Artists
Dates
List Management
Help
Add Source
List Collectors
Add to Collection
I Was There
Add to Want List
Wanted By
History
Edit Show
Set I
Bertha, Truckin', It Hurts Me Too, Loser, Greatest Story Ever Told-> Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star-> Wharf Rat-> Dark Star-> Me & My Uncle
Set II
Casey Jones, Playin' In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Uncle John's Band
Set III
Comment
Mickey's last show until 10-20-74 - E.S.P. show - Other artist(s): NRPS
Last Changed By
System
Sources
(107) View Source
View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source
View Archive
direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source
View Archive
flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source
View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source
View Archive
flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source
View Archive
flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
(107) View Source
View Archive SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source
View Archive direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source
View Archive flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source
View Archive flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source
View Archive flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source
View Archive flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
<< Previous 1 - 30 | 301 - 330 | 601 - 630 | 901 - 930 | 1201 - 1230 | 1231 - 1260 | 1261 - 1290 | 1291 - 1320 | 1321 - 1350 | 1351 - 1380 | 1381 - 1410 | 1411 - 1440 | 1441 - 1470 | 1471 - 1500 | 1501 - 1530 | 1531 - 1560 | 1561 - 1590 | 1591 - 1620 | 1621 - 1650 | 1651 - 1680 | 1681 - 1710 | 1711 - 1740 | 1741 - 1770 | 1771 - 1800 | 1801 - 1830 | 1831 - 1860 | 1861 - 1890 | 1891 - 1920 | 1921 - 1950 | 1951 - 1980 | 2251 - 2280 | 2551 - 2580 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| David Kline (2/0) | Audio/SHN / 3 | View | ||||
| Notes: | 3 Audio/2 SHN | |||||
| Jay (2/0) | CD-R / 3 | View | SBD>Reel>DAT>CD | |||
| Don Corleone (2/0) | SHN / 2 | View | 107 | |||
| RicK (2/5) | SHN / 2 | A | View | 107 | ||
| Raydrums (2/5) | CD-R / 3 | View | SBD>MR>PCM>PCM>DAT>CD | |||
| Jeff (2/0) | cdr / 3 | View | BBD reel > PCM > DAT > CDR | |||
| Notes: | BBD reel > PCM > DAT > CDR | |||||
| jshel (2/4.8) | CDR / 3 | A | View | |||
| Notes: | SBD>Dolby A Reel>Dolby A decode>DAT>Sound Forge NR>CD-R | |||||
| Sloan Ozanne (2/0) | SHN / 2 | A | View | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| Zak Walker (2/0) | shn / 2 | View | 107 | SBD> Dolby A Reel> Dolby A decode> DAT> Sound Forge NR > CD-R | ||
| Notes: | sbd | |||||
| Sam McHugh (2/3) | CDR / 2 | A | A | View | ||
| Notes: | Early DEAD | |||||
| John Lemmerman (2/0) | / 0 | View | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |||
| SuperJam (2/0) | cdr / 3 | A | A | View | SBD>Dolby A Reel>Dolby A decode>DAT>Sound Forge NR>CD-R>SHN>CDR | |
| Notes: | Debut of Bertha, Loser, Greatest Story, and Wharf Rat | |||||
| Mark Lucas (2/0) | SHN / 2 | View | SBD>Dolby A RTR>Dolby A decode>DAT>Sound Forge NR>SHN | |||
| Notes: | All | |||||
| Andy Menyhar (2/0) | / 3 | A- | View | |||
| dan (2/0) | cd / 3 | View | 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz | |||
| Jason Brantley (2/5) | SHN / 2 | A | View | 107 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |
| wes french (2/5) | CDR / 3 | View | ||||
| Greg Gibbons (2/5) | CDR / 3 | A | A | View | SBD>Dolby A Reel>Dolby A DEcode>DAT>Sound Forge NR>CDR>SHN>CDR | |
| Dan Clayton (2/0) | shn / 2 | View | 107 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| Notes: | Remastered by Leigh Orf |
|||||
| Matthew Durkin (2/0) | CD-R Audio / 3 | A+ | A+ | View | 107 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R |
| Tim Deibert (2/5) | CDR / 3 | View | Betty Board Reel | |||
| Notes: | Betty Board - Details | |||||
| Chris Goguen (2/1) | / 0 | A | A | View | 107 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R |
| Dave Componeschi (2/0) | cd-r / 3 | View | ||||
| Notes: | one track cd's | |||||
| Drew Hill (2/0) | CD-R / 3 | View | ||||
| Lee Ascher (2/0) | SHN / 2 | View | SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CD-R | |||
| Justin (2/0) | MP3 / 0 | View | ||||
| Aaron Goulet (2/5) | CDR / 2 | View | ||||
| Mountain Boy (2/0) | .mp3 / 1 | View | ||||
| Notes: | only disc 1 | |||||
| Peter Lipscomb (2/0) | SHN / 3 | A | View | 107 | SBD>MSR> DAT >Sound Forge NR > CD-R | |
| Notes: | Debut of Bertha, Greatest Story, Loser, Playin', and Wharf Rat. Mickey's last show until 10/20/74 | |||||
| Mark Zornow (2/5) | cdr / 2 | A+ | View | Betty Board Mr>dat>cdr | ||