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Grateful Dead 02/18/71
Capitol Theater, Port Chester, NY
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Set I
Bertha, Truckin', It Hurts Me Too, Loser, Greatest Story Ever Told-> Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star-> Wharf Rat-> Dark Star-> Me & My Uncle
Set II
Casey Jones, Playin' In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Uncle John's Band
Set III

Comment
Mickey's last show until 10-20-74 - E.S.P. show - Other artist(s): NRPS
Last Changed By System
Sources
(107) View Source    View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source    View Archive
direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source    View Archive
flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source    View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source    View Archive
flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source    View Archive
flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
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User (active/rating) Media / # Show Sound Details DB Source User Source
phoompapa (5/5) / 3 View  
Daylan White (5/0) shn / 2 A View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: Grateful Dead February 18, 1971 Capitol Theatre, Port Chester, NY SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details. Remastered by Leigh Orf <[email protected]> Disc 1 Set 1 1. Bertha (7:13) * 2. Truckin' (11:03) 3. It Hurts Me Too (7:42) 4. Loser (8:21) * 5. Greatest Story Ever Told (3:45) * > 6. Johnny B. Goode (3:39) * 7. Mama Tried (3:29) 8. Hard To Handle (8:01) Disc 2 1. Dark Star > (7:03) 2. Wharf Rat * > (7:21) 3. Dark Star > (7:14) 4. Me And My Uncle (4:04) Set 2 5. Lucky Lager Dance Time (2:39) 6. Casey Jones (6:10) 7. Playing In The Band (5:09) 8. Me And Bobby McGee (6:06) Disc 3 1. Candyman (9:46) 2. Big Boss Man (5:40) 3. Sugar Magnolia (8:29) 4. St. Stephen > (5:57) 5. Not Fade Away > (4:33) 6. Goin' Down The Road Feeling Bad > (5:01) 7. Not Fade Away (3:59) 8. Uncle John's Band (6:44) * first performance
MeltN2aDream (5/5) cdr / 3 View 6672 BBD
Jeremy (5/4.4) CDR / 3 A View  
sean (5/5) CDR / 3 A View  
Jeff Riney (5/5) cdr / 2 View 107
Notes: SBD
EricS (5/0) CDR / 2 View   SBD
Pat (5/5) / 3 A A View   SBD
Joey Browning (5/4.9) cd / 3 A View  
Glenn (5/5) / 2 A A View 107 SBD>Dolby A Reel>Dolby A decode>DAT>Sound Forge NR>CD-R
Gene Walters (5/4.7) CDR / 3 View   SBD>Dolby A Reel> Dolby A decode>DAT> Sound Forge NR> CDR
Notes: The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. Remasterd by Leigh Orf < orfmailbag.com
DaffiDuck (5/5) shn / 2 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; via Orf;
Notes: disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct) Traded with Mike Danifo First Bertha, Loser , Greatest Story Ever Told, Johnny B. Goode & Wharf Rat
CTDEADHEAD (5/5) SHN / 2 View 107
Notes: SBDR
Ian Sawers (5/4) CDR / 3 A A View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Lloyd H (5/5) CDR / 3 A+ A/+ View   SBD
Mike Lorenz (5/0) / 0 View  
vivek (5/0) SHN / 2 A+ A View 107
kirk (5/5) shn / 2 View 107
Notes: md5s don't match
Erika Vago (5/0) CDR / 3 A View   SBD>RR>DAT
Kent Richards (5/0) cdr / 3 A+ A View 107 sbd
AoXoMoXoA (5/5) SHN / 2 View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; via Orf;...
Notes: SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Chris Slagle (5/0) SHN / 2 A A+ View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: Wharf Rat first time played Mickey's last show until 10-20-74 - E.S.P. show
Brian Witzke (5/0) CD-R / 2 View  
Richie Sasala (5/0) Shn / 2 A View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> Shn
Notes: Grateful Dead February 18, 1971 Capitol Theatre, Port Chester, NY SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details. Remastered by Leigh Orf Disc 1 Set 1 1. Bertha (7:13) * 2. Truckin' (11:03) 3. It Hurts Me Too (7:42) 4. Loser (8:21) * 5. Greatest Story Ever Told (3:45) * > 6. Johnny B. Goode (3:39) * 7. Mama Tried (3:29) 8. Hard To Handle (8:01) Disc 2 1. Dark Star > (7:03) 2. Wharf Rat * > (7:21) 3. Dark Star > (7:14) 4. Me And My Uncle (4:04) Set 2 5. Lucky Lager Dance Time (2:39) 6. Casey Jones (6:10) 7. Playing In The Band (5:09) 8. Me And Bobby McGee (6:06) Disc 3 1. Candyman (9:46) 2. Big Boss Man (5:40) 3. Sugar Magnolia (8:29) 4. St. Stephen > (5:57) 5. Not Fade Away > (4:33) 6. Goin' Down The Road Feeling Bad > (5:01) 7. Not Fade Away (3:59) 8. Uncle John's Band (6:44) * first performance
barney rubble (5/3.5) cd-r / 3 View  
barney rubble (5/3.5) shn / 3 View 6672 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby...
Notes: This is a direct copy of the WBOTB tape circulated in 1996. No digital processing has been performed other than resampling, leaving intact the "nasty mic feedback" during Bertha and the "annoying whine" which "hovers around 8000Hz" throughout the whole show. Other copies circulate with these problems removed, but I still enjoy the tape more when it has not been noise reducted. Not recommended for the non-puristic listener.
Alex Tamargo (5/5) CD-R / 3 A+ A+ View   SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge > CD-R> EAC > MKW...
Ryan Dunnion (5/0) shn / 0 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
matt eiting (5/5) CD / 3 A A View  
Ian (5/0) / 0 View 107