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Set I
My My, Hey Hey (Out Of The Blue)
Tell Me Why
Helpless
You Never Call
Peaceful Valley Boulevard
Love And War
Down By The River
Hitchhiker
Ohio >
Sign Of Love
Leia
After The Gold Rush
I Believe In You
Rumblin'
Cortez The Killer
Cinnamon Girl
Walk With Me
Tell Me Why
Helpless
You Never Call
Peaceful Valley Boulevard
Love And War
Down By The River
Hitchhiker
Ohio >
Sign Of Love
Leia
After The Gold Rush
I Believe In You
Rumblin'
Cortez The Killer
Cinnamon Girl
Walk With Me
Set II
Set III
Comment
Last Changed By
Marinus van der Plaats
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| John (5/5) | CDR/FLAC / 2 | View | ||||
| Notes: | Recorded from Center Orchestra Row HH. Core-Sound High-End Binaurals (DPA-4060's) - Sony PCM-M1 DAT - OPtical Link - Philips Stand Alone CD Burner - Gold Wave used to patch in 48 seconds from TaperAdvocat's 3rd Row recording, reduce oversaturated portions of Hitchhiker and Cinnamon Girl, pop/click reduction to make closeby clapping less intrusive, and other assorted magic to make a Frankenshow matrix recording to sound as close as possible to the acoustics of Avery Fisher Hall for this particular performance - Sweet, Sad, and Sonically Spectacular! | |||||
| buc2220 (5/5) | CDR / 2 | B+ | View | AUD | ||
| Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | combination of two audience sources (BB093) | |||
| Notes: | Core-Sound High-End Binaurals (DPA-4060's) - Sony PCM-M1 DAT - OPtical Link - Philips Stand Alone CD Burner. Info file says, "Gold Wave used to patch in 48 seconds from TaperAdvocat's 3rd Row recording, reduce oversaturated portions of Hitchhiker and Cinnamon Girl, pop/click reduction to make closeby clapping less intrusive, and other assorted magic to make a Frankenshow matrix recording to sound as close as possible to the acoustics of Avery Fisher Hall" | |||||
| Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | audience source (ii103) | |||
| Notes: | Source Info: Schoeps CCM4's > SD744T @ 24/96 > firewire to hard drive of dedicated music only computer > Bit Conversion and re-sampled to 16/44.1 with Sound Forge 7.0 > indexed in Sound Forge 4.5 > CD set up with CD Architect 4.5 > CD burned with CD Architect 5.0 onto Mitsui Gold CD > Extracted to Internet Capable Computer with EAC > FLAC. | |||||
| sean hite (5/0) | / 0 | View | ||||
| Notes: | Recorded from the thrid row, left of center off the on stage monitors pointed out into the crowd. Source Info: Schoeps CCM4's > SD744T @ 24/96 > firewire to hard drive of dedicated music only computer > Bit Conversion and re-sampled to 16/44.1 with Sound Forge 7.0 > indexed in Sound Forge 4.5 > CD set up with CD Architect 4.5 > CD burned with CD Architect 5.0 onto Mitsui Gold CD > Extracted to Internet Capable Computer with EAC > FLAC. | |||||
| sean hite (5/0) | / 0 | View | ||||
| Notes: | Recorded from Center Orchestra Row HH. Core-Sound High-End Binaurals (DPA-4060's) - Sony PCM-M1 DAT - OPtical Link - Philips Stand Alone CD Burner - Gold Wave used to patch in 48 seconds from TaperAdvocat's 3rd Row recording, reduce oversaturated portions of Hitchhiker and Cinnamon Girl, pop/click reduction to make closeby clapping less intrusive, and other assorted magic to make a Frankenshow matrix recording to sound as close as possible to the acoustics of Avery Fisher Hall for this particular performance - Sweet, Sad, and Sonically Spectacular! | |||||
| sean hite (5/0) | / 0 | View | ||||
| Notes: | Recorded from Center Orchestra Row HH. Core-Sound High-End Binaurals (DPA-4060's) - Sony PCM-M1 DAT - OPtical Link - Philips Stand Alone CD Burner - Gold Wave used to patch in 48 seconds from TaperAdvocat's 3rd Row recording, reduce oversaturated portions of Hitchhiker and Cinnamon Girl, pop/click reduction to make closeby clapping less intrusive, and other assorted magic to make a Frankenshow matrix recording to sound as close as possible to the acoustics of Avery Fisher Hall for this particular performance - Sweet, Sad, and Sonically Spectacular! | |||||
| infected_by_sound (5/5) | DVD / 1 | View | ||||
| Notes: | AUD | |||||
| Marinus van der Plaats (4/5) | cdr/flac / 2 | View | Schoeps CCM4's > SD744T @ 24/96 > HD > Bit Conversion and re-sampled to 16/44.1 with... | |||
| Notes: | Source Info: Schoeps CCM4's > SD744T @ 24/96 > firewire to hard drive of dedicated music only computer > Bit Conversion and re-sampled to 16/44.1 with Sound Forge 7.0 > indexed in Sound Forge 4.5 > CD set up with CD Architect 4.5 > CD burned with CD Architect 5.0 onto Mitsui Gold CD > Extracted to Internet Capable Computer with EAC > FLAC. | |||||
| Mike Kelly (1/4.3) | cdr / 2 | View | audience recording | |||
| Stuart Ferguson (1/4.3) | CDR / 2 | View | Audience | |||
| Notes: | DVD 1994; lineage: Recorded from Center Orchestra Row HH. Core-Sound High-End Binaurals (DPA-4060's) - Sony PCM-M1 DAT - OPtical Link - Philips Stand Alone CD Burner - Gold Wave used to patch in 48 seconds from TaperAdvocat's 3rd Row recording | |||||
| Bev Madara (1/0) | FLAC / 1 | View | ||||
| Notes: | Converts to 2 Audio. | |||||
| dots (1/0) | / 0 | View | ||||
| Pat (0/4.8) | flac16 / 2 | View | AUD | |||
| Notes: | Source Info: Schoeps CCM4's > SD744T @ 24/96 > firewire to hard drive of dedicated music only computer > Bit Conversion and re-sampled to 16/44.1 with Sound Forge 7.0 > indexed in Sound Forge 4.5 > CD set up with CD Architect 4.5 > CD burned with CD Architect 5.0 onto Mitsui Gold CD > Extracted to Internet Capable Computer with EAC > FLAC. | |||||