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Set I
Sugaree, Beat It On Down The Line, Candyman, Me & My Uncle-> Big River, Stagger Lee, Looks Like Rain, Tennessee Jed, Lazy Lightning-> Supplication
Set II
Scarlet Begonias-> Fire On The Mountain, Samson & Delilah, From The Heart Of Me, He's Gone-> Drums-> The Other One-> Wharf Rat-> Around & Around, E: One More Saturday Night
Set III
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Sources
(8841) View Source
View Archive
Source: AUD, unknown mics: CM > 1C > DAT; Seeded to etree by Dan Stephens
(9482) View Source
View Archive
Robert Wagner Nak 300?s>Sony TC-158>MC>DAT>CDR; Seeded to Etree by Tim W
(82211) View Source
View Archive
flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source)
(82212) View Source
View Archive
flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source)
(8841) View Source
View Archive Source: AUD, unknown mics: CM > 1C > DAT; Seeded to etree by Dan Stephens
(9482) View Source
View Archive Robert Wagner Nak 300?s>Sony TC-158>MC>DAT>CDR; Seeded to Etree by Tim W
(82211) View Source
View Archive flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source)
(82212) View Source
View Archive flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source)
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Hollis Tidwell III (2/0) | cdr / 2 | View | shn | |||
| Notes: | shn | |||||
| Marc Pujol (2/5) | SHN / 2 | View | 9482 | Robert Wagner Nak 300�s>Sony TC-158>MC>DAT>CDR; Seeded to Etree by Tim W | ||
| Michael Goff (2/5) | cd / 3 | View | 9482 | |||
| Notes: | 78 dvd#22 | |||||
| jim mcguire (2/5) | shn/cdr / 2 | B+ | View | 8841 | ||
| Carter (1/5) | CDR / 3 | View | ||||
| Charlie Yohe (1/5) | CDR / 3 | View | 82212 | |||
| David (1/5) | CDR A / 2 | A | View | |||
| Gary Field (1/5) | SHN / 2 | View | 9482 | AUD | ||
| Notes: | Source: AUD(Nak 300?s>Sony TC-158)>MC>DAT>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) | |||||
| Gary Field (1/5) | FLAC / 2 | View | 82211 | AUD | ||
| Notes: | Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source) [070130.1] | |||||
| Gary Field (1/5) | FLAC / 2 | View | 82212 | AUD | ||
| Notes: | Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source) [070130.2] | |||||
| Gary Field (1/5) | 8841 / 2 | View | 8841 | AUD | ||
| Notes: | Source: AUD, unknown mics: CM > 1C > DAT, DAT > WAV > SHN Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV v1.71 > MKW Audio Compression Tool v0.96f (no DAE) [090907.1] | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 8841 | |||
| Notes: | AUD, unknown mics: CM > 1C > DAT | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 9482 | |||
| Notes: | AUD(Nak 300?s>Sony TC-158)>MC>DAT>CDR> EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 82212 | |||
| Notes: | (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source) | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 82211 | |||
| Notes: | (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source) | |||||
| phil (1/5) | flac / 0 | a | View | 82212 | aud>cd | |
| Boedi-taper (1/4.8) | CDR / 3 | A | A | View | Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info:... | |
| Notes: | Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source | |||||
| CDJones (1/5) | FLAC/CDR / 3 | View | 82212 | |||
| Notes: | 82212 | |||||
| Jim (1/5) | cdr / 3 | View | 82212 | |||
| Stuart Ferguson (1/4.3) | CDR / 3 | View | 82211 | Audience | ||
| Notes: | DVD 1224; lineage: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source) | |||||
| Hanf (1/5) | Shn / 0 | View | 8841 | |||
| x poordevil (1/5) | cdr aud / 3 | A | View | 9482 | aud | |
| Notes: | dnl | |||||
| Joe (1/5) | FLAC / 0 | View | 82212 | |||
| Imetdork (1/0) | FLAC / 0 | View | 82212 | |||
| John Peters (1/0) | FLAC / 1 | View | 82212 | (FOB) Sony ECM 250: MC (Maxell UD-XLII/Dolby B); MC (Tascam 122mkII) > Apogee MiniMe... | ||
| Richard Markley (1/5) | flac / 2 | View | 82212 | |||
| Notes: | DVD467 | |||||
| Matt Vernon (1/4.8) | SHN / 3 | A- | A- | View | 9482 | |
| Notes: | naks Wagner [2006-01-11] This is a very good recording of a hidden gem of a concert. The playing throughout is extremely perky and inventive without being bombastic. Sugaree, TJed! and the Lazy Lighting > Suppl are all very good. Scarlet > Fire Samson He's Gone and TOO are rendered in anew with this style which avoids extended jams while keeping me engaged, Check it out and surprise yourself. | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | A | A- | View | 82212 | |
| Notes: | (FOB) Sony ECM 250 no dolby version [2007-02-26]This is a great performance especially for Garcia! His playing style is on the grungy rock side with lots of flourishes and attention to sustained tones. Even set 1 songs that normally fill the time were noticeably enthusiastically performed. A&A - a song I've come to not expect much has Jerry doing a great job with playing chords to accent the off beats or sustain a chord just a little longer to make you want to get up a dance to this one. | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | A | A- | View | 82211 | |
| Notes: | (FOB) Sony ECM 250 w/ Dolby [2007-02-26] Can't say without careful comparison whether the doldy or no-dolby source is better, but it doesn't matter because this is a run for the best show of 78! No kidding! Check it out for a date where Jerry is playing his rock-n-roll heart out. No psychedelic stuff on this date. Very nice aud. | |||||
| Matt Vernon (1/4.8) | SHN / 3 | A- | B+ | View | 8841 | |
| Notes: | Source: AUD, unknown mics: CM > 1C > DAT; Seeded to etree by Dan Stephens [2009-09-10]Great show but get the miller aud - this one is good but can't beat Charlie's | |||||