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Grateful Dead 03/22/90
Copps Coliseum, Hamilton, ON
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Set I
Feel Like A Stranger
West L.A. Fadeaway
Easy To Love You
Beat It On Down The Line
It Must Have Been The Roses
The Last Time
Picasso Moon
Don't Ease Me In
Set II
Scarlet Begonias >
Fire On The Mountain
Samson & Delilah
Believe It Or Not >
Truckin' >
Drums >
Space >
The Other One >
Hey Jude >
Dear Mr. Fantasy >
Hey Jude >
Sugar Magnolia

Encore:
It's All Over Now Baby Blue
Set III
 
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(453) View Source    View Archive
SBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN; via Adam Jerugim; known flaws: 1 sec d/o d2t7 @0:17
(7460) View Source    View Archive
Schoeps CMC54 (ORTF, 19th row) > Aerco PS > DAT @ 48kHz; via Dankseeds
(21433) View Source    View Archive
Bertha Remaster of the Master Cassette source; SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
(28040) View Source    View Archive
SBD + AUD Matrix Mix (60%-SBD/40%-AUD); Mixed & Shn conversion by Dan
(31772) View Source    View Archive
DTS Audio 5.1; Mix of AUD Dave Brotman FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT & SBD > MC > DAT
(91779) View Source    View Archive
flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F.
(107871) View Source    View Archive
flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
(111464) View Source    View Archive
Soundboard Unknown>CD>EAC>WAV>SHN (This source was submitted to Etree with the alt-md5; the seed of this source did not match the alt-md5 on d1t7. A new shn-md5 was created.)
(113144) View Source    View Archive
flac16:Matrix by Jubal Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
(125880) View Source    View Archive
flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe
(125881) View Source    View Archive
flac16; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)>Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe
(126698) View Source    View Archive
flac16; Matrix 3 Source Mix - SBD (shnid=107871) Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 125880) flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe + VID (no shn id) master video found supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin
(126699) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=107871)Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 125880) flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe + VID (no shn id) master video supplied by Peanut Production for a video project - dts mixing by Kevin Tobin
(139224) View Source    View Archive
flac16; Recording Info: SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750); Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16
(141112) View Source    View Archive
flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
(141931) View Source    View Archive
flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MK4 > DAT 48k (Panasonic SV-250); Location: row 23 seat 10; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Eric Lindstrom/Tom Bashara (0/0) CDR / 2 A- View   AUD
Notes: Set 2
Chuck Lewis (0/0) / 0 View   SBD(matrix)>DAT>C>DAT>CoolEdit2000>CDWav>SHN
Notes: Final "Hey Jude", "Believe It or Not"
Brian Schick (0/0) SHN / 2 View 453 SBDDAT>CD>EAC>SHN
John A. Primozic (0/5) shn / 2 View  
Slovis (0/0) SHN / 2 View 453 SBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN
Slovis (0/0) CDR / 3 A View   DSBD - DAT> CDR
dustin schnee (0/5) shn / 2 View 453 SBDDAT>CD>EAC>SHN
Notes: sbd
drmike (0/0) / 0 View  
Dustin (0/0) / 0 View  
Andrew (0/0) SHN / 2 View   SBD -> DAT -> CD -> EAC -> SHN
Notes: Grateful Dead 03/22/90 Copps Coliseum, Hamilton, Ontario, Canada ------------------------------------------ Disc 1 - ------------------------------------------ 1. Feel Like a Stranger 2. West L.A. Fadeaway 3. Easy To Love You 4. Beat It On Down The Line 5. Must've Been the Roses 6. The Last Time 7. Picasso Moon 8. Don't Ease Me in ------------------------------------------ Disc 2 - ------------------------------------------ 1. Scarlet Begonias -> 2. Fire On the Mountain 3. Samson & Delilah 4. Believe it or Not! 5. Truckin'-> Jam -> 6. Drums -> 7. Space ------------------------------------------ Disc 3 - ------------------------------------------ 1. Jam -> 2. The Other One -> 3. Hey Jude -> 4. Dear Mr. Fantasy -> 5. Hey Jude Finale -> 6. Sugar Magnolia 7. E: Baby Blue SBD -> DAT -> CD -> EAC -> SHN conversion by AJ - [email protected] - Jan 2000
