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Set I
Casey Jones, Me & My Uncle, Hard To Handle, Bertha, Playin' In The Band, Bird Song, Big Boss Man, Cryptical Envelopement-> Drums-> The Other One-> Wharf Rat, Sugar Magnolia
Set II
Truckin', Loser, Next Time You See Me, Greatest Story Ever Told-> Johnny B. Goode, Ripple, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Turn On Your Love Light
Set III
Comment
E.S.P. show - Other artist(s): NRPS
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(111) View Source
View Archive
7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive
likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(111) View Source
View Archive 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| ben morrison (5/0) | CDR / 3 | A | A+ | View | S:R:D>TASCAM CD-RW5000 | |
| Chris Leise (5/0) | CDR / 2 | A- | View | SBD | ||
| gotboots (5/0) | shn / 2 | View | 111 | |||
| Saint Steven (5/0) | Analog / 0 | View | ||||
| Notes: | All minus Cryptical NFA & Lovelight | |||||
| Tony Handmaker (5/5) | SHN / 2 | View | 111 | |||
| Notes: | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R | |||||
| andy bradford (5/5) | CDR / 3 | View | 111 | |||
| Jason Henning (5/5) | shn / 2 | View | 111 | |||
| Adam DeLaughter (5/5) | cd-r / 1 | View | SBD > DAT > CD-R | |||
| Notes: | set I only | |||||
| Mattypie (5/5) | CDR / 2 | A | View | |||
| Brad Copeland (5/0) | SHN / 2 | View | 111 | |||
| Christian T (5/5) | shn / 2 | A | A- | View | 111 | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out >... |
| Notes: | audio - 3 discs | |||||
| Isaac (5/0) | wav / 2 | a | a | View | ||
| Jay Flynn (5/4.3) | cdr / 3 | A | View | BBM>RR>PCM>DAT>EAC>CDR | ||
| Notes: | All | |||||
| Steve Oliver (5/0) | / 3 | View | ||||
| Notes: | Betty Board>DAT>C1>WAV>SHN>CDR | |||||
| John Kaminski (5/5) | CDR/SHN / 3 | View | 111 | |||
| Bill Kelly (5/0) | shn / 0 | View | 111 | |||
| Matthew (5/0) | SHN / 2 | A | A | View | SBD | |
| Joe Sanderson (5/0) | CDR / 2 | View | 111 | |||
| Sam Phillips (5/3.5) | shn / 2 | View | 111 | |||
| Anduril (5/0) | Shn / 2 | View | 111 | |||
| Paul Bottiglio (5/0) | / 0 | View | ||||
| Bluegrass Archivist (5/5) | CDR / 2 | A | A | View | Capital Theatre, Portchester, NY | |
| Notes: | SBD | |||||
| Chris Brand (5/5) | SHN / 2 | View | 111 | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | ||
| Makisupa Mikey (5/5) | CD / 2 | View | ||||
| Dave Bleuher (5/5) | shn / 2 | View | ||||
| Kevin O'Hagen (5/0) | / 2 | View | ||||
| Mike Villella (5/0) | shn / 2 | View | WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHzPCM501ES analog out... | |||
| Bert (5/5) | cd-r / 3 | View | sbd | |||
| Matthew Reynolds (5/4.7) | cass / 2 | B+ | B | View | SBD>?>cass>(?)gen. | |
| Notes: | some hiss, still sounds good w/ headphones | |||||
| Hub Spencer (5/4.7) | CDR / 3 | A | A | View | 111 | |
| Notes: | Complete Show | |||||