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Set I
Cold Rain & Snow, Me And Bobby McGee, Loser, Easy Wind, Playin' In The Band, Bertha, Me & My Uncle, Ripple, Next Time You See Me, Sugar Magnolia, Greatest Story Ever Told-> Johnny B. Goode
Set II
China Cat Sunflower-> I Know You Rider, Bird Song, Cumberland Blues, I'm A King Bee, Beat It On Down The Line, Wharf Rat, Truckin', Casey Jones, Good Lovin'-> Drums-> Good Lovin'-> Uncle John's Band
Set III
Comment
E.S.P. show - Other artist(s): NRPS
Last Changed By
System
Sources
(1980) View Source
View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different
(87134) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
(98034) View Source
View Archive
flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
(116618) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(123830) View Source
View Archive
flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation
(123885) View Source
View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013
(1980) View Source
View Archive SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different
(87134) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
(98034) View Source
View Archive flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
(116618) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(123830) View Source
View Archive flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation
(123885) View Source
View Archive flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Canyon (2/5) | mp3 / 0 | View | ||||
| Notes: | hd1 | |||||
| Canyon (2/5) | mp3 / 0 | View | ||||
| Notes: | hd1 | |||||
| August (2/5) | cd-r / 3 | View | 1980 | sbd | ||
| Chris_G (2/0) | CD / 3 | View | 1980 | |||
| Chris_G (2/0) | HD2 / 3 | View | 1980 | |||
| Jonathan Hatgis (2/0) | flac / 3 | View | 116618 | |||
| Notes: | SBD > Master Reel > CD | |||||
| Jonathan Hatgis (2/0) | flac / 3 | View | 116618 | |||
| Notes: | SBD -> Master Reel -> CD | |||||
| Chris Eldredge (2/0) | CDR / 3 | A | View | |||
| Notes: | SBD | |||||
| Scott (2/0) | CDR(DAO) / 3 | View | ||||
| Richard D. Jordan (2/5) | shn / 2 | View | 1980 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| Richard D. Jordan (2/5) | flac / 2 | View | 87134 | Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog... | ||
| dupree1977 (2/5) | / 0 | View | 87134 | flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES... | ||
| Jason (2/0) | / 3 | View | ||||
| Thereminist (2/0) | / 0 | View | 87134 | |||
| Dennis O'Donnell (2/0) | flac / 2 | View | 98034 | |||
| James Gregory (2/5) | SHN / 2 | A | View | SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| Chris Nestler (2/0) | SHN / 3 | View | 1980 | |||
| Terrapanda (2/0) | / 2 | View | 87134 | |||
| LEE SPATZ (2/0) | / 0 | View | 87134 | |||
| khanti (2/3) | SHN / 3 | View | 1980 | |||
| Brad (2/0) | / 0 | View | 87134 | SBD > R > PCM > DAT - GMB | ||
| Kris Kaiser (2/3) | CDR / 3 | View | SBD>MR>PCM>PCM>DAT>CDR | |||
| FTLShawn (2/0) | FLAC / 0 | View | 87134 | |||
| Shoreline99 (2/4) | / 0 | View | ||||
| easywind74 (2/0) | / 0 | View | 87134 | |||
| Dean Thole (2/0) | SHN / 2 | View | 1980 | |||
| Dan Goorsky (2/5) | flac / 3 | View | ||||
| Notes: | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). | |||||
| john and tracy (2/0) | / 3 | View | ||||
| William Ferdinandsen (2/5) | / 3 | View | ||||
| Dennis (2/5) | FLAC / 2 | B | A | View | 87134 | |