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Set I
Bertha, Truckin', It Hurts Me Too, Loser, Greatest Story Ever Told-> Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star-> Wharf Rat-> Dark Star-> Me & My Uncle
Set II
Casey Jones, Playin' In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Uncle John's Band
Set III
Comment
Mickey's last show until 10-20-74 - E.S.P. show - Other artist(s): NRPS
Last Changed By
System
Sources
(107) View Source
View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source
View Archive
direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source
View Archive
flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source
View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source
View Archive
flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source
View Archive
flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
(107) View Source
View Archive SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source
View Archive direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source
View Archive flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source
View Archive flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source
View Archive flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source
View Archive flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| alicia (2/2.5) | Wave / 3 | View | ||||
| Dean Thole (2/0) | SHN / 2 | View | 107 | |||
| Dean Thole (2/0) | SHN / 2 | View | 6672 | |||
| Dan Goorsky (2/5) | shn / 3 | View | ||||
| Notes: | 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz ; PCM501ES analog out > dolby A decoder > Apogee filter > analog in PCMF1 ; PCM501ES analog out > Fostex D5 @ 48 kHz > 3 DAT generations | |||||
| Dan Goorsky (2/5) | shn / 3 | View | ||||
| Notes: | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |||||
| Dan Goorsky (2/5) | flac / 2 | View | ||||
| Notes: | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). | |||||
| Mark Schoof (2/5) | shn/cdr / 2 | View | 107 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| john and tracy (2/0) | / 3 | View | ||||
| Steve Tobani (2/5) | / 3 | View | SBD > Dolby A Reels > Dolby A decode > DAT > Sound forge > CD-R | |||
| Notes: | pop at 4:09 of Dark Star, Small dropout at 4:50 of St. Stephen, less than 10 seconds missing | |||||
| William Ferdinandsen (2/5) | / 3 | View | ||||
| Ben Larkin (2/5) | Audio CD-R / 3 | A | A | View | sbd>mr>cassette>dat>cdr | |
| Vic Ames (2/0) | / 0 | View | 6672 | |||
| Jim (2/0) | CDR / 3 | View | 107 | |||
| Nat (2/5) | CDR / 3 | View | 6672 | |||
| Shawn Desmond (2/5) | CD-R / 3 | A | View | DAUD | ||
| lukas eklund (2/0) | SHN / 2 | View | 107 | SBD | ||
| Notes: | Orf version | |||||
| Eddie Russell (2/5) | SHN / 2 | View | 107 | SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CDR | ||
| Frank Katen (2/0) | / 3 | View | ||||
| Rob S. (2/0) | CD / 3 | A | View | sbd>dolby-areel>dolby-a decode>dat>sfnr>cd | ||
| Rob S. (2/0) | SHN / 2 | View | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |||
| Kevin Tobin (2/5) | CD / 3 | A | View | SBD>Bettyboard 7 Reels>PCM>DAT>CD | ||
| Mike (2/0) | CDR / 3 | View | ||||
| Kenyon Hall (2/0) | / 0 | View | 85478 | |||
| Bob Homeyer (2/5) | CDR / 3 | A | View | SBD | ||
| Notes: | Small cut in first part of St. Stephen. | |||||
| Joe Prisco (2/0) | / 1 | View | ||||
| Joe Prisco (2/0) | / 1 | A | View | |||
| Notes: | single-disc highlight | |||||
| Emily (2/4.8) | cdr 1x 80 / 2 | A | View | sbd mr>dat>dolbyA decode>SoundForge nr>shn>dat>cdr | ||
| Itsonlyfractured (2/5) | SHN / 2 | View | 107 | |||
| jeff christian (2/5) | WAV / 3 | View | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |||
| Notes: | Grateful Dead February 18, 1971 Capitol Theatre, Port Chester, NY SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details. Remastered by Leigh Orf <[email protected]> Disc 1 Set 1 1. Bertha (7:13) * 2. Truckin' (11:03) 3. It Hurts Me Too (7:42) 4. Loser (8:21) * 5. Greatest Story Ever Told (3:45) * > 6. Johnny B. Goode (3:39) * 7. Mama Tried (3:29) 8. Hard To Handle (8:01) Disc 2 1. Dark Star > (7:03) 2. Wharf Rat * > (7:21) 3. Dark Star > (7:14) 4. Me And My Uncle (4:04) Set 2 5. Lucky Lager Dance Time (2:39) 6. Casey Jones (6:10) 7. Playing In The Band (5:09) 8. Me And Bobby McGee (6:06) Disc 3 1. Candyman (9:46) 2. Big Boss Man (5:40) 3. Sugar Magnolia (8:29) 4. St. Stephen > (5:57) 5. Not Fade Away > (4:33) 6. Goin' Down The Road Feeling Bad > (5:01) 7. Not Fade Away (3:59) 8. Uncle John's Band (6:44) * first performance | |||||
| Chris (2/2.5) | shn / 2 | View | 107 | |||