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Grateful Dead 02/18/71
Capitol Theater, Port Chester, NY
Set I
Bertha, Truckin', It Hurts Me Too, Loser, Greatest Story Ever Told-> Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star-> Wharf Rat-> Dark Star-> Me & My Uncle
Set II
Casey Jones, Playin' In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Uncle John's Band
Set III

Comment
Mickey's last show until 10-20-74 - E.S.P. show - Other artist(s): NRPS
Last Changed By System
Sources
(107) View Source    View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source    View Archive
direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source    View Archive
flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source    View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source    View Archive
flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source    View Archive
flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Matt Vernon (1/4.8) FLAC / 2 A/B A- View 111793
Notes: flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller [2011-02-27]Non-betty board - preferred for mix etc. Show is noteworthy for the beautiful jam and intro of many new tunes but also overrated for me because other than the unique jam, I don't have any strong impulse to listen to this show or the run in general - it suffers from being transitional.
SpiralLightofVenus (1/5) FLAC / 0 SBD View 107
Notes: SBD TB4
SpiralLightofVenus (1/5) FLAC / 0 AUD View 132101
Notes: AUD TB12
SpiralLightofVenus (1/5) FLAC / 0 SBD View 85478
Notes: SBD TB12
SpiralLightofVenus (1/5) FLAC / 0 SBD View 111793
Notes: SBD TB12
SpiralLightofVenus (1/5) FLAC / 0 AUD View 123539
Notes: AUD TB12
Mark Diamond (1/3) / 3 View  
Brian (1/0) cdr / 2 View 85478
gone (1/4.9) CDR / 3 -- A View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; via Orf; disortion...
Notes: This show was digitally edited to remove a contant whine on the masters...the result was a masterpiece.
GratefulBrad (1/5) flac / 0 View 85478
Peterphan (1/0) CD/FLAC16 / 2 View   7" two track BBD reel w/ Dolby A @ 7 1/2 ips
Craig S (1/0) CDR / 2 View 85478
winterland121072 (1/0) / 0 View 85478
winterland121072 (1/0) / 0 View 6672
winterland121072 (1/0) / 0 View 107
winterland121072 (1/0) / 0 View 111793
winterland121072 (1/0) / 0 View 123539
winterland121072 (1/0) / 0 View 123881
winterland121072 (1/0) / 0 View 132101
winterland121072 (1/0) / 0 View 132136
Crow Black Chicken (1/4.9) Flac / 2 View 85478
David Schroer (1/5) cdr / 3 View  
russiancrowe (1/0) / 2 View  
Walter (1/0) / 0 View  
Chuck Kiefe (1/5) CD-R / 3 View  
Notes: SBD>Bettyboard 7" Reels>PCM>DAT>CD WBOTB Tree Firsts - "Bertha", "Loser", "GSET", "Wharf Rat" and "PITB"
Israel Frankel (1/0) flac cd-r / 3 A View 111793
Randy Foley (1/5) CDR / 2 A View   SBD
Notes: (72:14)/(61:24)
Curtis Ensler (1/0) XLII / 2 View  
Notes: SBD3
Curtis Ensler (1/0) / 0 View  
Curtis Ensler (1/0) CDR / 2 View