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Grateful Dead 02/21/71
Capitol Theater, Port Chester, NY
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Set I
Cold Rain & Snow, Me And Bobby McGee, Loser, Easy Wind, Playin' In The Band, Bertha, Me & My Uncle, Ripple, Next Time You See Me, Sugar Magnolia, Greatest Story Ever Told-> Johnny B. Goode
Set II
China Cat Sunflower-> I Know You Rider, Bird Song, Cumberland Blues, I'm A King Bee, Beat It On Down The Line, Wharf Rat, Truckin', Casey Jones, Good Lovin'-> Drums-> Good Lovin'-> Uncle John's Band
Set III

Comment
E.S.P. show - Other artist(s): NRPS
Last Changed By System
Sources
(1980) View Source    View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different
(87134) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
(98034) View Source    View Archive
flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
(116618) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(123830) View Source    View Archive
flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation
(123885) View Source    View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Dan K (Gr8fulDog) (4/5) CDA / SHN / 3 2 View 1980 Dead Vine (Matty F.)
Notes:
Johnny Utah (4/0) / 3 View  
Buddy (4/5) SHN / 3 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
TunaMan (4/5) shn / 2 View 1980
Drew Douglass (4/0) shn / 2 View 1980 SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
John and Becca Witcher (4/5) 2 / 3 View 1980
Notes: SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Todd Lackey (4/5) / 3 View  
Will H. (4/5) SHN / 2 View 1980
jim alverson (4/5) cdr / 3 A View  
Notes: sbd
rhettandpam (4/0) / 3 View 1980
Brooke (4/5) CDR / 3 A A View   SBD>MR>R>DAT>CDR
Z-Jazzfreak (4/0) CD / 2 View   SBD>Dolby A Reel>Dolby A Decode>DAT>NR>CD-R
marty (4/5) cdr / 1 A B View  
Notes: set 2
Carl Rinehart (4/0) cdr / 2 View  
Doug Whitworth (4/0) cdr / 3 9-9 View   sbd
Jack Renken (4/0) CDR / 3 View  
Brad Stoll (4/5) CDR / 3 View  
Notes: SBDMR>PCM>DAT>CD
josh wendt (4/5) cdr / 3 View  
mark sweeney (4/5) cdr / 3 View   mr>pcm>dat>cdr
Notes: mr>pcm>dat>cdr
Kristin & Ted Niemi (4/5) CDR / 3 View  
Rodney (4/3) 180 / 2 A View   Sbd6
Notes: Sets 1,2
Joe (4/0) CD-R / 3 View 1980 SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Joe (4/0) SHN / 3 View 1980 SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
chucktcounceller (4/0) CDR / 3 View   SBD>BBM Dolby A Reel>Dolby A decode>DAT>SoundForgeNR>CDR
Bill Healy (4/0) cdr 3 / 3 A View   sbd
matt and jennifer (4/5) SHN / 2 A A View 1980 SBD
David Nestler (4/0) CD-R / 3 View   SBD>?>CD
JoeC (4/0) / 3 View  
Gene Rider (3/0) WMA / 3 View 1980
Notes: SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details. Remastered by Leigh Orf ----------------- I've added some .toc files that are recognized by cdrdao. They add pre-gaps to the tracks during audience noise, so track times are more accurate. Jason Lunz -----------------
Jeff Hyman (3/5) cdr / 3 A View 87134 sbd