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Pearl Jam 07/02/98
Riverport Amphitheatre, Maryland Heights, MO
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Set I
Oceans
Hail Hail
Brain of J
Spin the Black Circle
Tremor Christ
Given to Fly
In Hiding
Corduroy
MFC
Wishlist
Nothingman
Improv ->
Habit
Even Flow
Daughter/(Institutionalized)
Immortality
Black
Alive
Set II
E1:
Do the Evolution
Jeremy
I Got Shit
Better Man/(Save it for Later)
Fuckin' Up
Set III
E2:
Yellow Ledbetter
Comment
 
Last Changed By System
Sources
(22560) View Source   
[SchoepsCCM4>aerco>SBM1>D100]+[um>ur]>EQ>CDR
(30700) View Source   
SBD + AUD1 + AUD2 Matrix Mix(50%-SBD/25%-AUD1/25%-AUD2) [732mb]
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Nick (2/4.8) cdr / 2 A A View  
Zack Stillings (2/0) CDR / 2 A- A View  
Ryan Hansen (2/5) CDR / 2 A View  
Camden Bucey (2/0) cd-r / 2 A View   Schoeps CCM-4 > Aerco pre-amp > Sony SBM-1 > Sony TCD-D100 > digimaster and mix with another...
Chris (2/5) CD-R / 2 A A View  
David Mease (2/5) SHN / 2 View   [SchoepsCCM4>aerco>SBM1>D100]+[um>ur]>EQ>CDR
Raul Jimenez Haro (2/0) / 0 View  
Tim Howell (2/0) cd / 2 A A View   SBD
Meghan House (2/0) / 2 View   Schoeps CCM-4>Aerco Pre-amp>Sony SBM-1>Sony TCD-D100>CDR
Meghan House (2/0) / 2 View   [SchoepsCCM4>aerco>SBM1>D100]+[um>ur]>EQ>CDR
Jeff Rohr (2/0) cdr / 2 A+ A View  
stopgo1013 (2/0) CDR / 2 A View  
demetrios (1/5) / 0 View   Unknown
Notes: Pearl Jam July 02, 1998 Riverport Amphitheater: St. Louis, MO Taper: Unknown Source: Unknown CD > WAV > SHN: Unknown ************************************ *** DO NOT ENCODE TO MP3 *** ************************************ Disc 1: 01 - Oceans - 03:10 02 - Hail Hail - 03:30 03 - Brain Of J - 02:50 04 - Spin The Black Circle - 03:00 05 - Tremor Christ - 04:01 06 - Given To Fly - 04:16 07 - In Hiding - 05:14 08 - Corduroy - 06:00 09 - MFC - 02:45 10 - Wishlist - 04:00 11 - Nothingman - 06:26 12 - Improv/Habit - 06:00 13 - Even Flow - 05:15 14 - Daughter/(Institutionalized) - 06:29 Total: 63:05 Disc 2: 01 - Immortality - 06:18 02 - Black - 06:43 03 - Alive - 06:18 (Encore 1) 04 - Do The Evolution - 05:17 05 - Jeremy - 04:50 06 - I Got Shit - 04:22 07 - Better Man/(Save It For Later) - 06:45 08 - Fuckin' Up - 08:19 (Encore 2) 09 - Yellow Ledbetter - 06:26 Total: 55:07 Series of small sound dropouts during the middle of 'In Hiding.'
