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Phish 12/31/99
Big Cypress Seminole Reservation, Big Cypress, FL
Set I
Runaway Jim
Funky Bitch
Tube
I Didn't Know
Punch You In The Eye
Bouncing Around The Room
Poor Heart
Roggae
Split Open & Melt >
Catapult
Back On The Train
Horn
Guyute
After Midnight*
Set II
Meatstick >
Auld Lang Syne
Down With Disease >
Llama
Bathtub Gin
Heavy Things
Twist Around >
Prince Caspian >
Rock & Roll
You Enjoy Myself
Crosseyed & Painless
The In-Law Josie Wales
Sand ->
Quadrophonic Topplings
Slave To The Traffic Light
Albuquerque
Reba
Axilla
Uncle Pen
David Bowie
My Soul
Drowned >
After Midnight Reprise
The Horse >
Silent In The Morning
Bittersweet Motel
Piper >
Free
Lawn Boy
HYHU >
Love You >
HYHU
Roses Are Free
Bug
Also Sprach Zarathustra >
Wading In The Velvet Sea
Meatstick
Set III
 
Comment
* First Time Played
Last Changed By Shawnee
Sources
(960) View Source   
afternoon and evening sets; FOB Neumann U89 (omni Setting) Split 12' > Apogee AD1000; Conversion: E. Pearson: DAT (44.1k master) >Montego II Plus >HD via Soundforge >CDWav >Plextor 820; d5t1 ~2:30 crackles apparently fireworks; left channel louder than right; see Rattie's archiving tips for Neumann 12/30,31
(961) View Source   
afternoon set; B&K 4011, 6-7 foot split aimed at each stack> Lunatec V2> Apogee A/D 500, position just to the left of the Earthworks; Conversion: DA302> ZA2> CD; taped? (or by Ron?) and mastered by S. Fry; note Poor Heart is in Bouncin track d1t6; some fades between songs, but only dead spaces removed
(962) View Source   
afternoon set; Earthworks SR-77> Lunatec V2> ADC-20> DA-P1 & M1 (concurrent); from front row, stage left corner of tapers; DAT > CD > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2 Panasonic 7502 (burn/extract); via M. Vernal
(964) View Source   
evening set, aka "ph2000-01-01"; Earthworks SR-77 > Lunatec V2 > ADC-20 > DA-P1 & M1 (concurrent); Location: Front row, stage left corner of tapers; DAT > CD > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2; Panasonic 7502 (burn/extract); taped and mastered by M. Vernal; no music missing; d4t1 ~:23 noise is fireworks; alternate tracking using 6 discs, with 2x80 and an overburn
(966) View Source   
AKG480 (Omni), 12' split -> Lunatec V2 -> ADC-20 -> DA-P1 -> digi patch DA-P1, stage left TS; DAT -> SHN: DA-P1 -> 128bit Yamaha Sound Card -> Cool Edit Pro 1.2; via D. McDowell; notes: track breaks not on sectors, but at 0dB spots, ~5 min missing of the start of the tick-tocking, very beginning of Albuquerque spliced in from another source; circulated with 12/30 (d1-5 of the shn set)
(21760) View Source   
"From the Archives #4, Part II;" FM/pre-FM > DAT; DAT > CDR > EAC (secure) > SHNv3; DAT>CDR transfer by Kevin Shapiro; SHN Conversion by Jim Raras
(74677) View Source   
Schoeps mk21H + mk8 > KCY 250/5 > vmso2ib > SBM-1
(76533) View Source   
(FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD-1000 > Sony D100 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, splices) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
(98248) View Source   
Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D100 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > Samplitude SE v9.1.1 (fades, level adjustments, track splits, splices, resample to 44.1 kHz) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel (NOTE: both 44.1 kHz and 48 kHz versions are available)
(106552) View Source   
[midnight set only] - (FOB) Schoeps MK4V > KC5 actives > CMC6 > Lunatec V2 > Apogee AD1000 @ 48khz; Sony D8 > Firewire Audiophile > Samplitude 24/96 (downsampled on highest setting) > CD Wave > FLAC; Transferred by Jeff Patton
(123836) View Source   
flac16; (FOB) AKG 460b/ck8 > Lunatec V2 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R500 > Marantz PMD-661 > cd wave > tlh (16b/48khz); Taped by JK; Transferred by John M.
