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Garcia 07/21/74
Keystone, Berkeley, CA
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Source # 117653 Other Sources
Entered by Joe Jupille
Checksums jg1974-07-21.jgms.93mins.sbd-Betty.117653.flac1644.ffp , jg1974-07-21.jgms.93mins.sbd-Betty.117653.flac1644.st5
Disc Counts 1 / 2
Media Size Compressed: 581.21 MB (609443076 bytes)
Date Circulated
Date Added
12/16/2011
12/16/2011
Source Summary JGMS; flac1644; MSR > PCM > DAT > ZA2 > CDR (xx) > EAC > flac1644. Uncertain date, uncertain venue. 
Source Information - Download Text | Download Zip
Jerry Garcia and Merl Saunders
Keystone
2119 University Avenue
Berkeley, CA 94704
"July 21, 1974 (Sunday)"

MSR > PCM > DAT > ZA2 > CDR (xx) > EAC > flac1644.

Disc One (3 tracks, 47:22)
--end set I--
d1t01. The Harder They Come [18:09] (1) [0:14] %
--set II--
d1t02. //When I Die [12:33#] (2) [0:28]
d1t03. Pennies From Heaven// [15:41#] % dead air [0:14]

Disc Two (4 tracks, 46:02)
--set II (con't)--
d2t01. //After Midnight [#10:33] (3) [1:59]
d2t02. When I Die [17:10] [1:29]
d2t03. You Can Leave Your Hat On// [11:28#] % dead air [0:04]
d2t04. //How Sweet It Is (To Be Loved By You) [#2:56] (4) [0:17] % dead air [0:04]

Lineup:
Jerry Garcia - el-g, vocals;
Merl Saunders - keyboards;
Martin Fierro - saxophone;
Tony Saunders - el-bass;
?? - drums.

