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Set I
Cold Rain & Snow, Me And Bobby McGee, Loser, Easy Wind, Playin' In The Band, Bertha, Me & My Uncle, Ripple, Next Time You See Me, Sugar Magnolia, Greatest Story Ever Told-> Johnny B. Goode
Set II
China Cat Sunflower-> I Know You Rider, Bird Song, Cumberland Blues, I'm A King Bee, Beat It On Down The Line, Wharf Rat, Truckin', Casey Jones, Good Lovin'-> Drums-> Good Lovin'-> Uncle John's Band
Set III
Comment
E.S.P. show - Other artist(s): NRPS
Last Changed By
System
Sources
(1980) View Source
View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different
(87134) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
(98034) View Source
View Archive
flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
(116618) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(123830) View Source
View Archive
flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation
(123885) View Source
View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013
(1980) View Source
View Archive SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different
(87134) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
(98034) View Source
View Archive flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
(116618) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(123830) View Source
View Archive flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation
(123885) View Source
View Archive flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Kyle (2/0) | CDR / 3 | A | A | View | SBD>DOLBY A REEL>DOLBY A DECODE>DAT>SOUND FORGE NR>CDR | |
| David Christman (2/0) | SHN / 0 | View | ||||
| Edward L. Leiken (2/5) | CD / 3 | A+ | A | View | SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |
| Jay (2/0) | CD-R / 3 | View | SBD>Reel>DAT>CD | |||
| Tim Deibert (2/5) | CDR / 3 | View | Betty Board Reel | |||
| Notes: | Betty Board - Details | |||||
| Dean (2/0) | / 0 | View | ||||
| Dean (2/0) | / 0 | View | ||||
| Dean (2/0) | / 0 | View | ||||
| Dean (2/0) | / 0 | View | ||||
| Scott (2/0) | / 0 | View | ||||
| bobbyandjerry (2/0) | SHN / 2 | View | 1980 | SBD | ||
| Chris (2/0) | CDR / 3 | A+ | View | soundboard | ||
| Chris (2/0) | CDR / 3 | A+ | View | soundboard | ||
| Tripp Wojohn (2/0) | SHN / 2 | View | 1980 | |||
| Carter (1/5) | CDR / 3 | A | A | View | ||
| Charlie Yohe (1/5) | CDR / 3 | View | 87134 | |||
| Notes: | D3 is filler on 4/8/71 D1 | |||||
| Rick Childs (1/4.9) | CDR / 3 | A++ | A++ | View | 1980 | |
| Notes: | Grateful Dead February 21, 1971 Capitol Theatre, Port Chester, NY SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details. Remastered by Leigh Orf <[email protected]> ----------------- I've added some .toc files that are recognized by cdrdao. They add pre-gaps to the tracks during audience noise, so track times are more accurate. Jason Lunz <[email protected]> ----------------- Disc 1 Set 1 1. Cold Rain And Snow (7:24) 2. Me And Bobby McGee (8:18) 3. Loser (7:37) 4. Easy Wind (9:21) 5. Playing In The Band (5:46) 6. Bertha (6:17) 7. Me And My Uncle (4:57) 8. Ripple (take 1) (1:31) 9. Ripple (7:53) 10. Next Time You See Me (5:41) 11. Sugar Magnolia (7:33) Disc 2 1. Greatest Story Ever Told > (4:43) 2. Johnny B. Goode Set 2 3. China Cat Sunflower (11:36) 4. Bird Song (6:44) 5. Cumberland Blues (5:48) 6. King Bee (9:12) 7. Beat It On Down The Line (4:53) 8. Wharf Rat (11:02) Disc 3 1. Truckin' (8:42) 2. Casey Jones (6:33) 3. Good Lovin' (16:55) 4. Uncle John's Band (7:36) | |||||
| Gary Field (1/5) | 87134 / 2 | View | 87134 | SBD | ||
| Notes: | Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply [070912.1] | |||||
| Gary Field (1/5) | 1980 / 2 | View | 1980 | SBD | ||
| Notes: | SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R Remastered by Leigh Orf | |||||
| Gary Field (1/5) | 116618 / 0 | View | 116618 | SBD | ||
| Notes: | Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC [081231.1] | |||||
| Gary Field (1/5) | 98034 / 2 | View | 98034 | SBD | ||
| Notes: | SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. Files were re-encoded using FLAC, and added tags [090323.2] | |||||
| Gary Field (1/5) | 123830 / 1 | View | 123830 | AUD | ||
| Notes: | source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation [130330.wd002] | |||||
| Gary Field (1/5) | 123885 / 1 | View | 123885 | AUD | ||
| Notes: | source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac [130330.wd002] | |||||
| cldydmzunrl (1/0) | / 0 | View | 116618 | |||
| Marc Deardorff (1/5) | shn / 2 | View | 1980 | |||
| Notes: | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 87134 | |||
| Notes: | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 98034 | |||
| Notes: | SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.) | |||||
| phil (1/5) | flac / 0 | a | View | 87134 | sbd>cd | |
| Notes: | betty board. | |||||
| Jim O'Brien (1/4.9) | CD / 3 | View | 1980 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| Ed Izsak (1/5) | CDR / 1 | A | View | SDBD | ||