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Pearl Jam 07/02/98
Riverport Amphitheatre, Maryland Heights, MO
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Set I
Oceans
Hail Hail
Brain of J
Spin the Black Circle
Tremor Christ
Given to Fly
In Hiding
Corduroy
MFC
Wishlist
Nothingman
Improv ->
Habit
Even Flow
Daughter/(Institutionalized)
Immortality
Black
Alive
Set II
E1:
Do the Evolution
Jeremy
I Got Shit
Better Man/(Save it for Later)
Fuckin' Up
Set III
E2:
Yellow Ledbetter
Comment
 
Last Changed By System
Sources
(22560) View Source   
[SchoepsCCM4>aerco>SBM1>D100]+[um>ur]>EQ>CDR
(30700) View Source   
SBD + AUD1 + AUD2 Matrix Mix(50%-SBD/25%-AUD1/25%-AUD2) [732mb]
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
danica (3/0) cdr / 2 View  
Paul ! (3/0) SHN / 2 A A View  
Jason Siegel (2/5) MP3 / 0 A A View  
Tom (2/0) / 2 View   3-source matrix: [SBD (mono) -> ALD -> SBM-1 -> D8 -> DAT(M) -> FLAC -> .wav] +...
SailorSaint (2/4.9) FLAC / 2 View 30700
Rony Kohn (2/5) CD-R / 2 A A View 30700
Colin Waldschutz (2/4.9) CDR / 3 View 30700 FLAC
Notes: Matrix (ALD SBD + 2 AUD sources)
mark (2/5) cd / 2 View  
JacobH (2/0) / 0 View  
Lew (2/5) cdr / 2 View 30700 SBD + AUD1 + AUD2 Matrix Mix ... SBD Mono SBD (ALD) > SBM-1 > TCD-D8 > DAT(M) > FLAC...
chris hather (2/5) FLAC / 2 View 30700 3 Source DTS Mix
Notes: FLACs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. Cool Edit Pro 2.0 was used to align & synch all sources. CEP2.0 was used to create all multichannel mixdown matrix mixes. CEP2.0 used to EQ and adjust the volume for the center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - Shn conversion 31-MAY-2004 - Remix and FLAC conversion 02-FEB-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. DTS-Audio-CD Info Front (70%-SBD/30%-AUD) Left Channel SBD+AUD EQ'd Matrix 70-sbd/15-mk4/15-akg Right Channel SBD+AUD EQ'd Matrix 70-sbd/15-mk4/15-akg Center (90%-SBD/10%-AUD) Mono Mix -5db SBD+AUD EQ'd Matrix 90-sbd/5-mk4/5-akg Surround (50%-AUD1/50%-AUD2) Left Channel AUD+AUD EQ'd Matrix 50-mk4/50-akg Right Channel AUD+AUD EQ'd Matrix 50-mk4/50-akg Sub/LFE (70%-SBD/30%-AUD) Mono Mix -4db SBD+AUD EQ'd Matrix 70-sbd/15-mk4/15-akg This 5.1 mix utilizes 5 fully discrete channels. Disc 1 and 2 can be assembled seamlessly on longer media. The matrix mixes made for both rear and front channels have been D'EQed using CE Pro 2.0 I used a matrix mix for the front channels to add a little life to very dull mono SBD recording. The "surround sound" feel is still there, IMO. Sporadic FM static from the mono SBD ALD source mostly found btwn songs. Infrequent and nothing bad. A few bursts were removed entirely and others were reduced and masked with the 2 AUD sources. Most of these edits are smooth and most likely undetectable. 4 seconds of static on the very beginning of Daughter has been edited out. Both AUD sources were trimmed to match. This is smooth and most likely undetectable. A few minutes of crowd cheer was cut on the mono SBD btwn the last song and first encore break. Both AUDs were trimmed to match. No music, tuning or talking was missing, just crowd noise. 1:23:59.589 to 1:26:15.036 total of 02:15.446. This is smooth and most likely undetectable. d2t10 "fuckin' Up' was cut on AKG source. Patched with Mk4 source, +5db & D'EQed. 1:53:45.781 to 1:54:18.488 for a total 0:32.707. This is smooth and most likely undetectable. d2t10 all 3 sources were paused btwn the last song and the final (2nd) encore. They were all missing a different amount of btwn crowd cheering. They were trimmed to match and cross faded to keep sounding smooth an natural. This is smooth and most likely undetectable. Neither the SBD or either AUD were all that great. What we have is about as good as it can be given the source material. Interestingly enough, listening to each source individually I was left wondering if it was worth the effort. In the end the 3 sources ended up complimenting each other very nicely. Kinda filling in sonic areas that were missing individually. Maybe like a peanut butter and jelly sandwich. Jelly alone, not that great. Peanut butter straight, also not very good. And plain bread is just that, plain. However, mix all 3 together and bingo, gourmet food! With that said, enjoy this show, it is really good.
