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Grateful Dead 10/06/81
Rainbow Theater, London, England
Set I
Shakedown Street-> Minglewood Blues-> It Must Have Been The Roses, Little Red Rooster, Althea, Me & My Uncle-> Mexicali Blues, Good Time Blues, Cumberland Blues-> Looks Like Rain-> Might As Well
Set II
Women Are Smarter, High Time, Estimated Prophet-> He's Gone-> Drums-> Blues For Allah Jam-> The Wheel-> Sugar Magnolia-> Stella Blue-> Good Lovin', E:Sunshine Daydream-> E: Brokedown Palace
Set III
 
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Sources
(3303) View Source    View Archive
Master Soundboard Cassette > Cassette > CDR ; EAC > SHN by Brian Polgar; to abgd; cuts are master tape flips or ends. The first few words of Sunshine Daydream are also clipped
(103627) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller
(126571) View Source    View Archive
flac24; AUD 2nd Set Only: 2x Beyer M-88 > Sony TC-D5, taped from the orchestra (stalls) section. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 01/2014.
(126572) View Source    View Archive
flac16; AUD 2nd Set Only: 2x Beyer M-88 > Sony TC-D5, taped from the orchestra (stalls) section. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 01/2014.
(130405) View Source    View Archive
flac16; Recording Info: SBD > MC > C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC
(137268) View Source    View Archive
flac16; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by John Wenzel
(138197) View Source    View Archive
flac16; Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 3); Taped by Peter Williams from middle of stalls, just right of centre and about 1/3 back from front of stage; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX5 Advanced > iZotope Ozone 5 Advanced > iZotope RX5 Advanced wav 16.44.1 > CD Wave >TLH > Flac 24; transferred, edited and mastered SIRMick April 2017
(138198) View Source    View Archive
flac24; Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 3); Taped by Peter Williams from middle of stalls, just right of centre and about 1/3 back from front of stage; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX5 Advanced > iZotope Ozone 5 Advanced > iZotope RX5 Advanced wav 24/96 > CD Wave >TLH > Flac 24; transferred, edited and mastered SIRMick April 2017
(138249) View Source    View Archive
flac/176.4kHz; Source: Audience recording > Sony ECM-99 > JVC CD-1635 > aster Cassettes (C90 Maxell UD XLII x 3); Taped by Peter Williams from middle of stalls about 1/3 back from front of stage; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX5 Advanced > iZotope Ozone 5 Advanced > CD Wave >TLH > Flac 24
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