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Set I
Bertha, Playin' In The Band, Loser, Mr. Charlie, Cumberland Blues, Brokedown Palace, Me And Bobby McGee, Hard To Handle, Casey Jones
Set II
Saint Stephen, Truckin'-> Drums-> The Other One-> Me & My Uncle-> The Other One, Deal, Sugar Magnolia, Morning Dew, Turn On Your Love Light
Set III
Comment
"WRS Prelude' tease after "Me & My Uncle" - Other artist(s): NRPS -full moon -,full lunar eclipse 'Sugaree" appears on some audience tapes, but may be from another show. The stellar Hard to Handle from the circulating AUD can be heard on the commercial release Fallout from the Phil Zone.
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Sources
(129) View Source
View Archive
updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al; (info file had given AKG 330 etc); D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro; via Ben Kasper, Ben Yerys
(30224) View Source
View Archive
source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) Remaster of SHNid=129 by Sir Mick
(77457) View Source
View Archive
flac16; fix of the flaws in shn id 30224 source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Harv Kaslow D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) notes: I've been aware for some time that when I originally did the pitch corrction, I didn't get it right on the first 4 tracks. They have now been corrected
(88816) View Source
View Archive
flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> SHN Transfer Info: SHN -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
(94261) View Source
View Archive
flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD --- R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)
(96541) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
(96668) View Source
View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) January 3, 2009
(97015) View Source
View Archive
flac 16; Sick Bits Vol. 29b - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=96541) + AUD (shnid=94261) as well as patch AUD source (shnid=88816). Matrixed by Chris Chappell.
(109430) View Source
View Archive
flac24; FOB Sony ECM-22P mics New Riders - MAR>R@ 7.5 ips.>DVD; GD - lineage: MAR>R@ 7.5 ips>DVD; Akai GX636 (a rare black model) > Apogee Mini Me @24bit/96kHz > Apogee mini DAC (monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC
(110278) View Source
View Archive
DVD-VA: (Video Audio) SBD>>MR>>CDA>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel Source (audio only, no video)
(114390) View Source
View Archive
flac24; Aud.7.5 ips>R(Don Wolfe) Transfer info:Akai GX636 > Apogee Mini Me @24/96; Transfered and mastered by Matt Smith 6/11
(127690) View Source
View Archive
flac24; Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
(130793) View Source
View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - matrix mixing by Kevin Tobin
(130794) View Source
View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - dts mixing by Kevin Tobin
(129) View Source
View Archive updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al; (info file had given AKG 330 etc); D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro; via Ben Kasper, Ben Yerys
(30224) View Source
View Archive source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) Remaster of SHNid=129 by Sir Mick
(77457) View Source
View Archive flac16; fix of the flaws in shn id 30224 source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Harv Kaslow D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) notes: I've been aware for some time that when I originally did the pitch corrction, I didn't get it right on the first 4 tracks. They have now been corrected
(88816) View Source
View Archive flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> SHN Transfer Info: SHN -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
(94261) View Source
View Archive flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD --- R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)
(96541) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
(96668) View Source
View Archive flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) January 3, 2009
(97015) View Source
View Archive flac 16; Sick Bits Vol. 29b - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=96541) + AUD (shnid=94261) as well as patch AUD source (shnid=88816). Matrixed by Chris Chappell.
(109430) View Source
View Archive flac24; FOB Sony ECM-22P mics New Riders - MAR>R@ 7.5 ips.>DVD; GD - lineage: MAR>R@ 7.5 ips>DVD; Akai GX636 (a rare black model) > Apogee Mini Me @24bit/96kHz > Apogee mini DAC (monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC
(110278) View Source
View Archive DVD-VA: (Video Audio) SBD>>MR>>CDA>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel Source (audio only, no video)
(114390) View Source
View Archive flac24; Aud.7.5 ips>R(Don Wolfe) Transfer info:Akai GX636 > Apogee Mini Me @24/96; Transfered and mastered by Matt Smith 6/11
(127690) View Source
View Archive flac24; Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
(130793) View Source
View Archive flac16; Matrix 2 Source Mix - SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - matrix mixing by Kevin Tobin
