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Set I
Bertha, Truckin', It Hurts Me Too, Loser, Greatest Story Ever Told-> Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star-> Wharf Rat-> Dark Star-> Me & My Uncle
Set II
Casey Jones, Playin' In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Uncle John's Band
Set III
Comment
Mickey's last show until 10-20-74 - E.S.P. show - Other artist(s): NRPS
Last Changed By
System
Sources
(107) View Source
View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source
View Archive
direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source
View Archive
flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source
View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source
View Archive
flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source
View Archive
flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
(107) View Source
View Archive SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source
View Archive direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source
View Archive flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source
View Archive flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source
View Archive flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source
View Archive flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Alex McGrath (5/5) | analog / 1 | View | ||||
| Notes: | set 1 | |||||
| john clark (5/4.5) | CDR / 2 | A++ | A+ | View | ||
| Notes: | LOTS OF 1STS! D1-BERTHA (1ST), TRUCKIN, IT HURTS ME 2, LOSER, GREATEST STORY (1ST), JOHNNY B GOOD (1ST), MAMA TRIED, HARD 2 HANDLE, DARK STAR-WHARF RAT (1ST)-ME & MY UNCLE D2-CASEY JONES, PLAYIN N THE BAND (1ST), ME & BOBBY MCGEE, CANDYMAN, BIG BOSS MAN, SUGAR MAGNOLIA, ST. STEPHEN, NOT FADE AWAY, GOIN DOWN THE ROAD, UNCLE JOHNS BAND | |||||
| Mike (5/5) | cdr / 3 | View | sbd | |||
| Big Bob WIlkerson (5/0) | cd-r / 2 | b | a+ | View | ||
| Notes: | came from shns | |||||
| Dan Wolfe (5/0) | / 0 | View | ||||
| jim (5/0) | audio cdr / 3 | View | Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |||
| Notes: | Bertha * Loser * Greatest Story Ever Told * Johnny B. Goode * Wharf Rat * * first performance | |||||
| jim (5/0) | audio cdr / 3 | View | Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |||
| Notes: | Bertha * Loser * Greatest Story Ever Told * Johnny B. Goode * Wharf Rat * * first performance | |||||
| jim (5/0) | audio cdr / 3 | View | Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |||
| Notes: | Bertha * Loser * Greatest Story Ever Told * Johnny B. Goode * Wharf Rat * * first performance | |||||
| mjlaurent (5/4.7) | cd / 2 | View | mr>mc>dat>pcm>dat>cd | |||
| charles (5/5) | analog / 2 | View | ||||
| Chris Brand (5/5) | SHN / 2 | View | 107 | SBD -> Dolby A Reel -> Dolby A decode -> DAT | ||
| Jack Fisher (5/4.3) | CDR / 3 | A | A | View | DAUD | |
| Notes: | 1st time performances of: Bertha Greatest Story Ever Told Loser Johnny B. Goode Wharf Rat Playin' in the Band | |||||
| Andrew Block (5/4) | CDR / 2 | A | A | View | ||
| Dave Bleuher (5/5) | shn / 2 | View | 107 | |||
| Darren Schreiber (5/4) | CDR/SHN / 3 | View | ||||
| Ray Hansen (5/5) | CD / 3 | A+ | View | sbd>DolbyAReel>DolbyADecode>dat>soundforge>cd | ||
| Evan Burke =) (5/5) | Analog / 2 | A | A | View | ||
| Steven L. (5/0) | CDR / 2 | View | 107 | shn | ||
| brothercrow (a.k.a. michael crow) (5/5) | shn>cdr= / 2 | a | a | View | 107 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R |
| Notes: | Remastered by Leigh Orf . first performance of Wharf Rat . | |||||
| Makisupa Mikey (5/5) | CD / 3 | View | ||||
| Colin Williams (5/4.8) | / 3 | View | SBD | |||
| Hub Spencer (5/4.7) | CDR / 3 | A+ | A | View | SBD > Dolby A Reel > Dolby A decode > DAT > Soundforge NR > CDR | |
| Notes: | Complete Show first Bertha, Greatest,Loser, Playin, Wharf Rat Leigh Orf remastered version A sequence of notch filters where used around 8kHz to filter out a whine. Mickey's last show until 10-20-74 | |||||
| The Masked Marvel (5/0) | / 0 | View | ||||
| Ryan Henry (5/0) | CDR / 3 | View | SBD>Dolby A Reel>Dolby A decode>DAT>SoundForge NR>CDR | |||
| john acquafredda (5/0) | mp3 / 0 | View | 107 | |||
| Kevin O'Hagen (5/0) | / 2 | View | ||||
| Adam Heckelsmiller (5/5) | .shn / 2 | View | 107 | SBD > Dolby A Reel > Dolby A Decode > DAT > Soundforge NR > CD(.wav) > ? > .shn | ||
| Patrick Donnelly (5/5) | CDR / 3 | B+ | View | 107 | SBD (Betty Board)>Dolby A Reel>Dolby A decode>DAT>Sound Forge NR>CDR | |
| Notes: | Sound is allright... a bit muddy on the vocals. The bass levels are low too. Overall I'm not overly impressed with the sound on this show. Show is good, real rough. A buncha first time playeds. Mickey's last show until 10-20-74 I: disc 1: 1. Bertha* 2. Truckin' 3. It Hurts Me Too 4. Loser* 5. Greatest Story Ever Told*> 6. Johnny B Goode* 7. Mama Tried 8. Hard 2 Handle disc 2: 1. Dark Star> 2. Wharf Rat*> 3. Dark Star> 4. M&MU II: 5. stage banter 6. Casey Jones 7. Playin'* 8. Me & Bobby McGee disc 3: 1. Candyman 2. Big Boss Man 3. Sugar Mags 4. St. Stephen> 5. NFA> 6. GDTRFB> 7. NFA> 8. UJB *first time played | |||||
| mozambique (5/5) | shn / 2 | View | 107 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| Rob Wade (5/5) | / 0 | View | ||||