JGMF:
! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [ ] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.
! TJS: http://www.thejerrysite.com/shows/show/1074
! db: none.
! FYI: http://dead.net/show/july-21-1974
! This recording clearly is not what it purports to be. The Grateful Dead were at Hollywood Bowl on 7/21/74, though Garcia could have flown up for a late Bay Area set with Merl after that show ended ca. 9 pm. All available sources also point to Earthquake and Moby Grape playing the Keystone Berkely this night (Berkeley Barb, 7/12-18/74, p. 28; Hayward Daily Review, July 19, 1974, p. 36). Tony Saunders is playing bass here, which works well with the 7/21 dating since John Kahn was down in Hollywood, having opened for the GD as part of Maria Muldaur's band, and he may not have wanted to fly north right away. The room sounds too big to be a tiny place like the Sand Dunes, which I had earlier conjectured. I also think it goes along well with the material dated 7/22/74 (also featuring Tony S. on bass). My working argument is that we might as well call it 7/21/74, Keystone Berkeley.
! We cannot know how much of a show, or how many pieces of shows, this represents. I have conjectured before that this represents bits and pieces of tape. It's so cut up, we really can't tell what might go with what except for the ca. 40-minute piece of continous tape from After Midnight to Leave Your Hat On. HTC is definitely the end of a first set, and HSII is definitely the end of a show, but beyond that we don't have much to go on.
! Personnel: Tony Saunders is on bass, which only really happened when Kahn was unavailable. As noted just above, this lends some credence to a 7/21/74 dating. I do not know who is drumming. The guy is really good. Possibilities include Bill Kreutzmann, Paul Humphrey or Gaylord Birch, all of whom Tony Saunders remembers playing with in the Saunders-Garcia band. E.W. Wainwright apparently played with Aunt Monk at the Generosity (timeframe uncertain) and also sat in at least once with Garcia-Saunders (3/14/74, Keystone Berkeley). Larry Vann and Bob Stellar both also drummed with Aunt Monk and could be possible here.
! R: this is a really sweet sounding recording. First fucking rate. It's maybe a little bright, as if maybe the PCM gen put some pre-emphasis in that never got decoded out. But Betty Cantor-Jackson is a true genius. This recording came from "Batch One" of the Betty tapes, which explains the PCM gen.
P: d1t01 HTC the drummer is really hot. Now, of course, Betty knows how to mic him perfectly. The snap is fantastic. But that's also because the dude is *hitting. Merl also sounds really nice. Jerry gets a nice metallic sound for his solo in the 12-minute mark, extremely electric.
! d1t01 HTC In the 8-min mark is that alto sax? Martin is keeping it nice and tight here.
! venue: crowd sounds too big to be the Sand Dunes. Maybe 7/21 and 7/22 go together, and are actually from the Keystone.
! (1) JG: "We're gonna take a break for a little while. We'll be back a little bit later."
! P: d1t02 WID when they drop into the jam around 2:30, it's really nice, with Tony Saunders supplying the big bottom end and Merl cooking around and through him. Tony does some nice ascending runs at the start of the 3-min mark. Martin misses the return to the '1' about 11 minutes in, but treats discretion as the better part of valor, stops, adn joins the rest of the band.
! R: d1t02 When I Die cuts in, not much missing;
! d1t02 (2) Tony Saunders can be heard talking to Jerry from 12:41 to the end of the track.
! setlist: d1t03 Pennies From Heaven is the Arthur Johnston/Johnny Burke composition (1936). Thanks to Tony Saunders for identifying it.
! R: d1t03 Pennies From Heaven cuts out;
! R: d2t01 After Midnight cuts in, substantially underway in the middle of a loud Martin solo.
! P: d2t01 AM Tony picks some really big notes about 5-minutes in. Merl is doing his tasteful Jimmy Smith thing as we approach the 6-minute mark, his son thumping along underneath. @ 6:12 the drummer makes himself heard with some nice cymbal work. It's grooving now.
! d2t01 (3) @ 11:52 someone asks "Jerry, you want a hit man?" Folks on and near stage laugh, Garcia asks back "Do, I want a hit, man? I just had one."
! P: d2t02 WID is much faster than the version that appears earlier in this fileset. The drummer is a monster at the start of this version (though, again, there's always the fact of Betty's amazing tapes to factor in).
! P: d2t03 YCLYHO Merl is a little confused about the vocals at the start.
! R: d2t03 YCLYHO Vocals are very low in the mix, come in better after about a minute and a half.
! P: d2t03 YCLYHO Martin does some ear-splitting stuff @ 5:55.
! R: d2t03 YCLYHO cuts out, unknown amount missing.
! R: d2t04 How Sweet It Is cuts in, almost entirely missing
! d2t04 (4) JG: "See y'all later."

jgmf.blogspot.com
Show Checksums
jg1974-07-21.jgms.93mins.sbd-Betty.117653.flac1644.ffp
jg1974-07-21-d1t01.flac:6f0a116f228da79079f6c7fca9311b8d
jg1974-07-21-d1t02.flac:e94f2587677149b30fc036b754676133
jg1974-07-21-d1t03.flac:022cd6cfc636004a5db44d9f33e2e423
jg1974-07-21-d2t01.flac:4119e21acf004924157f8c151ed430a1
jg1974-07-21-d2t02.flac:fae40018b266e1ae79742d90f38cee29
jg1974-07-21-d2t03.flac:00d04a79c174d18a32e641205348c09e
jg1974-07-21-d2t04.flac:0220f703489b621f6d48c6bd28148cb3
jg1974-07-21.jgms.93mins.sbd-Betty.117653.flac1644.st5
6f0a116f228da79079f6c7fca9311b8d [shntool] jg1974-07-21-d1t01.flac
e94f2587677149b30fc036b754676133 [shntool] jg1974-07-21-d1t02.flac
022cd6cfc636004a5db44d9f33e2e423 [shntool] jg1974-07-21-d1t03.flac
4119e21acf004924157f8c151ed430a1 [shntool] jg1974-07-21-d2t01.flac
fae40018b266e1ae79742d90f38cee29 [shntool] jg1974-07-21-d2t02.flac
00d04a79c174d18a32e641205348c09e [shntool] jg1974-07-21-d2t03.flac
0220f703489b621f6d48c6bd28148cb3 [shntool] jg1974-07-21-d2t04.flac

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