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Set I
The Rain King *
Untitled (Love Song) +
If I Could Give All My Love (Richard Manuel Is Dead)
Saint Robinson In His Cadillac Dream
Meet On The Ledge @
banter - the new single
Goodnight Elisabeth %
Omaha
Four Days (abandoned)
Four Days
Monkey
Hard Candy
Start Again
Time And Time Again
Look At Miss Ohio -> &
A Long December
Return Of The Grievous Angel =
Mr. Jones
Come Around
encore
Like Teenage Gravity -
Hanginaround
Holiday In Spain
Untitled (Love Song) +
If I Could Give All My Love (Richard Manuel Is Dead)
Saint Robinson In His Cadillac Dream
Meet On The Ledge @
banter - the new single
Goodnight Elisabeth %
Omaha
Four Days (abandoned)
Four Days
Monkey
Hard Candy
Start Again
Time And Time Again
Look At Miss Ohio -> &
A Long December
Return Of The Grievous Angel =
Mr. Jones
Come Around
encore
Like Teenage Gravity -
Hanginaround
Holiday In Spain
Set II
Set III
Comment
* = w/"Someone To Watch Over Me" (Gershwin) interpolation
+ = Romany Rye cover
@ = Fairport Convention cover
^ = w/brief "Crimson and Clover" interpolation
% = w/"Lights On Broadway" interpolation
& = Gillian Welch cover
= = Gram Parsons cover
- = Kasey Anderson cover
+ = Romany Rye cover
@ = Fairport Convention cover
^ = w/brief "Crimson and Clover" interpolation
% = w/"Lights On Broadway" interpolation
& = Gillian Welch cover
= = Gram Parsons cover
- = Kasey Anderson cover
Last Changed By
ziko
Sources
(122690) View Source
Neumann TLM-170 (hypercardoids, very FOB about 30 feet from stage, center) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 10.0d (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; minor clap removal and EQ-ing out a couple of whistles); Tracked in CDWav.
(122690) View Source
Neumann TLM-170 (hypercardoids, very FOB about 30 feet from stage, center) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 10.0d (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; minor clap removal and EQ-ing out a couple of whistles); Tracked in CDWav.
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Adam Grant (5/5) | CD-R / 2 | View | 122690 | |||
| Dan Linsley (3/5) | FLAC / 0 | View | 122690 | |||
| Bryon (3/3) | cdr / 2 | View | 122690 | |||
| Ed Izsak (1/5) | DAUD / 2 | View | ||||
| Stuart Ferguson (1/4.3) | CDR / 2 | View | Audience master recording by Scott Bernstein | |||
| Notes: | DVD 2577; lineage: Neumann TLM-170 (hypercardoids, very FOB about 30 feet from stage, center) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 10.0d (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; minor clap removal and EQ-ing out a couple of whistles); Tracked in CDWav. Recorded, mastered, tracked, tagged, and posted by Scott Bernstein 11/1/2012 | |||||
| Dan Anderson (1/4.9) | CD-R / 2 | View | 122690 | AUD | ||