Artists
Dates
List Management
Help
Add Source
List Collectors
Add to Collection
I Was There
Add to Want List
Wanted By
History
Edit Show
Set I
Bertha, Truckin', It Hurts Me Too, Loser, Greatest Story Ever Told-> Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star-> Wharf Rat-> Dark Star-> Me & My Uncle
Set II
Casey Jones, Playin' In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Uncle John's Band
Set III
Comment
Mickey's last show until 10-20-74 - E.S.P. show - Other artist(s): NRPS
Last Changed By
System
Sources
(107) View Source
View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source
View Archive
direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source
View Archive
flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source
View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source
View Archive
flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source
View Archive
flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
(107) View Source
View Archive SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source
View Archive direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source
View Archive flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source
View Archive flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source
View Archive flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source
View Archive flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
<< Previous 1 - 30 | 301 - 330 | 601 - 630 | 631 - 660 | 661 - 690 | 691 - 720 | 721 - 750 | 751 - 780 | 781 - 810 | 811 - 840 | 841 - 870 | 871 - 900 | 901 - 930 | 931 - 960 | 961 - 990 | 991 - 1020 | 1021 - 1050 | 1051 - 1080 | 1081 - 1110 | 1111 - 1140 | 1141 - 1170 | 1171 - 1200 | 1201 - 1230 | 1231 - 1260 | 1261 - 1290 | 1291 - 1320 | 1321 - 1350 | 1351 - 1380 | 1381 - 1410 | 1411 - 1440 | 1441 - 1470 | 1471 - 1500 | 1501 - 1530 | 1531 - 1560 | 1561 - 1590 | 1861 - 1890 | 2161 - 2190 | 2461 - 2490 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Rob Walker (3/0) | CD-R / 3 | A | View | |||
| luke (3/5) | CDR / 2 | A | View | unknown | ||
| Notes: | Some minor fuzz, but definitely listenable Tracklist... Disc 1 1. Bertha 2. Truckin' 3. It Hurts Me Too 4. Loser 5. Greatest Story Ever Told 6. Johnny B Goode 7. Mama Tried 8. Hard to Handle 9. Dark Star 10. Wharf Rat 11. Dark Star 12. Me and My Uncle. Disc 2 1. Stage Banter 2. Casey Jones 3. Playin' in the Band 4. Me and Bobby McGee 5. Candyman 6. Big Boss Man 7. Sugar Magnolia 8. Saint Stephen 9. Not Fade Away 10. Goin' Down the Road Feelin' Bad 11. Not Fade Away 12. Uncle Johns Band | |||||
| Dan Freedman (3/0) | CDR / 2 | View | SBD>?>CDR | |||
| Tyler (3/0) | CD/R / 3 | A | A | View | ||
| George Messner (3/0) | / 0 | View | ||||
| pharmerjoe (3/0) | cdr / 2 | A+ | View | |||
| Notes: | sbd | |||||
| Jason Mckinney (3/5) | CD-R / 3 | A+ | View | SBD>DOLBY A REEL>DOLBY A DECODE>DAT>SOUNDFORGE>NR>CDR | ||
| Ed Stevenson (3/5) | / 3 | View | 107 | |||
| Chris (3/0) | dat / 1 | A | View | SBD>REELS>DAT | ||
| Matt Bornstein (3/0) | CDR / 3 | View | ||||
| Brendan (3/0) | CDR / 3 | View | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |||
| Matthew Coomber (3/0) | CD-R / 3 | A | View | SBD>DAT>CD-R | ||
| Notes: | ALL | |||||
| James (3/0) | cd-r / 3 | A | View | sbdSBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| Notes: | The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details. | |||||
| Bill Beattie (3/0) | CDR / 1 | A- | View | |||
| Jim Doyle (3/5) | / 0 | A | A | View | ||
| Brett (3/0) | Cassete / 0 | View | ||||
| Chris Merz (3/5) | CDR / 3 | View | SBD >> Dolby A Reel >> Dolby A decode >> DAT >> Sound Forge NR >>... | |||
| Jeff Korona (3/0) | CDR / 3 | A | View | |||
| Brian Hiley (3/0) | CD / 2 | View | ||||
| Jacob B (3/0) | SHN / 3 | View | SBD->Dolby A Reel->Dolby A decode->DAT->Sound Forge NR->CD-R | |||
| Gene (3/0) | / 2 | View | ||||
| Notes: | 2x90 min | |||||
| Kent Moreno (3/0) | / 0 | A+ | A | View | ||
| Rob McDaniel (3/0) | CD-R / 3 | A | A | View | SHN | |
| Randy Perkins (3/5) | CDR / 3 | A | View | 107 | .wav | |
| Michael Dixon (3/0) | / 0 | View | ||||
| shacklyn75 (3/0) | cd / 3 | A+ | View | sbd>dolby reel>dolby decode>dat>sforge>cdr | ||
| Marc Mendoza (3/0) | CDR / 3 | View | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |||
| Dave Huck (3/0) | SHN/CDR / 3 | A | View | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| longcreektrailer (3/5) | .shn / 2 | View | 107 | SBD -> Dolby A Reel -> Dolby A decode -> DAT | ||
| Dustin Hassenstab (3/0) | cdr / 3 | A | View | 107 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |
| Notes: | .shn | |||||