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Set I
Casey Jones, Me & My Uncle, Hard To Handle, Bertha, Playin' In The Band, Bird Song, Big Boss Man, Cryptical Envelopement-> Drums-> The Other One-> Wharf Rat, Sugar Magnolia
Set II
Truckin', Loser, Next Time You See Me, Greatest Story Ever Told-> Johnny B. Goode, Ripple, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Turn On Your Love Light
Set III
Comment
E.S.P. show - Other artist(s): NRPS
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(111) View Source
View Archive
7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive
likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(111) View Source
View Archive 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| michael grossman (5/0) | shn / 0 | View | 111 | shn | ||
| tom kunz (5/5) | shn / 2 | View | 111 | |||
| HIGHnoon (5/0) | SHN / 2 | View | 111 | |||
| mjlaurent (5/4.7) | cd / 3 | View | sbd | |||
| Craig (5/0) | cdr / 3 | View | 111 | |||
| Jim (5/0) | CDR / 1 | A | View | |||
| Notes: | Only Set 1 | |||||
| Chris Masciangelo (4/4) | CDR / 3 | View | ||||
| Brad Foster (4/4.9) | FLAC / 2 | View | SBD: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES | |||
| Taylor73 (4/5) | shn / 1 | View | 111 | 111 | ||
| Taylor73 (4/5) | flac 16 / 0 | View | 116617 | 116617 SBD | ||
| bugboyfjp12 (4/0) | flac / 0 | View | 116617 | |||
| Jim (4/0) | CD-R & FLAC / 3 | View | ||||
| t-readyroc (4/0) | aud discs / 3 | A | View | 111 | WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog... | |
| Charlie Byrd (4/0) | CD-R / 3 | A | View | 111 | ||
| Notes: | GD7FLAC/SHN | |||||
| Sean Moran (4/0) | / 0 | View | 85912 | SBD | ||
| Bob Newton (4/0) | shn/CDR / 2 | View | ||||
| shakedown80 (4/3.5) | / 0 | View | 85912 | |||
| shakedown80 (4/3.5) | / 0 | View | 116617 | |||
| chris carter (4/5) | shn/2 / 3 | View | 111 | sdbd | ||
| Michael Gordon (4/5) | FLAC / 0 | A+ | A+ | View | 85912 | Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog... |
| Jeff Fursetzer (4/5) | CDR / 2 | A | A | View | ||
| Anthony Dellacioppa (4/5) | CDR / 2 | A | View | 85912 | ||
| Michael Hughey (4/0) | shn / 2 | View | 111 | |||
| Thom Mann (4/1) | CDR / 2 | A | View | 85912 | ||
| matt feltz (4/5) | SHN / 2 | A | A | View | 111 | |
| Notes: | SBD - Orf Seed | |||||
| eddie green (4/0) | flac16 / 2 | View | 85912 | 85912 | ||
| Mac (4/5) | DVD / 3 | View | 111 | 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | ||
| Notes: | 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | |||||
| Yojimbo_ (4/0) | / 0 | View | SBD | |||
| Adam Olsen (4/5) | cdr / 2 | View | sbd | |||
| Matt Stevenson (4/5) | / 0 | View | 85912 | |||