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Bob Dylan 02/06/80
Civic Auditorium, Knoxville, TN
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Set I
Gotta Serve Somebody, I Believe In You, When You Gonna Wake Up, When He Returns, Man Gave Names To All The Animals, Precious Angel, Slow Train, Covenant Woman
Set II
Gonna Change My Way Of Thinking, Do Right To Me Baby (Do Unto Others), Solid Rock, Saving Grace, Saved, What Can I Do For You?, In The Garden, E: Blessed Be The Name, Pressing On
Set III

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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
buc2220 (5/5) HARDRIVE / 2 View   AUD
Jack Warner (5/5) FLAC / 0 View   MAC>FLAC
sean hite (5/0) LB-0354 / 0 View  
Notes: (66min+31min), very good to excellent sound; a little background talking in d1t2; digiscrape d2t1 0:48
sean hite (5/0) LB-4661 / 0 View  
Notes: LB-4661, (71min+26min), Taper: BS, Source: Flac files from taper., Equipment: "Taped using a 3-head portable cassette recorder and electret condenser mic which, was possibly above-average equipment for the typical audience stealth taper in those days.", From taper's master list:, Feb 6, 1980 --- KNOXVILLE, TN --- Tape - *stereo cassette masters*: C-135, C-136, C-136.2, (17 songs; complete) Remastered to DAT D-80-2 copied to CDr; backed up on Minidisc MD-80-2, MD-80-3, Taper's comments concerning his oeuvre:, Charlotte, Columbia, and the two Knoxvilles would be the most highly recommended. Nashville, and Memphis would be next. Cincy is the most "distant". Of course, my Charlotte recording, has been commercially booted (and Knoxville 2/5 too), but the quality of the raw (undoctored), transfers tends to beat the bootleg discs by quite a ways. I recently did a new transfer, (via improved equipment & connections) to CDr from the original Charlotte Maxell cassettes, which are still in surprisingly good condition, and that one sounds best ever.; bittorrent download 04/07; not much above 17k; has lego parapets; same recording as LB-354 based on same clapping at end of d1t5; this has similar wav and spectral view except tracks cut differently; this does not have the digiscrape on d1t13 on that one but does have the same drop between d1 and d2 (did not listen to all of this)
Jack Cade (5/0) dc / 0 View  
gabriel ricard (5/4.9) cdr / 2 View  
Enrico (4/5) CDr / 2 View  
mojo7 (2/5) / 0 View  
Notes: FLAC BS Master
Tony Gianelli (2/0) CDR / 1 A View   Audience
Jerry Morgan (1/5) cd / 2 View  
Notes: LB-0354
Ed Izsak (1/5) CDR / 2 View   AUD
Stuart Ferguson (1/4.3) CDR / 2 View   Audience
Notes: DVD 222; lineage: Unknown audience recording.
Stuart Ferguson (1/4.3) CDR / 2 View   Audience; LB-354
Notes: DVD 703; 1980 Leg 1 DVD 3; lineage: LB-354. very good to excellent sound; a little background talking in d1t2; not much above 15k; has lego parapets
Stuart Ferguson (1/4.3) CDR / 2 View   Audience; LB-4661
Notes: DVD 703; 1980 Leg 1 DVD 3; lineage: LB-4661. Taper: BS, Source: Flac files from taper., Equipment: "Taped using a 3-head portable cassette recorder and electret condenser mic which, was possibly above-average equipment for the typical audience stealth taper in those days.", From taper's master list:, Feb 6, 1980 --- KNOXVILLE, TN --- Tape - *stereo cassette masters*: C-135, C-136, C-136.2, (17 songs; complete) Remastered to DAT D-80-2 copied to CDr; backed up on Minidisc MD-80-2, MD-80-3, Taper's comments concerning his oeuvre:, Charlotte, Columbia, and the two Knoxvilles would be the most highly recommended. Nashville, and Memphis would be next. Cincy is the most "distant". Of course, my Charlotte recording, has been commercially booted (and Knoxville 2/5 too), but the quality of the raw (undoctored), transfers tends to beat the bootleg discs by quite a ways. I recently did a new transfer, (via improved equipment & connections) to CDr from the original Charlotte Maxell cassettes, which are still in surprisingly good condition, and that one sounds best ever.
jetydo (1/5) FLAC / 1 8 View   aud
Notes: 95 min