Andy Heilemeier (0/0) Audio / 3 View   : DAUD(48k) > DATPort > CoolEdit(ds) > CDR
Andy Heilemeier (0/0) Audio / 3 View  
Jeff (0/0) / 0 View 7460
Carly and Randy (0/5) CD 3 / 0 View   Matrix
Notes: Master SBD Matrix > DAT > CDR > EAC > SHN, * BIODTL -minor dropout at 2:21, Filler:9/18/90
Barrett (0/0) CDR / 3 A View   SBD->MC->DAT->CDR
tosamah (0/0) / 3 View 453
Tom (0/0) DVD / 2 View   Please see details
Notes: Grateful Dead - 3/22/90 Copps Coliseum, Hamilton, Ontario (DVD1) Set 1 Tuning Feel Like A Stranger West L.A. Fadeaway Easy To Love You Beat It On Down the Line It Must Have Been The Roses The Last Time Picasso Moon Don't Ease Me In (DVD2) Set 2 Tuning Scarlet Begonias > Fire On The Mountain Samson And Delilah Believe It Or Not Truckin' > Drums > Space > The Other One > Hey Jude > Dear Mr. Fantasy > Hey Jude Sugar Magnolia Encore It's All Over Now, Baby Blue Last "Roses" 4/9/89 [67] Final/Last "Hey Jude" 3/1/69 [1525] Final/Last "Believe It Or Not" 10/21/88 [89] Source Video MAC (8mm camera with dual Sony ECM 77-B mics > Sony EV-S1 8mm Recorder >Canopus ACDVio Capture card > Ulead Videostudio version 7 > DVD Audio Soundboard > 24trk reel to reel master > cassette > DAT Panasonic sv3700 > Cool Edit Pro > FLAC files > 'Bertha' remaster>SHN>WAV Note: After capturing the video, the audience soundtrack (from the video) was exported and then loaded into Cool Edit Pro along with a copy of the sbd audio. Then, an unique note at approximately 1 minute intervals on the video soundtrack was found and matched to the same note from the sbd. Some modification (ie stretching or shrinking) to the length of these segment was required in order for the sbd to flawlessly match the captured video. The original video audience track was then muted and the sbd tracks imported as background music prior to creating the master dvd. The video was captured at 720x480 resolution (DVD) at 4000bits\sec to create the original mpeg2 file. The camera was on a tripod and a 50-200mm lens was used for some great closeups. After the sound was imported and the dvd burned, the mpeg2 file was rendered to 352x240 to make VCD disks. It was also de-interlaced using TNOGEnc Plus during the original encoding. Takes either (2) dvds or (3) vcds. Audio\Video Flaws: 1st set: 1) The first 2 minutes and 53 seconds of the start of 1st set were added from the video soundtrack to give a better lead in. 2) Before the start of It Must Have Been the Roses, 41.630 seconds were missing from the soundboard. Used audio that came with video to fill in. 3) Before the start of Picasso Moon, 2 minutes and 43.737 seconds were missing from the soundboard. Used audio that came with video to fill in. 4) No other flaws noted during 1st Set 2nd set: 1) The first 1 minutes and 13 seconds of the start of 2nd set were added from the video soundtrack to give a better lead in. 2) About 2 minutes into Scarlet, .233 seconds was missing from the video - inserted 7 still frames with no loss of sound. 3) About 40 seconds into the Other One, 1.156 seconds were missing from the soundboard. Used audio that came with the video to fill in. 4) About 1 minute 40 seconds into the Hey Jude, 2.762 seconds were missing from the soundboard. Used audio that came with the video to fill in. 5) The first 2.925 seconds of the start of encore were added from the video soundtrack to give a better lead in. 6) No other flaws noted during 2nd set Brokedown House Productions Original 8mm cassette supplied by Dan Cole who also let me borrow the Sony EV-S1 8mm Recorder that the tapes were originally recorded on Video Capture and Conversion by Kevin Tobin Audio SBD imported and synced by Kevin Tobin Audio cds provide with thanks by Brian Heath 'Bertha' remastering performed by Jay Ashley
Esau (0/0) CDR / 3 A View   Unknown
Notes: 1: Stranger, West L. A., Easy To Love You, BIODTL, Roses, Last Time, Picasso Moon, Don't Ease 2: Scarlet> Fire, Samson, Believe It, Truckin> Drumz> Other One> Hey Jude> Mr. Fantasy> Hey Jude Finale> Sugar Magnolia E: Baby Blue last "Roses": 04-09-89 [67] - final/last "Hey Jude": 03-01-69 [1525] - final/last "Believe It": 10-21-88 [89]
Marty Peterson (0/0) cdr / 3 A+ View   SBD + Aud Matrix {SBD>MC>DAT + AUD (FOB > Schoeps CMC54 (ORTF)> Aerco PS > DAT)...