demetrios (1/5) / 0 View   3-source matrix
Notes: Pearl Jam SV065 - "CHANGES" July 2, 1998 Riverport Amphitheater: Maryland Heights, MO opening band: Murder City Devils 3-source matrix: [SBD (mono) -> ALD -> SBM-1 -> D8 -> DAT(M) -> FLAC -> .wav] + [Schoeps CCM4s -> Aerco -> SBM-1 -> D100 (20th row center) -> DAT(1) -> FLAC -> .wav] + [AKG460b + ck8 (shotgun) -> EAA-PSP3 -> DTR-80P -> D7 (33rd row center) -> DAT(1) -> FLAC -> .wav -> dEQ] => FLAC DAT>FLAC transfers: DA20mkII -> Audiophile 2496 -> Soundforge -> FLAC frontend -> .flac Transfers by: cps 01/15/05 Mix by: BLG 07/23/05 Artwork: Allen Robertson ============================ DO NOT SELL - TRADE ONLY ============================ DISC ONE: 01 Intro 02 Oceans 03 Hail Hail 04 Brain of J 05 Spin the Black Circle 06 Tremor Christ 07 Given to Fly 08 In Hiding 09 Corduroy 10 MFC 11 Wishlist 12 Nothingman 13 improv -> 14 Habit 15 Even Flow 16 Daughter/(Institutionalized) DISC TWO: 01 Immortality 02 Black 03 Alive 04 encore break 05 Do the Evolution 06 Jeremy 07 I Got Shit 08 Better Man/(Save it For Later) 09 Fuckin' Up 10 Yellow Ledbetter ============================ DO NOT SELL - TRADE ONLY ============================ Note: This is one of six versions that have made for this show. This particular source is "F" listed below. "A" = stereo matrix mix by [email protected] "B" = DTS 5.1 audio version by [email protected] "C" = 6-channel x 24/44 DVD audio version by [email protected] "D" = 6-channel x 16/44 DVD audio version by [email protected] "E" = DVD-A 24/44 matrix mix by [email protected] "F" = stereo matrix mix by BLG Show Notes (thanks to Five Horizons/TwoFeetThick): Excellent show with the opening songs totally rocked out. Band looks really happy and playing great. 'Oceans' is a beautiful opener and 'In Hiding' is one of the finest versions played. 'Nothingman' is introduced as a song about a man who "not only couldn't change the world ... he couldn't even take care of himself." 'Institutionalized' is a Suicidal Tendencies cover ("I'm not crazy, you're the one who's crazy ... institution.") 'Fuckin' Up' is a total surprise! Great crowd.
demetrios (1/5) / 0 View 30700
demetrios (1/5) / 0 View   DTS-Audio-CD 5.1 Mix
Notes: Pearl Jam July 2, 1998 Riverport Amphitheatre Maryland Heights, MO DTS-Audio-CD 5.1 Mix Disc 1 01 [01:58] Intro 02 [03:05] Oceans 03 [03:31] Hail Hail 04 [02:49] Brain of J 05 [03:00] Spin the Black Circle 06 [04:13] Tremor Christ 07 [04:07] Given to Fly 08 [06:08] In Hiding 09 [05:18] Corduroy 10 [02:48] MFC 11 [05:41] Wishlist 12 [04:33] Nothingman 13 [01:48] Improv > 14 [04:22] Habit TT [53:20] Disc 2 01 [05:26] Even Flow 02 [06:10] Daughter (Institutionalized) 03 [06:08] Immortality 04 [06:44] Black 05 [07:51] Alive Encore 1: 06 [03:51] Do the Evolution 07 [04:54] Jeremy 08 [04:12] I Got Shit 09 [08:40] Betterman (Save it for Later) 10 [06:36] Fuckin' Up Encore 2: 11 [05:56] Yellow Ledbetter TT [66:28] --------------------------------------------------------- Source Info SBD Mono SBD (ALD) > SBM-1 > TCD-D8 > DAT(M) > FLAC AUD1 Schoeps CCM-4 > Aerco > SBM-1 > D100 > DAT1 > FLAC Location: Recorded 20th Row Center AUD2 AKG460b + ck8 (shotgun) > EAA-PSP3 > DTR-80P > D7 > DAT1 > FLAC Location: Recorded 33rd Row Center --------------------------------------------------------- Tech Notes FLACs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. Cool Edit Pro 2.0 was used to align & synch all sources. CEP2.0 was used to