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Set I
The Wedge, Beauty Of My Dreams, Dogs Stole Things, Vultures, Water In The Sky, Maze, Bouncing Around The Room > Tweezer > Taste, Carolina
Set II
Down With Disease > Bathtub Gin > Uncle Pen, Also Sprach Zarathustra^ > Harry Hood
Set III
Buffalo Bill > NICU > Weigh > Guyute > Dirt, Scent Of A Mule > Prince Caspian
E: When The Circus Comes To Town, Tweezer Reprise#
E: When The Circus Comes To Town, Tweezer Reprise#
Comment
The Great Went
* - Includes Cities Jam
^ - Includes Art Jam. The band members take turns painting large designs at the side of the stage. Then, the crowd carries the pieces of this design to the side of the venue where it is assembled and hoisted for eveyone to see onto a tower. This wood tower is tall and covered in painted plywood and has been built during the two shows. As Harry Hood goes into the jam, Trey again asks Chris Kuroda to turn the lights off and the band jams while the front section of the crowd has a gigantic Glow Stick War. Trey tells the crowd at the end of the Jam to "go and get more of those, because that was cool."
# - The entire assembled art design is burned.
* - Includes Cities Jam
^ - Includes Art Jam. The band members take turns painting large designs at the side of the stage. Then, the crowd carries the pieces of this design to the side of the venue where it is assembled and hoisted for eveyone to see onto a tower. This wood tower is tall and covered in painted plywood and has been built during the two shows. As Harry Hood goes into the jam, Trey again asks Chris Kuroda to turn the lights off and the band jams while the front section of the crowd has a gigantic Glow Stick War. Trey tells the crowd at the end of the Jam to "go and get more of those, because that was cool."
# - The entire assembled art design is burned.
Last Changed By
STLBlues
Sources
(686) View Source
despite db date listing, shns are a set of 8/16+17; Source:? Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper:? Marc Nutter; Seed:? Supplied by John Cocci; Mastering:? John Cocci (DAT > CD); Extraction: Mike Monacella (using WinDAC w/ sector syncronization); slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; note d4t6 "pops" are fireworks; Guyute/Dirt one track; small pop 1:18 in NICU; to fit Disco set, see Anthony Marco's tracking suggestions
(689) View Source
FOB Schoeps mk21> kc5> CMC6> Sonosax SX-M2> Technics SV-MD1; Conversion [EP]: DAT@48k-> Montego II Plus@44k-> HD via Soundforge> CDWav; via EP, A. Gustin; FOB-style crowd noise
(10352) View Source
B&K 5000 > ? > DAT > CD > EAC (Plextor 24/10/40 Read Offset @ +98, secure) > MKW (SHNv3)
(13474) View Source
SBD FM > Sony WM-FX50 > Sony D8; Tascam DA-20mkII > SoundForge 4.5 > CDQuadrat 3.6 > CDR > EAC > shntool > mkwACT > SHNv3; Taped and transferred by David Schall; SHN Conversion by Blane Harvey.
(14164) View Source
FM > DAT; DAT > CDR > EAC > SHN; Note: shnid 13474 is preferred to this source. This is NOT the cleanest transfer and complilation of sources as of 12/2002. See comments below and for source 13474.
(25555) View Source
FM > Sony Walkman (digital tuner) > D7 @48kHz; Sony PCM-R300 > M-Audio Delta TDIF > Cool Edit 2000 > Pro Tools (48>44.1kHz) > FLAC; Taped and transferred by John Beatty
(105510) View Source
flac16, 44kHz; (FOB) Neumann TLM170 > Sonosax SX-M2 > Apogee AD500e > Tascam DA-P1; Sony R500 > Sound Devices 722 > Soundforge > CDWave > FLAC; Source and Transfer by Scott Bernstein
(108553) View Source
flac16, 44kHz; (FOB) Schoeps mk2 > Sonosax SX-M2 > Sony TCD-D7; Sony DTC-790 > Hucht Copyprocessor MKII > Tascam HD-P2 > Audacity > CDWave > FLAC; Source by Dan Haugh, Boris Lvovsky, Brian and Erik; Transfer by Bill Tetzeli
(124565) View Source
flac16, 44kHz; (FOB) Schoeps mk21 > kc5 > cmc6 > Sonosax SX-M2 > Technics SVMD-1 > Sony TCD-D8; Sony PCM-2600 > Sound Devices 722 > Sound Studio > FLAC; Source by Eric Pearson and Craig Hillwig; Transfer by Lenny Stubbe
(124566) View Source
