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Grateful Dead 10/30/90
Wembley Arena, London, England
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Set I
Jack Straw >
Bertha >
Wang Dang Doodle
Brown Eyed Women
Queen Jane Approximately
Row Jimmy
Let It Grow >
Valley Road
Set II
Picasso Moon >
Foolish Heart >
Looks Like Rain >
Terrapin Station >
Drums >
Space >
The Wheel >
I Need A Miracle >
Black Peter >
Turn On Your Lovelight

Encore:
The Weight
Set III
 
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(6678) View Source    View Archive
dsbd> dat> cd> shn; via Steve Barbella
(7449) View Source    View Archive
SBD> DAT> CDR; EAC'ed / SHN'ed by Dieter; to abgd
(34645) View Source    View Archive
flac16; Seamless fix of shn id 6678 - dsbd>dat>cd>shn>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
(81706) View Source    View Archive
flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007. Taped and transferred by Andrew F
(90836) View Source    View Archive
flac16; Set 2 only Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 16, 2008
(126879) View Source    View Archive
flac16; 2 Source matrix by Dave Usborne; Soundboard shnid:34645); dsbd>dat>cd>shn>WAV>FLAC via Bill Tetzeli;Audience (shnid:81706); Taped and transferred by Andrew F;AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks;Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007
(136847) View Source    View Archive
flac16; SBD MTX > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm
(139120) View Source    View Archive
flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
(140864) View Source    View Archive
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(140898) View Source    View Archive
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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User (active/rating) Media / # Show Sound Details DB Source User Source
Lee Ascher (2/5) SHN / 2 View 6678 dsbd>dat>cd>shn
De Serio (2/5) shn / 2 A A View 6678
Michael Goff (2/5) cd / 3 View 6678
Notes: 90 dvd #15
Todd Stotts (2/0) / 3 View   sbd
jim mcguire (2/5) shn/cdr / 2 A View 6678
J L Nugent (2/0) SHN / 2 A View 6678 SBD
Notes: Furthur
Sergio Vizzari (2/5) shn / 2 View  
Holly (2/0) / 0 View  
Roger (2/4.3) CDR / 3 A A View   DSBD > D> CD
Drew Hill (2/0) CD-R / 3 View  
Drew Hill (2/0) CD-R / 3 View  
Sean (2/0) shn / 0 A View  
Scott (2/0) / 0 View  
Missy (2/0) CDR / 3 View  
Tripp Wojohn (2/0) SHN / 2 View  
Carter (1/5) CDR / 3 A A View  
Charlie Yohe (1/5) CDR / 3 View 34645
forgottenspace (1/4.5) CD / 3 View   dsbd>dat>cd>shn>WAV>FLAC
forgottenspace (1/4.5) DVD / 3 View   Video: Audience (Tripod) / Audio: DSBD
Gary Field (1/5) SHN / 2 View 6678 SBD
Notes: dsbd>dat>cd>shn
Gary Field (1/5) 060629.3 / 2 View 7449 SBD
Notes: SBD> DAT> CDR [060629.3]
Gary Field (1/5) FLAC / 2 View 81706 AUD
Notes: AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007. Taped and transferred by Andrew F [070221.1]
Gary Field (1/5) 90836 / 1 View 90836 AUD
Notes: Set 2 only Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC [080320.1]
Gary Field (1/5) FLAC / 2 View 34645 SBD
Notes: dsbd>dat>cd>shn>WAV>FLAC; Seamless fix of shn id 6678 [070521.1]
Gary Field (1/5) 34645 / 2 View 34645 SBD
Notes: dsbd>dat>cd>shn>WAV>FLAC - Seamless fix of shn id 6678 (replaygain removed) [090120.3]
Gary Field (1/5) 126879 / 2 View 126879 MTX
Notes: 2 Source matrix by Dave Usborne; Soundboard shnid:34645); dsbd>dat>cd>shn>WAV>FLAC via Bill Tetzeli;Audience (shnid:81706); Taped and transferred by Andrew F;AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks;Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC [140316.wd002]
Gary Field (1/5) 140898 / 0 View 140898
Gary Field (1/5) / 0 View 140864
Marc Deardorff (1/5) shn / 2 View 6678
Notes: dsbd> dat> cd> shn
Marc Deardorff (1/5) flac / 2 View 81706
Notes: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007. Taped and transferred by Andrew F