create all multichannel mixdown matrix mixes. CEP2.0 used to EQ and adjust the volume for the center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - Shn conversion 31-MAY-2004 - Remix and FLAC conversion 02-FEB-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front (70%-SBD/30%-AUD) Left Channel SBD+AUD EQ'd Matrix 70-sbd/15-mk4/15-akg Right Channel SBD+AUD EQ'd Matrix 70-sbd/15-mk4/15-akg Center (90%-SBD/10%-AUD) Mono Mix -5db SBD+AUD EQ'd Matrix 90-sbd/5-mk4/5-akg Surround (50%-AUD1/50%-AUD2) Left Channel AUD+AUD EQ'd Matrix 50-mk4/50-akg Right Channel AUD+AUD EQ'd Matrix 50-mk4/50-akg Sub/LFE (70%-SBD/30%-AUD) Mono Mix -4db SBD+AUD EQ'd Matrix 70-sbd/15-mk4/15-akg --------------------------------------------------------- Notes This 5.1 mix utilizes 5 fully discrete channels. Disc 1 and 2 can be assembled seamlessly on longer media. The matrix mixes made for both rear and front channels have been D'EQed using CE Pro 2.0 I used a matrix mix for the front channels to add a little life to very dull mono SBD recording. The "surround sound" feel is still there, IMO. Sporadic FM static from the mono SBD ALD source mostly found btwn songs. Infrequent and nothing bad. A few bursts were removed entirely and others were reduced and masked with the 2 AUD sources. Most of these edits are smooth and most likely undetectable. 4 seconds of static on the very beginning of Daughter has been edited out. Both AUD sources were trimmed to match. This is smooth and most likely undetectable. A few minutes of crowd cheer was cut on the mono SBD btwn the last song and first encore break. Both AUDs were trimmed to match. No music, tuning or talking was missing, just crowd noise. 1:23:59.589 to 1:26:15.036 total of 02:15.446. This is smooth and most likely undetectable. d2t10 "fuckin' Up' was cut on AKG source. Patched with Mk4 source, +5db & D'EQed. 1:53:45.781 to 1:54:18.488 for a total 0:32.707. This is smooth and most likely undetectable. d2t10 all 3 sources were paused btwn the last song and the final (2nd) encore. They were all missing a different amount of btwn crowd cheering. They were trimmed to match and cross faded to keep sounding smooth an natural. This is smooth and most likely undetectable. Neither the SBD or either AUD were all that great. What we have is about as good as it can be given the source material. Interestingly enough, listening to each source individually I was left wondering if it was worth the effort. In the end the 3 sources ended up complimenting each other very nicely. Kinda filling in sonic areas that were missing individually. Maybe like a peanut butter and jelly sandwich. Jelly alone, not that great. Peanut butter straight, also not very good. And plain bread is just that, plain. However, mix all 3 together and bingo, gourmet food! With that said, enjoy this show, it is really good. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. --------------------------------------------------------- FLAC fingerprint pearljam1998-07-02-dts-d1t01.flac:c8a8141e2fe45e62098a20a4a62ec504 pearljam1998-07-02-dts-d1t02.flac:c23a20cfc00b0e97a7d1ed223b23277a pearljam1998-07-02-dts-d1t03.flac:888989bcf7fee02bc65c3faef78fd8b0 pearljam1998-07-02-dts-d1t04.flac:86a85fcaaac16e0e003cbd2da0457b85 pearljam1998-07-02-dts-d1t05.flac:d5b625471acc9c51890171a6fea49428 pearljam1998-07-02-dts-d1t06.flac:6209285e96dccbafc73d84cb3108888d pearljam1998-07-02-dts-d1t07.flac:8adb19901377b0db5c1873e54970601e