flac16, 48kHz; (FOB) Schoeps mk21 > kc5 > cmc6 > Sonosax SX-M2 > Technics SVMD-1 > Sony TCD-D8; Sony PCM-2600 > Sound Devices 722 > Sound Studio > FLAC; Source by Eric Pearson and Craig Hillwig; Transfer by Lenny Stubbe
(128939) View Source
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(130465) View Source
flac16, 48kHz; set2+3 only; Nakamichi CM700's (pointed @ stacks) > Sony TCD-D7; Cass/2 > Yamaha KX530 > Tascam Dr-100 MKII @ 1648 > wav > Izotope > Audacity > xACT(FLAC/TAG); Taped by Steve Baker; Transferred by DiGiHoArDeRs
(135479) View Source
flac16 FM + (FOB) Neumann TLM170 mix; [shnid 13474 + shnid 105510]
(138140) View Source
flac16 SBD>WENT 88.9 FM > Sony WM-FX50 > Sony D8, 48k; DA-20mkII >SPDIF > HDP2 flash recorder > Pro Tools 10; transferred & taped by Dave Schall
(686) View Source
despite db date listing, shns are a set of 8/16+17; Source:? Microtech Gefell m296 (omnis, run split about 10 feet apart aimed directly between the main stacks and the first set of delay stacks) > EAA pre-amp ; Taper:? Marc Nutter; Seed:? Supplied by John Cocci; Mastering:? John Cocci (DAT > CD); Extraction: Mike Monacella (using WinDAC w/ sector syncronization); slight pops at 11:00-11:10 and a larger pop 16:37-16:38 on Wolfman's d3t1 are on orig source- at the nasty click, channels reverse and may stay that way for the rest of the disc; note d4t6 "pops" are fireworks; Guyute/Dirt one track; small pop 1:18 in NICU; to fit Disco set, see Anthony Marco's tracking suggestions
(689) View Source
FOB Schoeps mk21> kc5> CMC6> Sonosax SX-M2> Technics SV-MD1; Conversion [EP]: DAT@48k-> Montego II Plus@44k-> HD via Soundforge> CDWav; via EP, A. Gustin; FOB-style crowd noise
(10352) View Source
B&K 5000 > ? > DAT > CD > EAC (Plextor 24/10/40 Read Offset @ +98, secure) > MKW (SHNv3)
(13474) View Source
SBD FM > Sony WM-FX50 > Sony D8; Tascam DA-20mkII > SoundForge 4.5 > CDQuadrat 3.6 > CDR > EAC > shntool > mkwACT > SHNv3; Taped and transferred by David Schall; SHN Conversion by Blane Harvey.
(14164) View Source
FM > DAT; DAT > CDR > EAC > SHN; Note: shnid 13474 is preferred to this source. This is NOT the cleanest transfer and complilation of sources as of 12/2002. See comments below and for source 13474.
(25555) View Source
FM > Sony Walkman (digital tuner) > D7 @48kHz; Sony PCM-R300 > M-Audio Delta TDIF > Cool Edit 2000 > Pro Tools (48>44.1kHz) > FLAC; Taped and transferred by John Beatty
(105510) View Source
flac16, 44kHz; (FOB) Neumann TLM170 > Sonosax SX-M2 > Apogee AD500e > Tascam DA-P1; Sony R500 > Sound Devices 722 > Soundforge > CDWave > FLAC; Source and Transfer by Scott Bernstein
(108553) View Source
flac16, 44kHz; (FOB) Schoeps mk2 > Sonosax SX-M2 > Sony TCD-D7; Sony DTC-790 > Hucht Copyprocessor MKII > Tascam HD-P2 > Audacity > CDWave > FLAC; Source by Dan Haugh, Boris Lvovsky, Brian and Erik; Transfer by Bill Tetzeli
(124565) View Source
flac16, 44kHz; (FOB) Schoeps mk21 > kc5 > cmc6 > Sonosax SX-M2 > Technics SVMD-1 > Sony TCD-D8; Sony PCM-2600 > Sound Devices 722 > Sound Studio > FLAC; Source by Eric Pearson and Craig Hillwig; Transfer by Lenny Stubbe
(124566) View Source
flac16, 48kHz; (FOB) Schoeps mk21 > kc5 > cmc6 > Sonosax SX-M2 > Technics SVMD-1 > Sony TCD-D8; Sony PCM-2600 > Sound Devices 722 > Sound Studio > FLAC; Source by Eric Pearson and Craig Hillwig; Transfer by Lenny Stubbe
(128939) View Source
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(130465) View Source
flac16, 48kHz; set2+3 only; Nakamichi CM700's (pointed @ stacks) > Sony TCD-D7; Cass/2 > Yamaha KX530 > Tascam Dr-100 MKII @ 1648 > wav > Izotope > Audacity > xACT(FLAC/TAG); Taped by Steve Baker; Transferred by DiGiHoArDeRs
(135479) View Source
flac16 FM + (FOB) Neumann TLM170 mix; [shnid 13474 + shnid 105510]
(138140) View Source
flac16 SBD>WENT 88.9 FM > Sony WM-FX50 > Sony D8, 48k; DA-20mkII >SPDIF > HDP2 flash recorder > Pro Tools 10; transferred & taped by Dave Schall
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Eric Phillips (2/5) | cdr / 4 | A | View | |||
| Notes: | Great sound for The Great Went | |||||