Esau (0/0) VCD / 3 A View   8mm camera w/ dual Sony ECM 77-B mics
Notes: Grateful Dead - 3/22/90 Copps Coliseum, Hamilton, Ontario 8mm camera w/ dual Sony ECM 77-B mics > Sony EV-S1 8mm Recorder Dvd 1 (VCD1) Set 1 Tuning Feel Like A Stranger West L.A. Fadeaway Easy To Love You Beat It On Down the Line It Must Have Been The Roses The Last Time Picasso Moon Don't Ease Me In Dvd 2 (VCD2) Set 2 Tuning Scarlet Begonias > Fire On The Mountain Samson And Delilah Believe It Or Not Truckin' > (VCD3) Drums > Space > The Other One > Hey Jude ** > Dear Mr. Fantasy > Hey Jude Sugar Magnolia Encore It's All Over Now, Baby Blue Source Video MAC (8mm camera with dual Sony ECM 77-B mics > Sony EV-S1 8mm Recorder >Canopus ACDVio Capture card > Ulead Videostudio version 7 > DVD Audio Soundboard > 24trk reel to reel master > cassette > DAT Panasonic sv3700 > Cool Edit Pro > FLAC files > 'Bertha' remaster>SHN>WAV Note: After capturing the video, the audience soundtrack (from the video) was exported and then loaded into Cool Edit Pro along with a copy of the sbd audio. Then, an unique note at approximately 1 minute intervals on the video soundtrack was found and matched to the same note from the sbd. Some modification (ie stretching or shrinking) to the length of these segment was required in order for the sbd to flawlessly match the captured video. The original video audience track was then muted and the sbd tracks imported as background music prior to creating the master dvd. The video was captured at 720x480 resolution (DVD) at 4000bits\sec to create the original mpeg2 file. The camera was on a tripod and a 50-200mm lens was used for some great closeups. After the sound was imported and the dvd burned, the mpeg2 file was rendered to 352x240 to make VCD disks. It was also de-interlaced using TNOGEnc Plus during the original encoding. Takes either (2) dvds or (3) vcds. Audio\Video Flaws: 1st set: 1) The first 2 minutes and 53 seconds of the start of 1st set were added from the video soundtrack to give a better lead in. 2) Before the start of It Must Have Been the Roses, 41.630 seconds were missing from the soundboard. Used audio that came with video to fill in. 3) Before the start of Picasso Moon, 2 minutes and 43.737 seconds were missing from the soundboard. Used audio that came with video to fill in. 4) No other flaws noted during 1st Set 2nd set: 1) The first 1 minutes and 13 seconds of the start of 2nd set were added from the video soundtrack to give a better lead in. 2) About 2 minutes into Scarlet, .233 seconds was missing from the video - inserted 7 still frames with no loss of sound. 3) About 40 seconds into the Other One, 1.156 seconds were missing from the soundboard. Used audio that came with the video to fill in. 4) About 1 minute 40 seconds into the Hey Jude, 2.762 seconds were missing from the soundboard. Used audio that came with the video to fill in. 5) The first 2.925 seconds of the start of encore were added from the video soundtrack to give a better lead in. 6) No other flaws noted during 2nd set Brokedown House Productions Original 8mm cassette supplied by Dan Cole who also let me borrow the Sony EV-S1 8mm Recorder that the tapes were originally recorded on Video Capture and Conversion by Kevin Tobin Audio SBD imported and synced by Kevin Tobin Audio cds provide with thanks by Brian Heath 'Bertha' remastering performed by Jay Ashley
Jeff Straw (0/0) / 0 View  
Matt (0/0) Shn / 0 View   SBD
Notes: Archive 159, 90-03-22
Havanos (0/0) cdr / 3 A A View   SBDDAT>CD>EAC>SHN
craig (0/0) / 0 View  
Holden Oversoul (0/0) / 0 View  
Jeff Blomstedt (/0) SHN / 2 View   SBDDATCDEACSHN