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Grateful Dead 02/18/71
Capitol Theater, Port Chester, NY
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Set I
Bertha, Truckin', It Hurts Me Too, Loser, Greatest Story Ever Told-> Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star-> Wharf Rat-> Dark Star-> Me & My Uncle
Set II
Casey Jones, Playin' In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Uncle John's Band
Set III

Comment
Mickey's last show until 10-20-74 - E.S.P. show - Other artist(s): NRPS
Last Changed By System
Sources
(107) View Source    View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source    View Archive
direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source    View Archive
flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source    View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source    View Archive
flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source    View Archive
flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
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User (active/rating) Media / # Show Sound Details DB Source User Source
John (5/0) CDR / 2 A A+ View  
longdistancerunner (5/5) CDR / 3 A A View  
Notes: ESP show First: Bertha, Loser, Greatest Story, Johnny B. Goode, Wharf Rat, Playin' In The Band, Mickey's last show until 10/24/74
Christopher Anderson (5/0) / 2 View   Sbd
saul goldstein (5/0) cdr / 3 View  
andrew (5/0) CD / 3 View  
Mike Woellert (5/4.6) CD-R / 3 View   SBD > Dolby A Reel > Dolby A decode > DAT
Notes: SBD > Dolby A Reel > Dolby A Decode > DAT
Gary Ferrari (5/5) / 0 View   SBD>Dolby A reel>Dolby A Decode>DAT>Sound Forge NR>CDR
jr (5/0) / 3 View  
todj (5/0) CDR / 3 A A View   SBD
Justin Hall (5/0) cdr [wav] / 3 View 107
Tim Wheaton (5/4.7) cdr / 3 A A View   SBD
U-Turn Mike (5/0) CDR / 3 A A View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
erico (5/4.5) CDR / 3 A- View  
Bill McIntyre (5/0) / 0 View  
Casey Allred (5/5) CDR / 3 View 107 SBD - Dolby A Reel - Dolby A decode - DAT -Sound Forge NR - CD-R
edwin (5/3) SHN / 2 View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Jason White (5/0) CDR / 3 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Brian Gerardi (5/0) CD-R / 3 A A View  
Lars (5/0) CDR / 3 View 107
Johnny Riddle (5/3) SHN / 2 A A View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
matt (5/0) shn / 3 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Mike Reaser (5/5) cdr/shn / 3 View   SBD>Dolby A Reel>Dolby A Decode>DAT>Soundforge NR>cdr
Notes: SBDDolby A ReelDolby A DecodeDATSoundforge NRcdr
frederick ferrara (5/0) audio / 3 a View  
Notes: sbd
Jesse Kaisner (5/5) / 3 View  
the creekster (5/0) / 3 A View  
Terry Heafey (5/0) CDR / 3 View  
Chad McDaniels (5/0) cdr / 3 View  
Notes: sbd->mr->pcmx2->dat->cdr(betty)
Stephen Olker (5/0) cd-r / 2 View  
spank (5/5) / 3 View  
Ernie Presley (5/0) CD / 3 A View