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Grateful Dead 02/18/71
Capitol Theater, Port Chester, NY
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Set I
Bertha, Truckin', It Hurts Me Too, Loser, Greatest Story Ever Told-> Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star-> Wharf Rat-> Dark Star-> Me & My Uncle
Set II
Casey Jones, Playin' In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Uncle John's Band
Set III

Comment
Mickey's last show until 10-20-74 - E.S.P. show - Other artist(s): NRPS
Last Changed By System
Sources
(107) View Source    View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source    View Archive
direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source    View Archive
flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source    View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source    View Archive
flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source    View Archive
flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
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User (active/rating) Media / # Show Sound Details DB Source User Source
Erik Harrington (1/0) SHN / 2 A+ A View  
Eddieb (1/5) cdr only / 2 View   liberated bootleg: sbd
Meaty (1/0) shn / 2 sbd View 107
Tildon (1/5) audio CDs / 3 View 107
Matthew Hilty (1/5) / 0 View 107
Mark (1/0) CDR / 3 A View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Sean Madigan (1/5) SHN / 2 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
John Forkner (1/5) shn / 2 View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; via Orf
Jeff Winick (1/0) SHN / 2 View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Jeffrey T. (1/0) CDR / 3 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details.
Cotsman (1/5) SHN / 3 View   SBD>MR>R>D>CD>SHN
snakevan (1/0) SHN / 2 aud View  
Ted (1/0) shn / 2 View 107
Brad (1/0) CD-R / 3 View  
Brock Pruett (1/0) aud / 3 A A View   Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder
Blake Dockery (1/5) CDR / 3 View   SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge > CD-R
sarah anne (1/5) CDR / 2 A B+ View   sbd(betty board) dolby A reel>dolby A decode>dat>soundforge nr>cdr
GJP (1/0) shnCD / 2 A A View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Jim O'Doherty (1/0) shn / 2 View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Chris (1/5) SHN / 2 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: Much better copy then the one I had. Filenaming and md5's don't match db
sean shade (1/5) / 3 View   SBD
Ryan R. (1/5) / 3 A A View  
Judah Baker (1/0) CDR / 3 A+ View   SBD:MR -> R > R > DAT > Sound Forge NR > CD-R
Notes: Grateful Dead February 18, 1971 Capitol Theatre, Port Chester, NY SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details. Remastered by Leigh Orf <[email protected]> Disc 1 Set 1 1. Bertha (7:13) * 2. Truckin' (11:03) 3. It Hurts Me Too (7:42) 4. Loser (8:21) * 5. Greatest Story Ever Told (3:45) * > 6. Johnny B. Goode (3:39) * 7. Mama Tried (3:29) 8. Hard To Handle (8:01) Disc 2 1. Dark Star > (7:03) 2. Wharf Rat * > (7:21) 3. Dark Star > (7:14) 4. Me And My Uncle (4:04) Set 2 5. Lucky Lager Dance Time (2:39) 6. Casey Jones (6:10) 7. Playing In The Band (5:09) 8. Me And Bobby McGee (6:06) Disc 3 1. Candyman (9:46) 2. Big Boss Man (5:40) 3. Sugar Magnolia (8:29) 4. St. Stephen > (5:57) 5. Not Fade Away > (4:33) 6. Goin' Down The Road Feeling Bad > (5:01) 7. Not Fade Away (3:59) 8. Uncle John's Band (6:44) * first performance
Jason T (1/0) CDR / 3 A View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Pete (1/0) cdr / 3 A- View  
Notes: SET1 Bertha [5:19] ; Truckin' [8:14] ; It Hurts Me Too [4:59] ; Loser [5:57] ; Greatest Story Ever Told [3:45] > Johnny B. Goode [2:32] ; Mama Tried [2:47] ; Hard To Handle [7:50] ; Dark Star [7:02] > Wharf Rat [7:15] > Dark Star [7:21] > Me And My Uncle [3:18] SET2 Casey Jones [4:17] ; Playing In The Band [5:09] ; Me And Bobby McGee [5:48] ; Candyman [6:38] ; Big Boss Man [4:41] ; Sugar Magnolia [5:32] ; Saint Stephen [6:05] > Not Fade Away [4:33] > Goin' Down The Road Feeling Bad [4:54] > Not Fade Away [3:55] > Uncle John's Band [5:56]
charles beard (1/0) cdr / 2 A A View  
George Leroy Tirebiter (1/0) SHN / 2 View 107
Jeff Ishaq (1/0) DAT / 2 View   SBD (Betty) > R2R > PCM > DAT
Notes: Not yet transferred to CDR.
Jeff Ishaq (1/0) DAT / 2 View   SBD (Betty) > R2R > PCM > DAT
Notes: Not yet transferred to CDR.
Mike Mokrzycki (1/0) / 0 View 107