(130794) View Source
View Archive DTS-Audio-CD 5.1 Mix; SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - dts mixing by Kevin Tobin
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Matt Kern (0/0) | CDR / 2 | A | View | |||
| ebb boy (0/0) | FLAC / 2 | View | 77457 | |||
| Gordon (0/0) | CDR / 3 | View | ||||
| David Meyer (0/0) | SHN / 2 | View | 129 | AKG 330 > Sony 770 Reel to Reel > D | ||
| Jared Carlitz (0/0) | CDR / 3 | A | A- | View | ||
| Notes: | HARD TO HANDLE AND LOVELIGHT ARE AMAZING! | |||||
| Peter (0/0) | shn / 1 | View | AKG 330->Sony 770 Reel to Reel (50 ft back from the stage)->D | |||
| Notes: | AKG 330->Sony 770 Reel to Reel (50 ft back from the stage)->D D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) | |||||
| hennemong (0/5) | cd-r / 1 | A | View | SBD | ||
| Notes: | Dick's Pick's Vol 35 - no trades | |||||
| ROB MERFELD (0/0) | Cd-R / 2 | View | Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center. | |||
| ak (0/0) | CDR / 2 | View | AKG 330>Sony 770 Reel to Reel >D>CD | |||
| Justin Green (0/4.9) | CDR / 3 | View | ||||
| Justin Green (0/4.9) | CDR / 1 | View | SBD | |||
| Notes: | DP 35 | |||||
| Cap'n Panic (0/0) | SHN / 2 | View | 129 | Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips | ||
| Eric Devin (0/4.4) | CD-R / 2 | A- | A | View | 129 | AKG 330>Sony 770 Reel To Reel>DD>CD: Fostex D5>Live Digi I/O>Cool Edit... |
| gr8fuljames (0/0) | / 0 | View | 30224 | |||
| Chris (0/0) | / 0 | View | MP3 | |||
| simone (0/4) | cd / 2 | View | 129 | |||
| Notes: | shn | |||||
| Phil Layton (0/0) | cdr / 1 | View | ||||
| Rob (0/0) | SHN / 2 | View | AKG 330 > Sony 770 r2r (50' back from stage) > DAT > SHN | |||
| Harry the Horse (0/0) | cassette / 1 | A+ | A | View | ||
| Notes: | Contains: All of Set 1 (except M&BM), and all of Set 2 (through Sugar Mag (which is said to be from another show) | |||||
| Josh (0/0) | CDR / 2 | A+ | View | Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped... | ||
| Notes: | Disc 1: Set 1 1. Bertha 2. Playing in the Band 3. Loser 4. Mr. Charlie 5. Cumberland Blues 6. Brokedown Palace 7. Me & Bobby McGee 8. Hard to Handle 9. Casey Jones Set 2 10. St. Stephen* --> 11. Truckin' --> 12. Drums --> Disc 2: 1. The Other One --> 2. Me & My Uncle** --> 3. The Other One 4. Deal 5. Sugar Magnolia 6. Morning Dew 7. Lovelight * 2 seconds of static during tuning ** Weather Report Suite tease at the end updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al [file had been marked Source: AKG 330->Sony 770 Reel to Reel (50 ft back from the stage)->D] D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) SHN and upload by Ben Yerys (contact me at: [email protected] if any problems come up) Public Comments - Add comment Date User Comment 12/27/2000 wik Ho-hum. This is the ultimate time-travel GD recording. Ledgendary hi-fidelity AUD recording puts you in the room with a very energetic, young GD, nearly 30 years ago. This is a complete must-have for anyone. ANYONE. Performance, all through, is nothing less than top-notch-to-definitive. I love this show. A lot. 02/20/2001 claytoar The taper found the "G-Spot" like I've never heard before on this recording. excellent! 06/01/2001 Hamilton, Greg & Diana The source info here has been corrected to that for the known circulating copy, in line with the Compendium, Deadlists, etc. Thanks to Joe Jupille for catching this. Thanks especially to Rob B. for the stellar recording! BTW, the Hard to Handle from this same recording can be heard on the commercial release Fallout from the Phil Zone ("Phil's Picks" ;) ). 07/13/2002 Michael Urban This is absolutely the finest audience recording I have ever heard. Better than any of the top shelf stuff made with DATs and expensive mics in the last 15 years. You won't find many audience recordings in my shn collection. To each, their own. However, this one is an exceptional accopmlishment. Rob Bertrando and friends nailed it. 10/01/2002 GDLIVE http://www.gdlive.com/shn/gd71-08-06.shnf/gd08-06-71d1/ 12/30/2002 michael "hey - you down there with the microphone..." can't say it any better then anyone else, a great recording of a great night. 04/17/2003 lineage should be MAR>R>D>SHN/CD, taped by Harv Kaslow; circulates from Rob Bertrando's 1st gen reel. mic and deck info are correct (Sony ECM-22P mics > Sony 770 reel deck). 06/05/2003 Gabe Johnson Great recording, great show. Only downside is the trippin' fool who keeps yelling "whoo-hoo" in every chorus of Casey Jones, over and over again, like it was the missing lyric... | |||||
| thnxjer (eternally grateful) (0/5) | cdr / 2 | A | View | |||
| Notes: | PHaT Aud | |||||
| PheelinPhine (0/0) | / 2 | View | ||||
| George Humphreys (0/0) | CDR / 2 | View | ||||
| evan (0/0) | CDR-TAO / 2 | View | 129 | |||
| Banker (0/0) | cdr / 3 | View | Sony ECM's 33P's>Sony770>MR>Reel | |||
| ian c (0/0) | / 0 | A | View | AUD | ||
| ian c (0/0) | CD / 2 | A | B+ | View | ||
| Notes: | Great audience recording... | |||||
| keith (0/4.5) | / 0 | View | ||||
| Mark Maupin (0/5) | cdr / 2 | View | ||||
| jellybelly (0/0) | / 2 | View | 129 | |||