(131440) View Source   
flac16, 44kHz; (FOB/omni/split 12') Neumann u89's > Apogee AD-1000 > DAT(c); DAT(c) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source by Eric Pearson; DAT(c) provided by Gordon Wilson; Transfer by Terry Watts
(132492) View Source   
flac16, 44kHz; ProShot VHS Soundboard > "Restoration and Remastering" > FLAC; Transfer by BigCypressNYE
(138124) View Source   
flac16 44.1kHz Neumann U89(FOB/Omni/Split 12’) > Apogee AD1000; Sony 59ES > Optical > Audacity 44.1 (MacMini)
(138529) View Source   
flac16 44.1khz Neumann U89i(FOB/Omni/Split 12’/65-70’Back/65”Up/PAS approx. 30degrees) > Apogee AD1000 @ 44.1k > Tascam DA-P1 Transfer: DAT/c > Tascam DA-20 MKII > SPDIF > MacMini(Audacity) > xACT(FLAC/TAG) 16/441 Transfer/Seed: DiGiHoArDeRs: 6/6/17 DATs Provided by: Matt Lazor & funk_lin
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Mark (0/3) CD-R / 2 A View  
Mark (0/3) CD-R / 8 A View  
Mark (0/3) 90m / 1 View  
Barrett (0/0) CDR / 2 A View   DAO
Fatty Veggie Kickdown (0/0) SHN / 2 View 961 Afternoon Set: B&K 4011>Lunatec V2>Apogee A/D 500
Fatty Veggie Kickdown (0/0) SHN / 4 View 964 Midnight Set: Earthworks SR-77 > Lunatec V2 > ADC-20 > DA-P1 & M1
Fatty Veggie Kickdown (0/0) SHN / 5 View 960 FOB Neumann U89(omni Setting) Split 12' -> Apogee AD1000
Bill Fenner (0/4) SHN / 5 View 960
Notes: 10 audio CDs
Ben Kessler (0/2) CD-R / 10 A A View   Earthworks SR-77 > Lunatec V2 > ADC-20 > DA-P1 & M1 (concurrent)
Notes: Big Cypress - Day 2
Chris Hunt (0/0) cdr / 3 View  
Nick Schroeder (0/0) Imation CDR / 2 View   (vernal)earthworks SR-77 > Lunatec V2 > ADC-20 > DA-P1 & M1
Notes: nye2000 Day 2 Afternoon Set afternoon set; Earthworks SR-77 Lunatec V2 ADC-20 DA-P1 & M1 (concurrent); from front row, stage left corner of tapers; DAT CD SHN: PCM-R500 Audiomedia III/Powermac G3/233 Pro Tools 4.3.2 Panasonic 7502 (burn/extract); via M. Vernal
Nick Schroeder (0/0) Imation CDR / 8 View   (vernal)earthworks SR-77 > Lunatec V2 > ADC-20 > DA-P1 & M1
Notes: nye2000 Day 2 All Night Set evening set, aka ph2000-01-01; Earthworks SR-77 Lunatec V2 ADC-20 DA-P1 & M1 (concurrent); Location: Front row, stage left corner of tapers; DAT CD SHN: PCM-R500 Audiomedia III/Powermac G3/233 Pro Tools 4.3.2; Panasonic 7502 (burn/extract); taped and mastered by M. Vernal; no music missing; d4t1 ~:23 noise is fireworks
eric (0/0) / 10 View   FOB Neumann U89(omni Setting) Split 12' -> Apogee AD1000
Notes: Set I took place in the afternoon. Set II - (11:35pm) Set began with Father Time on stage pedalling away at a stationary bike, powering a large clock, the sound of the gears are heard over the PA. At approximately 11:50pm Father Time collapsed from exhaustion and the clock stops. At this time a fan boat was heard from a set of speakers in the back corner of the concert field and a large fan boat entered the field from halfway back, stage right. After crossing 1/4th of the field the sides and top of the fan boat were blown off to reveal the band riding in the hot dog from the 1994 NYE show. The hotdog crossed the concert field and the approached the stage as the band threw lei's and other goodies into the crowd. As the hot dog neared the stage, an instrumental version of "Meatstick" came over the PA. Once the hotdog reached the stage, the band disembarked carrying several meatsticks which were fed to Father Time, reviving him so that the clock could continue moving towards midnight.
