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Set I
Whipping Post, Sweet Adeline, T.M.W.S.I.Y. > Avenu Malkenu > T.M.W.S.I.Y., Bouncing Around the Room, Possum, Reba, My Sweet One, You Enjoy Myself, Lizards
Set II
Runaway Jim, The Sloth, Uncle Pen, Tweezer, Bathtub Gin, Oh Kee Pa Ceremony > Mike's Song > I am Hydrogen > Weekapaug Groove, Caravan, If I Only Had a Brain, Highway to Hell, Run Like an Antelope, E: Contact
Set III
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Sources
(15655) View Source
SBD > Cass/1 > AIWA AD-F850 3-head deck > Apogee AD1000 > Tascam DA-302 > HHB CDR-850 > CDR > EAC (secure) > WAV > shntool > FLAC; DAT>CDR transfer Chris Warren; FLAC conversion by Mark Kerchoff
(20379) View Source
SBD > Nak CR-3A (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~11dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > WaveLab > remastering (see info file) > SHNv3; Taped by John Redmond
(93941) View Source
SBD -> Sony WM-D6C (Maxell XL-IIS 90's) Cassette Master; Nak CR-3A -> Audigy 2 -> Audition 3.0 -> 16/44.1k -> TLH -> Flac16; Taped & transfered by Tim Leavy
(132467) View Source
flac16 48kHz SBD > C(1) > AIWA AD-F850 3-Head Cassette Deck > Apogee AD1000 > Tascam DA-302 > DAT; DAT @ 48kHz > Tascam DA-20mkII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X v12.5.2.284 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Transfer & edits by Jeff Mitchell
(138705) View Source
flac24 48khz SOURCE: SBD > Nak CR-3A TRANSFER: SBD MCass (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O (48Khz, Input gain +~11dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV (@24/48) > FLAC (24-bit, v1.1.0) MASTERING: 24bit FLAC > Wavelab > 24bit FLAC NO tracking/editing/alterations performed before archiving to 24-bit FLAC except to trim silence from the ends. Transfer>24bit FLAC files by Weave - [email protected] on 10/4/2003 Mastering>24bit FLAC by Marmar - [email protected] 4/5/2017
(15655) View Source
SBD > Cass/1 > AIWA AD-F850 3-head deck > Apogee AD1000 > Tascam DA-302 > HHB CDR-850 > CDR > EAC (secure) > WAV > shntool > FLAC; DAT>CDR transfer Chris Warren; FLAC conversion by Mark Kerchoff
(20379) View Source
SBD > Nak CR-3A (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~11dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > WaveLab > remastering (see info file) > SHNv3; Taped by John Redmond
(93941) View Source
SBD -> Sony WM-D6C (Maxell XL-IIS 90's) Cassette Master; Nak CR-3A -> Audigy 2 -> Audition 3.0 -> 16/44.1k -> TLH -> Flac16; Taped & transfered by Tim Leavy
(132467) View Source
flac16 48kHz SBD > C(1) > AIWA AD-F850 3-Head Cassette Deck > Apogee AD1000 > Tascam DA-302 > DAT; DAT @ 48kHz > Tascam DA-20mkII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X v12.5.2.284 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Transfer & edits by Jeff Mitchell
(138705) View Source
flac24 48khz SOURCE: SBD > Nak CR-3A TRANSFER: SBD MCass (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O (48Khz, Input gain +~11dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV (@24/48) > FLAC (24-bit, v1.1.0) MASTERING: 24bit FLAC > Wavelab > 24bit FLAC NO tracking/editing/alterations performed before archiving to 24-bit FLAC except to trim silence from the ends. Transfer>24bit FLAC files by Weave - [email protected] on 10/4/2003 Mastering>24bit FLAC by Marmar - [email protected] 4/5/2017
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Brian G. (5/5) | SHN / 3 | View | 20379 | |||
| Mike Ryan (5/0) | CDR / 3 | A | A- | View | ||
| Jason Westerfeld (5/4.9) | shn / 2 | View | 20379 | SBD > Nak CR-3A | ||
| mike (5/0) | / 0 | View | 20379 | |||
| Justin (5/0) | SHN / 3 | View | 20379 | |||
| Shane (5/0) | SHN / 2 | View | 20379 | SBD > Nak CR-3A > cass/0 | ||
| Derick Andrade -- (5/5) | / 0 | View | 20379 | SBD > Nak CR-3A (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~11dB, No | ||
| Derick Andrade -- (5/5) | / 0 | View | 20379 | SBD > Nak CR-3A (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~11dB, No | ||
| Notes: | This is the mastered 24bit source of http://db.etree.org/shninfo_detail.php?shnid=20379 | |||||
| ned (5/0) | CDR / 3 | View | SBD -> Sony WM-D6C (Maxell XL-IIS 90's) Cassette Master | |||
| Notes: | Notes: -- I removed Approx. 25 seconds of dead air between Carolina and Funky Bitch. Paul had pulled down the Masters before the band began playing the tune. -- Funky Bitch fades in -- Tape flip in Reba is crossfaded and invisible -- Tape flip in I Am Hydrogen is crossfaded and very smooth -- Shortened/crossfaded the crowd noise between Highway to Hell and Antelope -- No NR filters or EQ processing was applied to this transfer. I wanted to keep it as true as possible. | |||||
| Rob (5/5) | SHN / 2 | View | 20379 | |||
