Artists
Dates
List Management
Help
Add Source
List Collectors
Add to Collection
I Was There
Add to Want List
Wanted By
History
Edit Show
Set I
Bertha, Truckin', It Hurts Me Too, Loser, Greatest Story Ever Told-> Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star-> Wharf Rat-> Dark Star-> Me & My Uncle
Set II
Casey Jones, Playin' In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Uncle John's Band
Set III
Comment
Mickey's last show until 10-20-74 - E.S.P. show - Other artist(s): NRPS
Last Changed By
System
Sources
(107) View Source
View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source
View Archive
direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source
View Archive
flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source
View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source
View Archive
flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source
View Archive
flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
(107) View Source
View Archive SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source
View Archive direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source
View Archive flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source
View Archive flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source
View Archive flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source
View Archive flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 480 | 481 - 510 | 511 - 540 | 811 - 840 | 1111 - 1140 | 1411 - 1440 | 1711 - 1740 | 2011 - 2040 | 2311 - 2340 | 2611 - 2640 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| john (5/5) | cdr / 3 | View | ||||
| Rick Martin (5/5) | Flac / 2 | A | View | 111793 | ||
| Notes: | Complete SBD>MR(2-11) | |||||
| Chris Manley (5/5) | SHN / 0 | View | ||||
| SpacedDeadhead (5/4.8) | CDR / 3 | View | SBD | |||
| Notes: | Mickey's last show until 10/20/74, First "Bertha", "Greatest", "loser", "Playin", "Wharf Rat", E.S.P. show | |||||
| Thomas Lee (5/0) | shn / 3 | A | View | 107 | ||
| Notes: | 1st Bertha | |||||
| MrSteve (5/4.6) | cd / 3 | View | 107 | |||
| Gary (5/4.3) | CDR / 3 | View | ||||
| Notes: | SBD>MR>DAT>SF NR (Orf)>CD | |||||
| Gary (5/4.3) | CDR / 2 | View | 85478 | |||
| Notes: | SBD>MR>PCM>DAT>Flac WBOTB 85478 | |||||
| Holden Caulfield (5/5) | flac / 2 | View | 85478 | |||
| Keith Deshane (5/0) | / 0 | View | 111793 | |||
| Mat Brewster (5/5) | CDR / 2 | View | ||||
| Steve (5/5) | CDR / 3 | A- | View | sbd | ||
| Marc Ciccarelli (5/0) | FLAC / 0 | View | SBD -> Master Reel -> Dat (44.1k) | |||
| Craig Strawn (5/0) | shn / 2 | View | ||||
| Notes: | 7"Betty Board w/dolby | |||||
| Douglas Tunstall (5/5) | / 2 | View | 85478 | Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog... | ||
| Notes: | Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. | |||||
| Shane M. Rockey (5/3) | CD-R / 3 | A- | View | 107 | www.nugs.net | |
| Born Cross Eyed (5/5) | FLAC / 1 | View | 111793 | |||
| Notes: | SBD | |||||
| Marc Dreilinger (5/2.3) | FLAC / 2 | View | 85478 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >... | ||
| Notes: | Archived Box 1 Disc 241 | |||||
| Marc Dreilinger (5/2.3) | SHN / 2 | View | 107 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| Notes: | Archived Box 1 disc 241 | |||||
| Marc Dreilinger (5/2.3) | SHN / 2 | View | 6672 | direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN | ||
| Notes: | Archived box 1 disc 241 | |||||
| aloha mrj (5/0) | cdr / 3 | View | ||||
| Notes: | ASB/0 | |||||
| aloha mrj (5/0) | cdr / 2 | View | ||||
| Notes: | Liberated "This Better Be Good" Moonlight CD | |||||
| aloha mrj (5/0) | / 0 | View | 85478 | |||
| Notes: | hd 5 | |||||
| aloha mrj (5/0) | / 0 | View | 111793 | hd 5 | ||
| karl banach (5/4.9) | / 0 | View | ||||
| Brian (5/5) | Shn / 2 | View | ||||
| Notes: | With a Cash and Dylan Recording of Unknown origin. | |||||
| Avatar (5/5) | cdr / 3 | View | ||||
| Steve Sawyer (5/4.6) | SHN / 3 | View | 107 | SBD | ||
| Steve Sawyer (5/4.6) | FLAC / 2 | View | 85478 | SBD | ||
| keith scherer (5/5) | SHN / 2 | View | 107 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||