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Grateful Dead 05/08/77
Barton Hall, Ithaca, NY
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Set I
Minglewood Blues, Loser, El Paso, They Love Each Other, Jack Straw, Deal, Lazy Lightning > Supplication, Brown Eyed Women, Mama Tried, Row Jimmy, Dancin' In The Streets
Set II
Scarlet Begonias > Fire On The Mountain, Estimated Prophet, Saint Stephen > Not Fade Away > Saint Stephen > Morning Dew

E: One More Saturday Night
Set III
 
Comment
Cornell University
Last Changed By
Sources
(266) View Source    View Archive
w/AUD splices? to patch reel flips: Betty Board Soundboard sections (all but 47 seconds of the show): 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz.; Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES;? PCM501ES analog out > Fostex D5 @ 48 kHz >ZA2>CD; Audience Splices -- Panasonic AM/FM Stereo 'boom box' (w/condenser mics) >? CM (Cassette Masters) > various equalizers & editors > CD (teddy goodbear); EAC extracted and encoded by Darrin Sacks; note number of tracks on discs: 10-7-8; note SBD portion is clear, AUD portion is muddy; reportedly digital error-free; 5/01 note: fixed shn set now in circulation; upgrade in circulation
(4982) View Source    View Archive
freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin
(5002) View Source    View Archive
Lineage: -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive by Karen Hicks
(26856) View Source    View Archive
DTS Audio 5.1: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version
(26857) View Source    View Archive
Matrix based on these sources: Source Info SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN
(28301) View Source    View Archive
MAC> R> CD; recorded by Jerry Moore: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B ; Transfer by Rob Berger: Sony TC 850> Teac AN-180> Sony SBM1 super bit mapper> Tascam CD-Rw4U (see additional source notes in txt); EAC> WAV> SHN by Sean Cribbs
(28354) View Source    View Archive
flac16; MAC> R> CD Audience Recording by Jerry Moore; seeded by clarson; possibly different source CDR> DAE compared to similar-looking shn set; upgrade in circulation
(29303) View Source    View Archive
flac16; Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC Recording And Transfer:Jeff Stevenson
(29511) View Source    View Archive
Source Info: "3 Source Matrix Mix, SBD + AUD1 + AUD2"
(30756) View Source    View Archive
flac16, DTS; complete show; combination of SBD with 2 AUD sources (see notes in txt)
(35086) View Source    View Archive
flac24/96; SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)
(87486) View Source    View Archive
flac16; Set 1 only; partial SBD (1st part of Set 1 Only) Lineage unknown, possibly RR > CD (unknown transfer) > EAC > SHN Originally posted as shn files to abgd-hs by ArtCube 2007-09-26 (The patch in Minglewood is from material performed on 5-7 and Lazy Lightning from 5-25.) Converted to flac by terrapinstation
(97274) View Source    View Archive
flac16; SBD (shnid=4982) and AUD (shnid=29303 Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); Fixed version in circulation
(111493) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from source ID 97274
(117026) View Source    View Archive
flac16; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller
(117027) View Source    View Archive
flac24; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller
(134093) View Source    View Archive
flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger
(137569) View Source    View Archive
flac24; 3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson
(137570) View Source    View Archive
flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson
(137571) View Source    View Archive
flac24; 2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson
(137572) View Source    View Archive
flac16; 2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson
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User (active/rating) Media / # Show Sound Details DB Source User Source
john (2/5) shn / 2 View 4982
Tom O'Reilly (2/0) SHN / 2 A+ View  
Notes: #1 all time according to many
Ted Busch (2/0) SHN / 2 View  
Kevin Kaye (2/4) CDR / 3 View  
Michael Taylor (2/5) cdr / 3 A A View  
Terrapanda (2/0) / 2 View 4982
Terrapanda (2/0) / 2 View 29511
Thomas Frank (2/5) SHN / 3 View 4982 Betty Board Portion -- Master 7
Notes: Lineage: Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster) Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive. The excellent aud splices were normalized and patched using ProTools by Karen Hicks Disk 1: Set I 1. Minglewood Blues -> (AUD splice provides beginning of track) 2. Loser 3. El Paso 4. They Love Each Other 5. Jack Straw 6. Deal 7. Lazy Lightning -> Supplication (Aud Splice during transition) 8. Brown Eyed Women 9. Mama Tried Disk 2: Set I (continued) 1. Row Jimmy 2. Dancin' In The Streets Set II 3. Take A Step Back/Tuning 4. Scarlet Begonias-> Fire On The Mountain Disk 3: Set II (continued): 1. Estimated Prophet 2. Tuning/Dead Air 3. Saint Stephen-> 4. Not Fade Away-> 5. Saint Stephen-> 6. Morning Dew 7. Encore: Saturday Night Culled from a May 6, 1999 post by Rob Eaton to dnc -- I recently re-decoded 5/5/77 and 5/8/77. I went into Right Track Studios in NYC (my home base studio ) set up in studio B (which is the premier state of the art Digital Music Studio in world). I had clean dat copies (provided by Tim Daulton) that were NOT decoded. I set up a chain consisting of: Panasonic Sv4100 AES out-->DB Technologies 924AD (24bit/96k capability)-->Dolby 361 Modules w/DBX K9-22 cards-->Neve Capricorn 32bit point processing/full 24bit Digital Console-->DB Technologies 122s 24bit/16bit conversion and 44.1k/48k sample rate conversion-->Panasonic Sv4100 Dat AES in. This is State of the Art Tchnology, getting as much of the music that was on the tapes as possible. The thing about DBX that nobody else got is that in order to decode it properly the volume into the decoder has to be exact, otherwise the tapes can be to bass heavy or to bright and compressed. These tapes are absoultly the best possible reproductions of the dig tapes made from the masters (I only wish I had the actual reels so I could do a proper azimuth adjustment on them).
