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Set I
Cold Rain & Snow, Me And Bobby McGee, Loser, Easy Wind, Playin' In The Band, Bertha, Me & My Uncle, Ripple, Next Time You See Me, Sugar Magnolia, Greatest Story Ever Told-> Johnny B. Goode
Set II
China Cat Sunflower-> I Know You Rider, Bird Song, Cumberland Blues, I'm A King Bee, Beat It On Down The Line, Wharf Rat, Truckin', Casey Jones, Good Lovin'-> Drums-> Good Lovin'-> Uncle John's Band
Set III
Comment
E.S.P. show - Other artist(s): NRPS
Last Changed By
System
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(1980) View Source
View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different
(87134) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
(98034) View Source
View Archive
flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
(116618) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(123830) View Source
View Archive
flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation
(123885) View Source
View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013
(1980) View Source
View Archive SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different
(87134) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
(98034) View Source
View Archive flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
(116618) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(123830) View Source
View Archive flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation
(123885) View Source
View Archive flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Aaron (5/4.8) | SHN / 2 | View | 1980 | SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| Jon Spiering (5/0) | CDR / 3 | A | View | SBD>Dobly A Reel>Dolby A decode>DAT>Sound Forge NR>CD-R | ||
| Curt Reichwein (5/5) | CD / 3 | A | A | View | SB>MR>DAT>CD | |
| Courtney (5/0) | SHN / 2 | View | SBD>MR | |||
| Notes: | SBD>MR | |||||
| andrew datwyler (5/0) | cd / 3 | A | View | |||
| Matt Wiater (5/0) | / 3 | View | ||||
| Vieve (5/5) | cd / 3 | View | ||||
| Jeff McCutcheon (5/5) | cdr / 3 | A | View | |||
| Tom Snider, Jr. (5/5) | shn / 2 | View | 1980 | |||
| Chris Leise (5/0) | / 3 | A | View | SBD | ||
| Jimmy Cronk (5/5) | cdr / 3 | View | ||||
| Notes: | unknown source | |||||
| John Schwarz (5/0) | CDR / 1 | A- | View | |||
| andy bradford (5/5) | CDR / 3 | View | 1980 | |||
| Jason Henning (5/5) | shn / 2 | View | 1980 | |||
| JZ (5/4) | CDR / 3 | View | SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |||
| Gravy Train (5/0) | CDR / 3 | A | View | SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| Notes: | The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. | |||||
| jeff mcdearmon (5/5) | CDR / 3 | A | View | 1980 | SBD | |
| john 5 (5/0) | CD-R / 3 | A+ | A+ | View | ||
| Notes: | See notes | |||||
| Christian T (5/5) | shn / 2 | A | A | View | 1980 | SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R |
| Notes: | audio - 3 discs | |||||
| Jason Ralph (5/0) | CD / 3 | A | A+ | View | MR>Dat>CD | |
| Jay Flynn (5/4.3) | cdr / 3 | A | View | BBM>RR>PCM>DAT>EAC>CDR | ||
| Notes: | All | |||||
| Steve Oliver (5/0) | / 3 | View | ||||
| Notes: | SBD>Dolby A Reel>DAT>Sound Forge NR>CDR | |||||
| Mara Gunderson (5/0) | CD-R / 3 | A | View | |||
| Bill Kelly (5/0) | shn / 0 | View | 1980 | |||
| Joe Sanderson (5/0) | CDR / 3 | View | 1980 | |||
| Sam Phillips (5/3.5) | shn / 2 | View | 1980 | |||
| Jake (5/0) | CD-R / 3 | A | A- | View | ||
| Anduril (5/0) | Shn / 2 | View | 1980 | |||
| Paul Bottiglio (5/0) | / 2 | View | ||||
| Rick Ruhmel (5/0) | CD / 3 | A | View | SBD | ||