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Grateful Dead 02/18/71
Capitol Theater, Port Chester, NY
Set I
Bertha, Truckin', It Hurts Me Too, Loser, Greatest Story Ever Told-> Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star-> Wharf Rat-> Dark Star-> Me & My Uncle
Set II
Casey Jones, Playin' In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Uncle John's Band
Set III

Comment
Mickey's last show until 10-20-74 - E.S.P. show - Other artist(s): NRPS
Last Changed By System
Sources
(107) View Source    View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source    View Archive
direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source    View Archive
flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source    View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source    View Archive
flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source    View Archive
flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
george (0/0) cdr / 3 View 107
Jeff Smith (0/0) CDR / 3 View 107
Art Thibodeau (0/5) CD-R / 3 View   SBD>Dolby A Reel>Dolby A Decoder>Dat>Soundforge NR>CDR>Shn>CDR
Danny Whittom (0/5) / 3 A+ View  
john curvey (0/0) CDR / 3 View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See my notes below for details.
Larry (0/0) / 0 View  
andrew (0/0) / 0 a a View  
Shawn (0/0) CD / 3 Goo View  
andy schwartz (0/0) cdr / 3 View  
Tony (0/0) / 2 View  
Tom Reid (0/5) CD / 2 A- View   SBD
grover thomas (0/0) / 2 View  
Rob Hall (0/0) / 2 View  
James (0/5) DAT / 1 A- View   S>R>DAT
van fan (0/3.8) CDR / 2 A View   SBD
van fan (0/3.8) CDR / 2 A View   SBD
Geoff (0/5) / 2 A A View   SBD>DAT>CDR
Notes: 2 on 80s
Will Sherman (0/0) CDR / 3 A+ View   SBD>DAT>CDR
Notes: Mickey's last show before his break in the 70's.
Dizzy Dad (0/0) cdr / 3 a View   sbd>dolby a reel>dolby a decode>dat>soundforge nr>CDR
Dan Griffin (0/5) shn / 3 View 107
Shelley Griffith (0/5) SHN / 2 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: * 3 discs audio
Brian Short (0/0) cdr/shn / 2 View  
Adam Campbell (0/0) CD / 3 A View   SBD>MR>DAT>CDR
Joy Vidheecharoen-Glatz (0/0) cdr / 3 View  
justin clohesy (0/0) SHN / 2 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: Grateful Dead February 18, 1971 Capitol Theatre, Port Chester, NY SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details. Remastered by Leigh Orf Disc 1 Set 1 1. Bertha (7:13) * 2. Truckin' (11:03) 3. It Hurts Me Too (7:42) 4. Loser (8:21) * 5. Greatest Story Ever Told (3:45) * > 6. Johnny B. Goode (3:39) * 7. Mama Tried (3:29) 8. Hard To Handle (8:01) Disc 2 1. Dark Star > (7:03) 2. Wharf Rat * > (7:21) 3. Dark Star > (7:14) 4. Me And My Uncle (4:04) Set 2 5. Lucky Lager Dance Time (2:39) 6. Casey Jones (6:10) 7. Playing In The Band (5:09) 8. Me And Bobby McGee (6:06) Disc 3 1. Candyman (9:46) 2. Big Boss Man (5:40) 3. Sugar Magnolia (8:29) 4. St. Stephen > (5:57) 5. Not Fade Away > (4:33) 6. Goin' Down The Road Feeling Bad > (5:01) 7. Not Fade Away (3:59) 8. Uncle John's Band (6:44) * first performance
Rachel (0/0) CD-R / 2 View  
Rick (0/0) / 0 View  
Turner Hicks (0/0) CDR / 3 View   SBD>Dolby A Reel>Dolby A decode>DAT>Sound Forge NR>CDR
Notes: The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details.
Turner Hicks (0/0) CDR / 3 View   SBD>Dolby A Reel>Dolby A decode>DAT>Sound Forge NR>CDR
Notes: The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details.
Bilbo (0/0) CDR / 3 View