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Set I
Casey Jones, Me & My Uncle, Hard To Handle, Bertha, Playin' In The Band, Bird Song, Big Boss Man, Cryptical Envelopement-> Drums-> The Other One-> Wharf Rat, Sugar Magnolia
Set II
Truckin', Loser, Next Time You See Me, Greatest Story Ever Told-> Johnny B. Goode, Ripple, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Turn On Your Love Light
Set III
Comment
E.S.P. show - Other artist(s): NRPS
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(111) View Source
View Archive
7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive
likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(111) View Source
View Archive 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Jason Mckinney (3/5) | CD-R / 3 | A+ | View | SAME AS 2/18/71 | ||
| Jim Benson (3/0) | CDR / 3 | View | 111 | |||
| Notes: | Only have CDR copies. No SHN's. | |||||
| paul (3/0) | cd/audio / 3 | View | ||||
| jason (3/0) | CDR / 3 | View | 111 | |||
| Ben (3/0) | CD-R / 3 | B+ | B+ | View | 111 | Betty (WBOTB) |
| longcreektrailer (3/5) | .shn / 2 | View | 111 | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | ||
| robert naylor (3/3) | CD / 2 | A | View | Sbd | ||
| Michael Bryan (3/5) | SHN / 2 | View | 111 | WBOTB 7 | ||
| Notes: | The Leigh Orf version. (see SHN detail) 2/18 and 2/20/71 fit on 3 shn discs. | |||||
| Brian Warden (3/5) | Mitsui / 3 | A+ | View | BBD>PCM>Fostex D5>DAT>ZA2>Notch Filter>CDR (e-tree) | ||
| daniel dirocco (3/0) | cd / 2 | View | ||||
| Joseph W Powell (3/0) | shn / 2 | View | WBOTB7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHzPCM501ES analog out... | |||
| Charlie Martin (3/0) | cdr / 3 | View | ||||
| robert naylor (3/3) | CD / 2 | A | View | SBD>?>BOOT CD | ||
| David (3/0) | CD / 2 | View | ||||
| David P. Finnigan, M.D. (3/5) | shn / 2 | View | 111 | |||
| Michael New (3/0) | CD / 2 | View | Betty Board - Thanks to Tim Deibert | |||
| Notes: | Betty Board | |||||
| Sugar Mag (3/5) | cdr / 3 | View | ||||
| mark e (3/5) | CDR / 3 | A | View | |||
| Dean (3/0) | shn / 0 | View | 111 | |||
| Todd (3/0) | shnf / 0 | View | sbd>dat>wave>shnf | |||
| Sherman Floyd (3/5) | cd / 2 | A | View | Daybreak on the Land CD boot | ||
| Notes: | Levels are a little low - but the sound is excellent. | |||||
| Brian Koistinen (2/5) | CDR / 2 | A | View | SBD | ||
| Jim Van Houten (2/5) | / 0 | View | 116617 | https://archive.org/details/gd1971-02-20.sbd.miller.116617.flac16 | ||
| adam (2/0) | cd / 3 | View | 85912 | Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES | ||
| Notes: | esp show | |||||
| Dave Wenzel (2/5) | / 3 | A | View | SBD:BettyMR>PCM>D>CD | ||
| Scott Miller (2/0) | / 0 | View | ||||
| Adam Dwyer (2/0) | audio / 3 | View | ||||
| Ray LaChance (2/5) | CDR / 3 | A | View | Soundboard | ||
| Notes: | Great Show | |||||
| EddieTandy (2/0) | CDR / 2 | A+ | View | 85912 | ||
| Lost Sailor (2/0) | Shn / 0 | View | 6188 | likely seekable reshn of | ||