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Grateful Dead 03/29/90
Nassau Coliseum, Uniondale, NY
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Set I
Jack Straw >
Bertha
We Can Run
Ramble On Rose
When I Paint My Masterpiece
Bird Song *
Promised Land *
Set II
Eyes Of The World > *
Estimated Prophet > *
Dark Star > *
Drums >
Dark Star > *
The Wheel > *
Throwing Stones > *
Turn On Your Lovelight *

Encore:
Knockin' On Heaven's Door *
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Branford Marsalis - Saxophone *
Last Changed By J
Sources
(1317) View Source    View Archive
set 2; FOB> DAT> ?> CDR, mics and taper unknown; reportedly SBD-like; posted by Stephen Agan to abgd, later by Darrin Sacks to etree
(3389) View Source    View Archive
SBD> DAT> CDR; via Andy Bear Greider, Doug Nawrocki; note reshn version also in circ
(4686) View Source    View Archive
SBD> DAT> CDR> SHN by Doug Nawrocki> wav> reshn by Jan Welch; note reshn of previous shn set (see info file)- checksums differ
(24996) View Source    View Archive
SBD>DAT>CDR; fixed copy of SHNid=3389; encoded by Darryl Hinko
(26341) View Source    View Archive
SBD> Dat> CD; SHN Conversion By Charlie Miller
(29191) View Source    View Archive
Source: Unknown Mics > DAT > HiFi VHS (TDK HDXpro) Transfer: HiFi VHS > SBM-1 > Audiophile 2496 > Adobe Audition > FLAC Audio VHS provided by David Neaman. Transfer by Doug Nawrocki.
(33925) View Source    View Archive
Fix of shnid 26341 - SBD> DAT> CD> EAC> SHN> WAV> FLAC patched with shnid 1317 (FOB>DAT>?>CD). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
(76287) View Source   
SBD -> Dat -> CD; Cleanup of SHNid=26341 by Darryl Hinko
(83612) View Source    View Archive
flac16; AUD Source: Nakamichi CM300's with CP4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with Dolby off. Mics on stand aprx 7-feet high, pointed at stacks, set up in taper's area second row center. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC; Taped and transferred by Andrew F
(91347) View Source    View Archive
flac16; Sennheiser ME-80's>Technics SV-MD1 DAT (OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger
(97118) View Source    View Archive
flac16; matrix of DSBD: shnid=????? and DAUD: shnid=91347 by hansokolow using ProTools
(121842) View Source    View Archive
flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(121843) View Source    View Archive
flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(123924) View Source    View Archive
flac16/48kHz; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Upgrade in circulation
(123925) View Source    View Archive
flac16; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Upgrade in circulation
(124324) View Source    View Archive
flac16/48kHz; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Fixed version of source ID 123924
(124325) View Source    View Archive
flac16; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Fixed version of source ID 123925
(126846) View Source    View Archive
flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes: Set 1: Maxell MX-90, Set 2: TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(126847) View Source    View Archive
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M; Tapes: Set 1: Maxell MX-90, Set 2: TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(127385) View Source    View Archive
flac16; matrix of shnid=33925 and shnid=91347 by Roger Eichorn (Fresh Legs, vol. 9)
(141955) View Source    View Archive
flac16/48kHz; Ted Mattes Recording: Schoeps CMC4 MK21 (ORTF) > Prolink Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
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User (active/rating) Media / # Show Sound Details DB Source User Source
Gery Williamson (4/5) SHN / 2 View 4686
David Wolff (4/0) SHN / 0 View  
Aworsh (4/0) / 0 View  
johnnyb (4/5) / 3 View  
Jonathan L (4/0) shn / 2 A+ A+ View  
Andrew Taylor (4/1) VCD / 3 A A View  
William Zimmer (4/0) / 0 View  
Feel the Heat 2 (4/0) SHN/CDR / 2 View 26341
Notes: MD5's match etree
David Malone (4/5) CDR / 3 View 3389
Notes: need to check this
Tim Ujin (4/0) SHN / 2 View 24996
Dutchman1101 (4/5) CDR / 3 A A View 26341 SBD> Dat> CD; SHN Conversion By Charlie Miller
Notes: *
Dutchman1101 (4/5) CDR / 3 A A View 3389 SBD>DAT>CDR
Notes: *
jeff couch (4/5) shn / 2 View  
jeff couch (4/5) DVD / 0 View  
jeff couch (4/5) VCD / 0 View  
Brian (4/5) audio / 3 View 3389
Notes: dsbd
Ingo Benzler (4/0) CDR / 3 View   ?