Thomas Frank (2/5) FLAC / 2 View 30756 SBD + AUD1 + AUD2 Matrix Mix
Notes: Grateful Dead Barton Hall, Cornell Univ. Ithaca, NY May 8, 1977 SBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2) Disc 1 - Set I 01 [05:16] Minglewood Blues 02 [07:54] Loser 03 [04:40] El Paso 04 [07:35] They Love Each Other 05 [07:38] Jack Straw 06 [06:49] Deal 07 [03:32] Lazy Lightning > 08 [05:07] Supplication 09 [06:01] Brown Eyed Women 10 [03:34] Mama Tried 11 [11:28] Row Jimmy 12 [16:40] Dancin' In The Streets TT [88:13] **requires a 90 min CDR** Disc - Set II 01 [01:48] Take A Step Back 02 [09:37] Scarlet Begonias > 03 [16:45] Fire On The Mountain 04 [08:45] Estimated Prophet 05 [04:44] Saint Stephen > 06 [16:21] Not Fade Away > 07 [01:54] Saint Stephen > 08 [14:29] Morning Dew Encore 09 [05:20] Saturday Night TT [79:41] --------------------------------------------------------- Source Info SBD SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD1 Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN AUD2 Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & both AUD sources. CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix. - Mixed by [email protected] - FLAC conversion 08-MAY-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- Notes I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up. So, although not complete, you will get a good idea of what was done to bring these recordings to this point. ALLOT of editing was done to keep the flow btwn songs. Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations. A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well. These patches are numerous and I think completely smooth and most likely undetectable. d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD. Starting this monster project with an unrecoverable flaw was unacceptable to me. I decided to patch that opening portion with a SBD and AUD recording from 5-7-77. As this patch ends you will hear some slight phasing as the stereo field moves. The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience. Maybe you disagree. For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^) d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362. This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD. I also tried to match the volume on the SBD. A switch in sources is obvious to the listener but this is still pretty good. The switch back to SBD is actually really good as there are no vocals at that point. d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap. This is smooth and most likely undetectable. If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?
MajorWoody (2/0) CDR / 3 A View   SBD
Notes: Has aud splices in Minglewood & Lazy Lightning
Matthew Klein (2/0) CDR / 3 View 266
Matthew Klein (2/0) CDR / 3 View 97274
Notes: *40th Matrix* - Seamons
ecstrat57 (2/0) CDR / 3 A A View   SBD
Notes: Great Sound
Ian (2/0) CDR / 3 View  
khanti (2/3) FLAC / 2 View 26857
khanti (2/3) SHN / 3 View 26857
Craig Bromley (2/1) DSBD / 3 A+ A+ View   DSBD
Notes: Grateful Dead 8 May 1977 Barton Hall, Cornell University Ithaca, NY Lineage: Betty Board Soundboard sections (all but 47 seconds of the show): WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. > Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES > PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN Audience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD Disk 1: (63.43) Set I 1. Minglewood Blues -> (6.13) (21 second AUD splice in beg of track) 2. Loser (8.53) 3. El Paso (5.17) 4. They Love Each Other (9.12) 5. Jack Straw (8.11) 6. Deal (7.26) 7. Lazy Lightning -> (3.51) (26 second AUD splice at end of track) 8. Supplication (4.04) 9. Brown Eyed Women (6.49) 10. Mama Tried (3.47) Disk 2: (71.57) Set I (continued) 1. Row Jimmy (13.07) 2. Dancin' In The Streets (16.15) Set II 3. Take A Step Back/Tuning (1.55) 4. Scarlet Begonias-> (11.35) 5. Fire On The Mountain (15.12) 6. Estimated Prophet (8.53) 7. Tuning/Dead Air (5.00) Disk 3: (68.47) Set II (continued): 1. Saint Stephen-> (4.49) 2. Not Fade Away-> (17.21) 3. Saint Stephen-> (.58) 4. Morning Dew (14.30) 5. Encore: Saturday Night (5.02) Filler - 05/07/77 Master Reel->PCM->DATs->CDRs->SHN (etree source) 6. Terrapin (10.38) 7. Samson & Delilah (7.18) 8 Friend Of The Devil (8.12) Audience Sections sourced by Teddy Goodbear, Bettyboard (WBOTB) Sections sourced by Darrin Sacks EAC Extraction and Shorten Conversion by Darrin ([email protected]
Mike (2/5) CDR / 3 View  
Sam Carver (College) (2/0) CDR / 3 View 4982
Gage Patterson (2/0) shn / 3 A+ A+ View 4982
Notes: Best Dew ever
Brad (2/0) SHN / 3 View   Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony...
Vimal (2/0) cd-r / 3 A View  
Notes: great show
Robe (2/0) Flac/CDR / 2 A View   SBD + AUD1 + AUD2 Matrix Mix
Notes: Matrix
bkg (2/0) CD / 3 View  
Gdeadman (2/0) cass / 0 5 View   S
Tony Gianelli (2/0) CDR / 3 A+ View   SBD>MR>PCM>DAT>CDR
ggloyd (2/4.9) cdr/shn / 3 A+ View 4982 Betty Board with AUD patches (see info file); fixup of previous shn set by James Albert-...
Brandon (2/0) cd-r / 3 View  
paul duynslager (2/0) shn / 2 View  
Kris Kaiser (2/3) CDR / 3 A+ A View   SBD>DAT>CDR>EAC>SHN (or close, 47 seconds audience)