1+2 | |||||
| Brad Foster (4/4.9) | FLAC / 2 | View | SBD > MR > DAT (48k) | |||
| Notes: | THTC cuts. Missing Positively 4th Street and How Sweet It Is | |||||
| Brad Foster (4/4.9) | SHN / 2 | View | AKG D-1000E [single/hand-held/mezzanine] > Sony TC-110 | |||