| michael lemon (2/0) | SHN / 3 | A+ | View | Microtech Gefell m296 > EAA pre-amp | ||
| RJ Bee (2/0) | SHN / 2 | A | A | View | Microtech Gefell m296 > EAA pre-amp | |
| Rob McGill (2/5) | CDR / 4 | A+ | View | |||
| Kyle Gossman (2/0) | SHN / 3 | A | View | Microtech Gefell m296 > EAA pre-amp | ||
| Notes: | This is actually a 5 disc set of SHNs for both 8-16 and 8-17. The fifth audio disc contains the encore of 8-16, and the beginning of 8-17. It is 8 audio discs total. | |||||
| Jason Norrish (2/0) | cdr / 0 | a | a | View | ||
| Nicholas (2/1) | CDR / 4 | A | A | View | ||
| alexandra moore (2/0) | / 0 | A | View | |||
| Casey Byrne (2/0) | / 0 | View | ||||
| Manoj R. (2/0) | CDR / 4 | A+ | View | |||
| Notes: | FM broadcast | |||||
| Conor Keitzer (2/0) | SHN / 5 | A | View | 686 | Microtech Geffel m296>EAA pre-amp | |
| RYAN BUSHEY (2/0) | TAPE / 3 | A | View | |||
| Jeremiah Gaster (2/0) | CDR / 4 | A++ | A | View | ||
| jeff (2/0) | Sony / 4 | A | A | View | ||
| Andrew (2/5) | cd-r / 4 | View | 689 | |||
| Mark S (2/0) | Shn / 0 | View | 689 | Microtech Gefell m296 > EAA pre-amp; DAT > CD; WinDAC w/ sector syncronization | ||
| Iain Gray (2/0) | CDR / 4 | View | Unknown Aud | |||
| g (2/0) | Tape / 3 | A | View | |||
| Dave Miller (2/0) | shn / 4 | View | ||||
| RicK (2/5) | SHN / 3 | A | View | 686 | ||
| John Ferguson (2/4.7) | CD-R / 4 | A | A | View | ||
| Notes: | *JR* Phish Net Review | |||||
| John Dennison (2/0) | CD-R / 4 | A+ | A | View | Microtech Gefell m296 > EAA pre-amp | |
| Notes: | Went Day 2. Filler on Disc one is encore from Day 1. | |||||
| Burl Carter (2/0) | cd-r / 4 | A+ | View | |||
| Notes: | Great Went Day 2 scratches on DWD. | |||||
| chris delozier (2/0) | / 4 | View | Microtech Gefell m296 > EAA pre | |||
| Lee Ascher (2/0) | CDR / 4 | View | Pre FM>DAT>CD | |||
| John Goot (2/0) | SHN / 3 | View | Microtech Gefell m296 > EAA pre-amp | |||
| Notes: | Phish The Great Went Sunday, August 17, 1997 Loring Air Force Base, Limestone, ME Source: Microtech Gefell m296 > EAA pre-amp Taper: Marc Nutter Seed: Supplied by John Cocci Mastering: John Cocci (DAT > CD) Extraction: Mike Monacella (using WinDAC w/ sector syncronization) (disc 5 [58:47]) encores 01 06:54 Contact 02 06:47 Loving Cup Sunday, August 17, 1997 disc 1 aka disc 5 Set 1 03 06:57 The Wedge 04 03:08 Beauty of My Dreams 05 04:31 Dogs Stole Things 06 06:44 Vultures 07 03:36 Water in the Sky 08 16:32 Maze 09 03:38 Bouncing Around the Room > disc 2 aka (disc 6 [59:45]) Set 1 cont... 01 18:43 Tweezer* > 02 12:19 Taste 03 01:23 Carolina Set 2 04 27:20 Down With Disease > disc 3 aka disc 7 [68:19] Set 2 cont... 01 15:30 Bathtub Gin > 02 04:01 Uncle Pen 03 22:55 Also Sprach Zarathustra > 04 10:03 Art Jam** > 05 15:50 Harry Hood disc 4 aka (disc 8 [72:36]) Set 3 01 05:26 Buffalo Bill > 02 05:45 NICU > 03 05:34 Weigh 04 14:15 Guyute > Dirt 05 14:58 Scent of a Mule# 06 14:19 Prince Caspian encore 07 04:53 When the Circus Comes > 08 07:26 Tweezer Reprise^ *With a "Cities" jam. **The band members take turns painting large designs at the side of the stage. Then, the crowd "carries" the pieces of this design to the side of the venue where it is assembled and hoisted for everyone to see onto a tower. This wood tower is tall and covered in painted plywood and has been built during the two shows. As "Harry Hood" goes into its jam, Trey asks Chris to turn the lights off, and the band jams while the front section has a gigantic Glow Stick War. Trey tells the crowd at the end of the jamto "go and get more of those, because that was cool." #No Muel Duel. ^The entire art tower was burned to the ground. | |||||
| C. Wimpelmann (2/5) | CDR / 4 | 3 | A | View | Microtech Gefell m296 > EAA pre-amp | |
| Notes: | Includes my favorite Gin. | |||||
| Christopher Paci (2/0) | shn / 2 | View | ||||
| MIKE CUTTONE (2/0) | CDR / 4 | A | A | View | CDR | |
| Notes: | DAO | |||||
| Curt Richardson (2/0) | cdr / 4 | A+ | View | Fm | ||
| Notes: | the great went | |||||