(453) View Source
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SBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN; via Adam Jerugim; known flaws: 1 sec d/o d2t7 @0:17
(7460) View Source
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Schoeps CMC54 (ORTF, 19th row) > Aerco PS > DAT @ 48kHz; via
Dankseeds
(21433) View Source
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Bertha Remaster of the Master Cassette source; SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
(28040) View Source
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SBD + AUD Matrix Mix (60%-SBD/40%-AUD); Mixed & Shn conversion by Dan
(31772) View Source
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DTS Audio 5.1; Mix of AUD Dave Brotman FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT & SBD > MC > DAT
(91779) View Source
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flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F.
(107871) View Source
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flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
(111464) View Source
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Soundboard Unknown>CD>EAC>WAV>SHN (This source was submitted to Etree with the alt-md5; the seed of this source did not match the alt-md5 on d1t7. A new shn-md5 was created.)
(113144) View Source
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flac16:Matrix by Jubal Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
(125880) View Source
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flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe
(125881) View Source
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flac16; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)>Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe
(126698) View Source
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flac16; Matrix 3 Source Mix - SBD (shnid=107871) Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 125880) flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe + VID (no shn id) master video found supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin
(126699) View Source
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DTS-Audio-CD 5.1 Mix; SBD (shnid=107871)Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 125880) flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe + VID (no shn id) master video supplied by Peanut Production for a video project - dts mixing by Kevin Tobin
(139224) View Source
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flac16; Recording Info: SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750); Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16
(141112) View Source
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flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
(141931) View Source
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flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MK4 > DAT 48k (Panasonic SV-250); Location: row 23 seat 10; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48