chris hather (2/5) FLAC / 2 View 30700 SV065: 3 Source Mix
Notes: This is one of six versions that have made for this show. This particular source is "F" listed below. "A" = stereo matrix mix by dan (at) am-dig (dot) com "B" = DTS 5.1 audio version by dan (at) am-dig (dot) com "C" = 6-channel x 24/44 DVD audio version by dan (at) am-dig (dot) com "D" = 6-channel x 16/44 DVD audio version by dan (at) am-dig (dot) com "E" = DVD-A 24/44 matrix mix by dan (at) am-dig (dot) com "F" = stereo matrix mix by BLG Excellent show with the opening songs totally rocked out. Band looks really happy and playing great. 'Oceans' is a beautiful opener and 'In Hiding' is one of the finest versions played. 'Nothingman' is introduced as a song about a man who "not only couldn't change the world ... he couldn't even take care of himself". 'Institutionalized' is a Suicidal Tendencies cover ("I'm not crazy, you're the one who's crazy ... institution.") 'Fuckin' Up' is a total surprise! Great crowd.
chris hather (2/5) FLAC / 2 View 22560 2 Source Mix
deanq4 (2/3) CD-R / 2 View   Core Sound > Sony TCD-D8
Jamie (2/0) CDR / 2 View 22560
Eddie Vedder (2/0) FLAC / 1 View  
Tim (2/0) SHN / 0 View 22560
Notes: AA36
Trent Williams (2/5) audio / 2 B+ View 30700 see link shn
Steve-O (2/0) cdr / 2 View  
Philip Maggio (2/0) CDR / 2 A- A View  
James Ireland (2/0) SHN / 2 View 22560 2-Source Mix: [SchoepsCCM4 > Aerco > SBM1 > D100] + [um > ur] > EQ > CDR
James Ireland (2/0) FLAC / 2 View   DAT>FLAC transfers: DA20mkII -> Audiophile 2496 -> Soundforge -> FLAC frontend ->...
Notes: SV065 - "CHANGES". 3-source matrix: [SBD (mono) -> ALD -> SBM-1 -> D8 -> DAT(M) -> FLAC -> .wav] + [Schoeps CCM4s -> Aerco -> SBM-1 -> D100 (20th row center) -> DAT(1) -> FLAC -> .wav] + [AKG460b + ck8 (shotgun) -> EAA-PSP3 -> DTR-80P -> D7 (33rd row center) -> DAT(1) -> FLAC -> .wav -> dEQ] => FLAC
James Ireland (2/0) FLAC / 2 View 30700 SBD + AUD1 + AUD2 Matrix Mix (50%-SBD/25%-AUD1/25%-AUD2) - Specific source info in txt file
Notes: FLACs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch all sources. CEP2.0 used to EQ and adjust the volume for each source. CEP2.0 was used to create the multichannel mixdown matrix mix. Edits and changes described in txt file.
James Ireland (2/0) FLAC / 2 View   DTS-Audio-CD 5.1 Mix
Notes: DTS 5.1 Mix of the 3-source matrix.
steve black (2/5) FLAC / 2 View 30700
Brandon Martin (2/5) CDR / 2 A A View  
Kevin (2/0) CDR / 2 View 30700
Jennifer Bishop (2/5) Klones / 2 A View   Schoeps CCM-4> Aerco pre-amp > Sony SBM-1 > Sony TCD-D100 > digimaster and mix with...
Notes: Traded from first copy to the replacement from Chris D.
mike (2/0) cdr / 2 A A View  
Eric Rummel (2/5) CDR / 2 View   Unknown
Notes: I attended this show.