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Grateful Dead 02/18/71
Capitol Theater, Port Chester, NY
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Set I
Bertha, Truckin', It Hurts Me Too, Loser, Greatest Story Ever Told-> Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star-> Wharf Rat-> Dark Star-> Me & My Uncle
Set II
Casey Jones, Playin' In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Uncle John's Band
Set III

Comment
Mickey's last show until 10-20-74 - E.S.P. show - Other artist(s): NRPS
Last Changed By System
Sources
(107) View Source    View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source    View Archive
direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source    View Archive
flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source    View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source    View Archive
flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source    View Archive
flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
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User (active/rating) Media / # Show Sound Details DB Source User Source
troy richey (0/5) SHN / 2 A A View 107
Jamie Ippolito (0/5) CDR / 3 View 107
Tom Reedy (0/0) cdr / 2 A View  
Notes: sdb
william boswell (0/0) DAT / 0 View   SBD
Notes: Set 2 only
Glen W. (0/0) CD-R / 3 View   SBD->MR->R->DAT->CDR
Notes: SBD->MR->R->DAT->CDR
Eric Wehmeyer (0/0) / 0 View 107
Greg Wellemeyer (0/0) CD-R / 3 A View   SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CD-R
Notes: From SHN
dragonfly420 (0/0) CDR / 2 A View  
Chad & Taryn King (0/3.7) cdr / 3 View  
David Raymond (0/0) dat / 0 View   sbd
Bobby (0/0) / 2 A View 107 SBD > Dolby A > Decode > DAT > CDR
PAUL F (0/5) CD-R / 2 View  
Notes: NOT RATED YET
David Francis (0/4.7) shn / 3 View 107
Notes: SBD
Robert (0/0) / 0 A+ A+ View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details.
chino (0/0) SHN / 3 B+ A View 107
Notes: a widely collected dead favorite for 1971. Great "Darkstar > Wharf Rat > Darkstar" lineage. First show to feature "Wharf Rat"
David Ritter (0/5) / 0 View  
Magic Hat (0/0) shn / 2 View 107
Notes: gdlive
Chuck Lewis (0/0) / 0 View   SBDMR>DAT(2)
Notes: first 'Greatest, 'Bertha', 'Loser', 'Playin', and 'Wharf Rat'; Mickey's last show until 10/20/74
Jon Carnes (0/0) SHN / 2 View 107
mike fabian (0/0) shn / 3 View  
Notes: f drive
Terrapin's Station (0/0) / 3 A View  
Notes: First Playin'/Wharf Rat
Matt Kuerbis (0/0) CDR / 0 View  
Notes: Set I
Brian Bethman (0/5) CDR / 3 View  
Notes: gd71-02-18.shnf
Hipster (0/0) CDR / 3 View  
John A. Primozic (0/5) shn / 2 View  
tie dye tim (0/0) / 0 View  
corn (0/0) audio cd / 3 View  
Oscar (0/0) / 3 View   shn
Slovis (0/0) CDR / 3 A+ View   SBD
J Gamache (0/0) / 0 View