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Set I
Bartender
When The World Ends (Extended outro)
Captain
Satellite
(Fool to Think)->
Where Are you Going?
Jimi Thing->
What Will Become of Me?
Everyday (#36)
Pay For What You Get (Norwegian Wood)
The Stone (Wise Men)
Grace is Gone
Gravedigger
Impermanence (Tim Solo)
Big Eyed Fish
Two Step
Crush
(The Bell)-> *
Don't Drink the Water (This Land)
One Sweet World (Swim Naked)
Kundalini Bonfire (Tim Solo)
Cry Freedom
Lie In Our Graves
Grey Street
Ants Marching
-Encore-
I'll Back You Up
Dancing Nancies
When The World Ends (Extended outro)
Captain
Satellite
(Fool to Think)->
Where Are you Going?
Jimi Thing->
What Will Become of Me?
Everyday (#36)
Pay For What You Get (Norwegian Wood)
The Stone (Wise Men)
Grace is Gone
Gravedigger
Impermanence (Tim Solo)
Big Eyed Fish
Two Step
Crush
(The Bell)-> *
Don't Drink the Water (This Land)
One Sweet World (Swim Naked)
Kundalini Bonfire (Tim Solo)
Cry Freedom
Lie In Our Graves
Grey Street
Ants Marching
-Encore-
I'll Back You Up
Dancing Nancies
Set II
Set III
Comment
* Stephan Smith cover, first three verses played
Last Changed By
Greg Yurkovic
Sources
(16279) View Source
Taper: Duncan Byrd
Source: Neumann KM184 > Apogee MiniMe @ 16 bit 44.1khz > Apple Powerbook G4 > Coaster > Peak LE 3.0
Conversion: Peak LE V. 3.0> CDWav(PC)>SHorten
Location: Orch 1 Row TT Seat 109
(16284) View Source
Taper: Ryan Hoyt
Equipment: AT853s > Batt Box > Canare XLRs > Zefiro Inbox @ 44.1 > Sony D100
Location: Orch5, Row KK, Seat 512
DAT > SHN: D100 > Edirol UA-3 > CDWave > SHNtool
(23827) View Source
Source: MK4 > KCy I > VMS 02 IB > SBM1 > D100 Location: 3rd Mezzaine Row BB Seat 701/3 on the railing Conversion: Sony PCM-R300 > Zoltrix Pro > SoundForge
(16279) View Source
Taper: Duncan Byrd
(16284) View Source
Taper: Ryan Hoyt
(23827) View Source
Source: MK4 > KCy I > VMS 02 IB > SBM1 > D100 Location: 3rd Mezzaine Row BB Seat 701/3 on the railing Conversion: Sony PCM-R300 > Zoltrix Pro > SoundForge
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| chuck (4/5) | CD / 0 | View | ||||
| mike geary (4/5) | audio / 3 | A | A | View | ||
| Notes: | two second gaps between tracks, but still great sounding | |||||
| RRRusty (4/4.8) | cd / 3 | View | audience | |||
| Greg (4/0) | / 0 | View | ||||
| Carly (4/0) | CDR / 3 | A | View | |||
| Notes: | DAO | |||||
| David Dwyer (4/0) | CDR / 3 | View | ||||
| Micah (4/0) | CDR / 3 | View | ||||
| Jeff Gordon (4/0) | cdr / 3 | a | View | |||
| Notes: | DAO-great sound | |||||
| Austin (4/0) | / 3 | View | AUD | |||
| Jason Williams (4/5) | SHN / 2 | View | 16284 | |||
| Notes: | Haven't listened yet | |||||
| Nick (4/0) | cdr / 3 | B+ | A- | View | ||
| Chris (4/4.8) | SHN / 2 | View | 16284 | |||
| Brian Gray (4/5) | SHN / 3 | View | ||||
| Notes: | HOYT | |||||
| bob19147 (4/5) | SHN / 3 | View | 16284 | |||
| Kalen (4/5) | AUD / 3 | View | ||||
| Megan (4/0) | CDR / 3 | View | ||||
| George (4/0) | / 0 | View | ||||
| Keith Stewart (4/0) | SHN / 2 | View | 16284 | |||
| Ryan (4/1) | / 3 | View | ||||
| Erica K (4/0) | SHN / 2 | View | : AT853s > Batt Box > Canare XLRs > Zefiro Inbox @ 44.1 > Sony D100 | |||
| Brent McDermott (4/0) | Audio / 3 | View | DAO | |||
| chris (4/5) | CDR / 3 | A | A | View | ||
| Brian (4/0) | SHN / 2 | A | A | View | 16284 | |
| Notes: | DAO | |||||
| Steph (4/4.8) | SHN / 2 | View | ||||
| Nick Ostrofsky (4/0) | CD-R / 3 | A | View | |||
| Notes: | - Ryan Hoyt | |||||
| Laura Liane (4/0) | CDR / 3 | View | DAT > SHN: D100 > Edirol UA-3 > CDWave > SHNtool | |||
| Jay (4/5) | shn 3 cdr / 2 | A | View | 16284 | ||
| Notes: | DAO | |||||
| Jayme (4/0) | CD-R / 3 | View | ||||
| Notes: | wav files converted from shn | |||||
| Joshua Johnson (4/0) | / 3 | View | ||||
| Fritoz (4/5) | DVD-R / 1 | B+ | A | View | ||
| Notes: | Handheld audience cam. Menu, with chapter stops. Shaky camera work, but it is tolerable. | |||||