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Bob Dylan 10/13/01
Bill Graham Civic Center, San Francisco, CA
Set I
Wait For The Light To Shine*, My Back Pages*, It's Alright Ma (I'm Only Bleeding)*, Searching For A Soldier's Grave*, Tweedle Dee & Tweedle Dum, Simple Twist Of Fate, I Don't Believe You, Cry A While, Masters Of War*, Love Minus Zero/No Limit*, Hard Rain*, Summer Days, Sugar Baby, Drifter's Escape, Rainy Day Women #12 & 35, E: Things Have Changed, Like A Rolling Stone, Knockin' On Heaven's Door*, Honest With Me, Blowin' In The Wind*

Set II
 
Set III
 
Comment
*Acoustic
Last Changed By divjak
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Jack Warner (5/5) FLAC / 0 View   MAD>CD
Notes: LB-06351
Roy Martin\'s Music Collection (5/5) SHN / 0 View   audience source (AC148)
Roy Martin\'s Music Collection (5/5) FLAC / 0 View   LB-6351 (BB119)
Notes: Source: Taper (cdr) > my source(cdr) > (dBpowerAMP set to compression level 6) flac
sean hite (5/0) LB-6351 / 0 View  
Notes: LB-6351, (73min+55min), NTD; Source: Taper (cdr) > my source(cdr) > (dBpowerAMP set to compression level 6) flac, Taper: NET Taper D*, *This show was one of a number of 2001 shows my source received from NET Taper D. I have independent evidence, that NET Taper D did indeed tape this date, so I think it is a fair assumption that this recording is in fact, his. I do not not however have equipment information, though the taper is known to use Schoeps mics. It seems, likely that this recording is from the same master as LB-469, though the disk layout is not the same., In any case, I have not been able to do a comparison.; bittorrent download 08/08; in 4-way comparison on d1t2, these are different recordings based on different crowd at end of d1t2; csheb LB-442 is the warmest fullest sound, then this, then schoeps LB-469 and then hide LB-5496; (did not listen to all of this)
sean hite (5/0) LB-442 / 0 View  
Notes: LB-442 CSHEB>D100, excellent sound, 3rd row row standing left back from hanging speaker tower pointing down at mics, sound comes from speaker tower and stage monitors; excellent sound, lots of bass, levels low except at end when it gets turned up; static on cd2t2 is from pa as stagehand adjusts some wires and then concert volume goes up especially bass as it became loud enough to rattle my bones, at beginning of these songs some mildly irritating laughter on cd1t3 and clapping on cd1t7, line input at 10, levels low, for cd/shn dat>delta dio 2496 > cooledit2000 > wav > constant amplification for each song > wav > shn, (each song was amplified at a constant individually to bring it up towards the max), (only 1 try was made at amplifying and some songs relative to others got a little too high (cd2t1) and some needed more (cd1t6), but many just get there by the end of the song) ( a version of this recording was torrented 4/05 as "unknown taper>cdr>EAC>WAV>FLAC" except it had very little above 15k while this recording is full spectrum)
sean hite (5/0) / 0 View  
Notes: Source: "Hide" recording Equipment: COS-11PTs > CPS161(Pre amp) > TCD-D100 (16bit/44.1kHz) Lineage: DAT master > DTC-ZE700 > RPD-500 > CD-Rs > PC(WAV) > TLH > FLAC (level 6)
Rick Hanlon (5/5) CDR / 2 View  
Tico Van Zant (5/4) aud / 2 View  
Brock (5/5) CDR / 2 View  
Rick Coven (5/4.3) CDR / 2 A- View  
Adam Rossi (5/5) CDR / 2 A View  
divjak (5/0) CDR/SHN / 2 View   See tech notes
nicolas (5/0) cdr / 2 View  
Billy (5/4.3) / 2 View  
Brian R. (4/5) CD-R / 2 A A View  
Josh (4/0) / 0 View  
Matt Ray (4/5) CDR / 2 B View   AUD
Dave (4/0) CDR / 2 View   DAUD
veryhappytrader (4/5) CDR / 2 A View   DAUD
Charlie Kidder (3/5) CDR / 2 A- View   AUD
TF (3/0) / 0 View  
Arch (3/5) cdr / 2 View  
CJ Higgs (3/5) CDR / 2 A- View  
Notes: Love & Theft tunes!
bill goss (3/0) CD / 2 View   DAUD>CD
Curtis Litzler (3/4) cdr / 2 B+ View  
Notes: 2 discs Audio
Jason harder (3/0) cd-r / 2 View  
Miss Ghost (3/0) CDR / 2 View  
Scott Reeves (3/0) cdr / 2 A A View  
Leif Eriksen (3/4.7) CD-R / 2 View  
TREV (2/0) cd / 0 View