Notes: SHN
Ingo Benzler (4/0) / 0 View   MAC (8mm camera with dual Sony ECM 77-B mics > Sony EV-S1 8mm ; Recorder > Videum 1000...
Notes: Audio: Unknown SBD downloaded from gdlive>SHN>MKWact>Cool Edit Pro>Video Note: After capturing the video, the audience soundtrack (from the video) was exported and then loaded into Cool Edit Pro along with a copy of the sbd audio. Then, an unique note at approximately 1 minute intervals on the video soundtrack was found and matched to the same note from the sbd. Some modification (ie stretching or shrinking) to the length of these segment was required in order for the sbd to flawlessly match the captured video. The original video audience track was then muted and the sbd tracks imported as background music prior to rendering the video file as either a vcd or svcd. The video was captured at 480x480 resolution (SVCD) and 24bit RGBT compression for a fairly clean picture. The camera was on a tripod, a little shaky at times but not too bad. A 50-200mm lens was used for some great close-ups. The SVCD format will play on most DVD players otherwise the VCD will. The SVCD format also includes a song menu. VCD format (352x240) was rendered from the svcd file and does not have the song menu, but does have the imported sbd audio as part of the file. Flaws: 1) .265 seconds was missing from sbd at the beginning of We Can Run - I used the video audience soundtrack to fill in. 2) 15.429 seconds was missing from sbd during the dead space between Ramble and Masterpiece - I used the video audience soundtrack to fill in. 3) 15.429 seconds was missing from sbd during the dead space between Masterpiece and Bird Song - I used the video audience soundtrack to fill in. 4) First 5.360 seconds of start of 2nd set was added from the video to give a better lead in. 5) .293 seconds was missing from sbd at the beginning of Eyes Of The World - I used the video audience soundtrack to fill in. 5) 6.135 seconds was missing from sbd at the beginning of Space - I used the video audience soundtrack to fill in. 6) The entire encore was missing from video - placed stills from the concert with the sbd audio as a background so that song would not be entirely missing. Brokedown House Productions Original 8mm cassette supplied by Dan Cole who also let me borrow the Sony EV-S1 8mm Recorder that the tapes were originally recorded on.
Jay Reznik (4/0) shn / 2 View   unknown
Jay Reznik (4/0) dvd data / 1 View   SBD>DAT>CDR
Jay Reznik (4/0) dvd data / 1 View   SBD>DAT>CDR
Dave Pepin (4/5) SHN/CDR / 2 A+ B+ View   Unknown,
Notes: Although source is unknown, this show has good quality sound
DiamondDave (4/0) VCD / 3 A View   VCD
John Barnes (4/5) CDR / 3 View   SBD
Andrew Taylor (4/4) Cdr / 3 A A View  
Notes: Branford Marsalis on sax from birdsong
Andrew Taylor (4/4) VCD / 3 A A View  
Steve Minard (4/4.7) CD / 3 View 4686 SBD> DAT> CDR> SHN by Doug Nawrocki> wav> reshn by Jan Welch; note reshn of previous shn set (see...
Notes: w/ Branford Marsalis
Justin (4/0) CDR / 3 A A View  
Notes: with Branford Marsalis on saxophone, Marsalis played throughout the second set and encore
Matthew Smith (4/0) SHN / 2 View   SBD
Johnny Utah (4/0) / 3 A View  
Notes: w/ branford marsalis