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Set I
Bertha, Truckin', It Hurts Me Too, Loser, Greatest Story Ever Told-> Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star-> Wharf Rat-> Dark Star-> Me & My Uncle
Set II
Casey Jones, Playin' In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Uncle John's Band
Set III
Comment
Mickey's last show until 10-20-74 - E.S.P. show - Other artist(s): NRPS
Last Changed By
System
Sources
(107) View Source
View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source
View Archive
direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source
View Archive
flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source
View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source
View Archive
flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source
View Archive
flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
(107) View Source
View Archive SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source
View Archive direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source
View Archive flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source
View Archive flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source
View Archive flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source
View Archive flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Joe (1/0) | cdr / 0 | View | ||||
| Gregg F (1/0) | / 3 | View | SBD | |||
| yubah (1/5) | CDR / 3 | View | 107 | |||
| Nick Kraus (1/0) | AUD / 0 | A | A | View | ||
| GHOST (1/0) | SHN / 2 | View | 107 | SBD | ||
| Notes: | First Bertha, Loser, Greatest Story Ever Told, Johnny B. Goode, Wharf Rat. Mickey Hart's last show until 10.20.74. | |||||
| Chris McDermott (1/0) | CDR / 3 | A | A | View | ||
| Brian Smyth (1/0) | CDR / 3 | A- | View | SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CDR | ||
| Notes: | The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details. | |||||
| Corey Walters (1/0) | CDR / 3 | A | A | View | SBD > Dolby A Reel > Dolby A Decode > DAT > Sound Forge NR > CDR | |
| andrew hoke (1/0) | / 3 | View | ||||
| elkhartadam (1/0) | SHN / 2 | A+ | View | 107 | SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CDR | |
| Notes: | Debut of Bertha, Greatest, Loser, Playin', and Wharf Rat Mickey's last show until 10/20/74 | |||||
| John Clark (1/0) | shn / 2 | View | 107 | |||
| Notes: | Does not match md5 in DB May have a gen or two of DAE Cracks and Pops at times | |||||
| Queball (1/5) | SHN / 2 | View | 107 | |||
| Brice Boyer (1/0) | yes / 3 | View | 107 | |||
| BJ (1/5) | CDR / 3 | A+ | View | |||
| Notes: | SBD | |||||
| John Mollman (1/0) | SHN / 2 | View | 107 | |||
| John Mollman (1/0) | SHN / 2 | View | 107 | |||
| Stephen Wrenn (1/5) | cdr / 3 | View | 107 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| George Boyer (1/0) | CD / 3 | A | A | View | SBD > CAS > DAT > CD | |
| Notes: | End of disc 1 and 3; 4/26/69, Electric Theatre, Chicago | |||||
| jabaker76 (1/0) | tape / 1 | View | ||||
| Notes: | set I | |||||
| Chris Cantergiani (1/4.8) | CD/DAT / 3 | A | View | sbd | ||
| Notes: | BettyBoard. Many songs are '1st time played'. | |||||
| Jody Bugabear (1/5) | cdr / 3 | A | View | 107 | SBD -> Dolby A Reel -> Dolby A decode -> DAT ->Sound Forge NR -> CD-R | |
| jwebbs (1/5) | CDR / 3 | View | SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CD-R | |||
| Flynn Heiss (1/0) | / 0 | View | 6672 | |||
| Jorge Rivas (1/0) | CD / 3 | View | 107 | SBD>Dolby A Reel>Dolby A decode>DAT>SoundForge NR>CD-R | ||
| Page (1/5) | CDR / 3 | A- | View | 107 | SBD > MReel (Dolby A encoded and decoded) > DAT > Sound Forge (8000hz edit) > CDR > SHN | |
| Notes: | TGSET, WRat and others making their debut make this show special (and Greatest story has a funky backing to it which isnt in later versions, could be a good or bad thing, depends). The highlights (for me) being St Steven, and Uncle Johns Band, although Steven has a cut right at the hight of the solo which is the biggest iritation I can think of. Also, *perfect* transition from Not Fade Away > GDTRFB. | |||||
| greg gwiasda (1/5) | CDR / 3 | A | View | |||
| Greg Reihing (1/0) | / 0 | View | ||||
| Emily (1/0) | CDR / 3 | A | A | View | ||
| Luke Sawyer (1/0) | cdr / 3 | A | View | Betty Board | ||
| Tommy Brame (Audio) (1/5) | CDR / 3 | View | 107 | |||