eric (0/0) / 10 View   FOB Neumann U89(omni Setting) Split 12' -> Apogee AD1000
Notes: Set I took place in the afternoon. Set II - (11:35pm) Set began with Father Time on stage pedalling away at a stationary bike, powering a large clock, the sound of the gears are heard over the PA. At approximately 11:50pm Father Time collapsed from exhaustion and the clock stops. At this time a fan boat was heard from a set of speakers in the back corner of the concert field and a large fan boat entered the field from halfway back, stage right. After crossing 1/4th of the field the sides and top of the fan boat were blown off to reveal the band riding in the hot dog from the 1994 NYE show. The hotdog crossed the concert field and the approached the stage as the band threw lei's and other goodies into the crowd. As the hot dog neared the stage, an instrumental version of "Meatstick" came over the PA. Once the hotdog reached the stage, the band disembarked carrying several meatsticks which were fed to Father Time, reviving him so that the clock could continue moving towards midnight.
eric (0/0) / 10 View   FOB Neumann U89(omni Setting) Split 12' -> Apogee AD1000
Notes: Set I took place in the afternoon. Set II - (11:35pm) Set began with Father Time on stage pedalling away at a stationary bike, powering a large clock, the sound of the gears are heard over the PA. At approximately 11:50pm Father Time collapsed from exhaustion and the clock stops. At this time a fan boat was heard from a set of speakers in the back corner of the concert field and a large fan boat entered the field from halfway back, stage right. After crossing 1/4th of the field the sides and top of the fan boat were blown off to reveal the band riding in the hot dog from the 1994 NYE show. The hotdog crossed the concert field and the approached the stage as the band threw lei's and other goodies into the crowd. As the hot dog neared the stage, an instrumental version of "Meatstick" came over the PA. Once the hotdog reached the stage, the band disembarked carrying several meatsticks which were fed to Father Time, reviving him so that the clock could continue moving towards midnight.
eric (0/0) / 10 View   FOB Neumann U89(omni Setting) Split 12' -> Apogee AD1000
Notes: Set I took place in the afternoon. Set II - (11:35pm) Set began with Father Time on stage pedalling away at a stationary bike, powering a large clock, the sound of the gears are heard over the PA. At approximately 11:50pm Father Time collapsed from exhaustion and the clock stops. At this time a fan boat was heard from a set of speakers in the back corner of the concert field and a large fan boat entered the field from halfway back, stage right. After crossing 1/4th of the field the sides and top of the fan boat were blown off to reveal the band riding in the hot dog from the 1994 NYE show. The hotdog crossed the concert field and the approached the stage as the band threw lei's and other goodies into the crowd. As the hot dog neared the stage, an instrumental version of "Meatstick" came over the PA. Once the hotdog reached the stage, the band disembarked carrying several meatsticks which were fed to Father Time, reviving him so that the clock could continue moving towards midnight.
Nick Hamilton (0/0) audio / 3 View   Neumann u89(omni setting) Split 12' -> Apogee AD1000 FOB 44.1k master
greg (0/0) / 0 A A- View  
Mark Sandoval (0/0) CD-R / 10 A View  
Jonathan Papish (0/0) CDR / 10 View 960
Daniel Morris (0/0) CD-R / 10 View 960 Etree (Neumann U89)
me (0/0) CD-R / 10 View 960 FOB Neumann U89
Notes: Not Yet Rated I Have the SHN's
uuaD wapA (0/0) Audio / 10 View   Neumann U89 (omni Setting) Split 12' -> AD1000 FOB
Bryan Wilk (0/0) cd-r / 10 8.4 View 960
Notes: FOB Neumann U89(omni Setting) Split 12' - Apogee AD1000
Derek (0/0) CD-R / 8 A View  
Notes: New Years Eve 2000 MEGA-SET
Carter (0/0) CDR / 10 View   Unknown
Andrew Campbell (0/0) DAT / 5 A A+ View   DAUD
Brandon Shumate (0/0) Audio / 13 View  
Drew (0/0) CDR / 10 View  
Jay Lizzy (0/0) / 0 View