| Wayne and Sarah (5/4.6) | SHN / 2 | View | ||||
| Notes: | SBD > Cass/1 > AIWA AD-F850 3-head deck > Apogee AD1000 > Tascam DA-302 > HHB CDR-850 > CDR > EAC (secure) > WAV > shntool > FLAC; DAT>CDR transfer Chris Warren | |||||
| Bill Conrad (5/5) | SHN / 3 | View | 20379 | |||
| Adam Estes (5/5) | CD / 3 | View | SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S >Art DI/O (48Khz, Input gain +~11dB, No... | |||
| Notes: | NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). (transfer>24bit FLAC files by Weave - [email protected] on 10/4/2003) | |||||
| David (5/5) | shn / 2 | View | 20379 | |||
| Notes: | sbd | |||||
| joe matrone (5/0) | / 0 | View | ||||
| Notes: | 3 cdr | |||||
| Timothy Henningsen (5/5) | wav/FLAC / 2 | A | A | View | 15655 | CS1 > AD 1000 > DAT |
| Richie Sasala (5/0) | Shn / 2 | View | SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S >Art DI/O (48Khz, Input gain +~11dB, No... | |||
| Notes: | Phish Colonial Theater Keene, NH 5/4/90 SOURCE SBD > Nak CR-3A SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~11dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) > Mastering (see notes) > SHNv3 NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). (transfer>24bit FLAC files by Weave - [email protected] on 10/4/2003) Notes The tape cover for cassette 1 lists Contact as the start of Set 2 and the tape cover for Set 2 lists Anelope as the Encore. The taper sometimes put the Encore at the end of Cassette 1 if space was running low on Cassette 2. However, he also started Set 2 on cassette 1 if there was still plenty of room. Listening to the tapes, it is clear that Contact is the Encore and Antelope ends the 2nd set. **CD Tracking** Disc 1: 01) Whipping Post 02) Sweet Adeline 03) TMWSIY > 04) Avenu Malkenu > 05) Bouncing Around the Room 06) Possum 07) "Metal Bagel Death" 08) Reba 09) My Sweet One 10) You Enjoy Myself 11) Lizards Disc 2: 01) Runaway Jim 02) Sloth 03) Uncle Pen 04) Tweezer 05) Bathtub Gin 06) Oh Kee Pa > 07) Mike's Song > 08) I Am Hydrogen > 09) Weekapaug Groove Disc 3: 01) Caravan 02) If I only Had a Brain 03) Highway to Hell 04) Run Like an Antelope -Encore- 05) Contact **Mastering** 24bit/48kHz FLAC's > Wavelab 4.01b on REBA > Q10Paramatric EQ > BBE > X-Noise > Editing > L1+ Ultramaximizer > 48kHz>44.1 and 24bit>16bit w/level 2 Gaussian Dither > tc electronic Finalizer 96k > Tracking in Wavelab > SHNv3 appended There is some low level tape hiss/PA white noise that is on the masters...this did get amplified somewhat because of the level changes made durring the show. The levels for the channels were also more than 4db "off-center". I tried as best as I could by making the appropiate gain changes and EQ adjustments to "center" the recording. The X-Noise process was used on this show, as an experiment on just how far I could push it, because it is an "adaptave" process when you have it set up correctly. I decided to see just how much I could try to get the highs as *crystal* as possible without introducing so much noise that it became unbearable. All the fades were done in a montage as 2 seperate stereo tracks. While I did try to adjust the hard volume fades on the master, not all could be properly adjusted and were just left as is. As for Disc 1, Track 7.....you'll have to ask them what they were thinking ;-) Mastering , editing and WAV > SHN were performed on REBA by [email protected] (on 10/2003) **24/48 Masters do exist at the unedited/pre-processed level** | |||||
| organicgroove (5/0) | CD-R / 3 | A | View | |||
| chris ventura (5/0) | / 0 | a | a | View | ||
| Mike Acerra (5/0) | CDR / 2 | View | SBD | |||
| Notes: | None | |||||
| Jay Thomson (5/4.9) | SHN / 2 | View | 20379 | SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~11dB, No | ||
| Erin (5/5) | CDR/SHN / 2 | View | 15655 | SBD>CS1 | ||
| Erin (5/5) | CDR/SHN / 3 | View | 20379 | SBD> Nak CR-3A | ||
| Mike Woellert (5/4.6) | CD-R / 2 | View | SBD > Cass/1 > AD1000 > DAT | |||
| Notes: | SBD > Cass/1 > AD1000 > DAT | |||||
| Matthew Barney (5/0) | CDR / 3 | A | View | SBD > Nak CR-3A | ||
| erico (5/4.5) | CDR/SHN / 3 | A | View | SBD > Nak CR-3A | ||
| SHNfamily (5/4.5) | / 0 | View | 20379 | |||
| Notes: |
SBD > Nak CR-3A (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~11dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > WaveLab > remastering (see info file) > SHNv3; Taped by John Redmond
posted 05/30/04 | tracker status | shns in circ entry | add source comment |
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| ben samuels (5/5) | SHN / 3 | View | 20379 | |||
| A Helpful Stranger (5/1) | CDr / 3 | A | A | View | ||
| Notes: | SBD | |||||
| Paul R. Giunta (5/5) | FLAC / 2 | A | View | 15655 | CS1 > AD 1000 > DAT | |