pearljam1998-07-02-dts-d1t08.flac:4d75c698bdb4cec9332efd2b247d16ea pearljam1998-07-02-dts-d1t09.flac:c178e5a3974223f72eaedf7ee5be2b50 pearljam1998-07-02-dts-d1t10.flac:a563f8fd1bd8aab74267fef104c0a75d pearljam1998-07-02-dts-d1t11.flac:c4af1304ddbc6a33066b7b33f40f43dd pearljam1998-07-02-dts-d1t12.flac:ead5c8db19bcb515e2c01da1f4d86888 pearljam1998-07-02-dts-d1t13.flac:077fd62234c80688800f8e0f139866dc pearljam1998-07-02-dts-d1t14.flac:0a49a9374a49b9343be933bd65ab5469 pearljam1998-07-02-dts-d2t01.flac:25f0ff7d1ce84697ee469b665e20d735 pearljam1998-07-02-dts-d2t02.flac:973328c44f3bb3ab7227403dac22bed1 pearljam1998-07-02-dts-d2t03.flac:500ef53dcbba0222daf9db8b439dac1e pearljam1998-07-02-dts-d2t04.flac:629198a95bbf5bce89df4ef3af34f280 pearljam1998-07-02-dts-d2t05.flac:3cbd11da50af0c492500fd3d06e7720d pearljam1998-07-02-dts-d2t06.flac:4e8e120d272d6830e20d0a95de450a20 pearljam1998-07-02-dts-d2t07.flac:06781a3f4b999875d6da46478c18dd8b pearljam1998-07-02-dts-d2t08.flac:5e5dd6c4956176ab18dbfee6d5a97c65 pearljam1998-07-02-dts-d2t09.flac:6440f6556a71e7461bdd21ff002288e5 pearljam1998-07-02-dts-d2t10.flac:3798113149598d3d239a1f6294eb2f64 pearljam1998-07-02-dts-d2t11.flac:bac9a3f916609322700a0ae4f8b10dbe
Stuart Ferguson (1/4.3) CDR / 2 View   3-source matrix
Notes: DVD 506; lineage: 3-source matrix: [SBD (mono) -> ALD -> SBM-1 -> D8 -> DAT(M) -> FLAC -> .wav] + [Schoeps CCM4s -> Aerco -> SBM-1 -> D100 (20th row center) -> DAT(1) -> FLAC -> .wav] + [AKG460b + ck8 (shotgun) -> EAA-PSP3 -> DTR-80P -> D7 (33rd row center) -> DAT(1) -> FLAC -> .wav -> dEQ] => FLAC DAT>FLAC transfers: DA20mkII -> Audiophile 2496 -> Soundforge -> FLAC frontend -> .flac Transfers by: cps 01/15/05 Mix by: BLG 07/23/05 Artwork: Allen Robertson
Stuart Ferguson (1/4.3) CDR / 2 View 30700 Soundboard/Audience
Notes: DVD 1393; lineage: [SBD (mono) -> ALD -> SBM-1 -> D8 -> DAT(M) -> FLAC -> .wav] + [Schoeps CCM4s -> Aerco -> SBM-1 -> D100 (20th row center) -> DAT(1) -> FLAC -> .wav] + [AKG460b + ck8 (shotgun) -> EAA-PSP3 -> DTR-80P -> D7 (33rd row center) -> DAT(1) -> FLAC -> .wav -> dEQ] => FLAC DAT>FLAC transfers: DA20mkII -> Audiophile 2496 -> Soundforge -> FLAC frontend -> .flac Transfers by: cps 01/15/05
Joe (1/5) FLAC / 0 View   3-source matrix: [SBD (mono) -> ALD -> SBM-1 -> D8 -> DAT(M) -> FLAC -> .wav] + [Schoeps CCM4s...
Maria Reine (1/5) CD-R / 2 View 30700
Notes: (Total time = 53:20, 66:28)[shn ID = 30700]. FLAC[sg160b]
Nocode (1/0) cdr / 2 A+ View   3-source stereo matrix mix (see tech notes)
Notes: SV065 - "CHANGES"
Nocode (1/0) cdr / 2 A+ View   DTS 5.1 Surround Sound 3 Source mix (see tech notes)
Charlie (1/0) / 0 View  
Greg Johnson (1/0) FLAC / 1 View   AKG 460b with CK8 Capsuels > EAA PSP-3 > Denon DTR-80P > Sony TCD-D7
Notes: Generation: DAT(M) > DAT(1) > WAV [16bit/44.1KHz] > FLAC Transfer: Tascam DA-20 mkII > M-Audio Audiophile 2496 > Sony Sound Forge > FLAC Frontend Length: 2:03:17 Size: 624 MB
Greg Johnson (1/0) FLAC / 1 View   Schoeps CCM4 > Aerco > Sony SBM1 > Sony TCD-D100
Notes: Generation: DAT(M) > DAT(1) [16bit/44.1KHz] > WAV [16bit/44.1KHz] > FLAC Transfer: Tascam DA-20 mkII > M-Audio Audiophile 2496 > Sony Sound Forge > WavePad (tracking) > xACT (fix SBEs) Length: 2:02:03 Size: 644 MB
Chris Greatens (1/4.2) FLAC / 2 View 30700
Chris Greatens (1/4.2) FLAC / 2 View 22560
ella (1/4.9) FLAC / 2 View   SBD + AUD1 + AUD2 Matrix Mix
spcwrnglr (1/5) CDR / 1 View   Aud
Helder Luis (1/0) cdr / 2 View  
Notes: DTS