Browse Collections Artists Sources   Search Dates

Add Show    List Management    Help


Grateful Dead 02/21/71
Capitol Theater, Port Chester, NY
Set I
Cold Rain & Snow, Me And Bobby McGee, Loser, Easy Wind, Playin' In The Band, Bertha, Me & My Uncle, Ripple, Next Time You See Me, Sugar Magnolia, Greatest Story Ever Told-> Johnny B. Goode
Set II
China Cat Sunflower-> I Know You Rider, Bird Song, Cumberland Blues, I'm A King Bee, Beat It On Down The Line, Wharf Rat, Truckin', Casey Jones, Good Lovin'-> Drums-> Good Lovin'-> Uncle John's Band
Set III

Comment
E.S.P. show - Other artist(s): NRPS
Last Changed By System
Sources
(1980) View Source    View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different
(87134) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
(98034) View Source    View Archive
flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
(116618) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(123830) View Source    View Archive
flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation
(123885) View Source    View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.

Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Kyle (2/0) CDR / 3 A A View   SBD>DOLBY A REEL>DOLBY A DECODE>DAT>SOUND FORGE NR>CDR
David Christman (2/0) SHN / 0 View  
Edward L. Leiken (2/5) CD / 3 A+ A View   SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Jay (2/0) CD-R / 3 View   SBD>Reel>DAT>CD
Tim Deibert (2/5) CDR / 3 View   Betty Board Reel
Notes: Betty Board - Details
Dean (2/0) / 0 View  
Dean (2/0) / 0 View  
Dean (2/0) / 0 View  
Dean (2/0) / 0 View  
Scott (2/0) / 0 View  
bobbyandjerry (2/0) SHN / 2 View 1980 SBD
Chris (2/0) CDR / 3 A+ View   soundboard
Chris (2/0) CDR / 3 A+ View   soundboard
Tripp Wojohn (2/0) SHN / 2 View 1980
Gary Field (1/5) 87134 / 2 View 87134 SBD
Notes: Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply [070912.1]
Gary Field (1/5) 1980 / 2 View 1980 SBD
Notes: SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R Remastered by Leigh Orf
Gary Field (1/5) 116618 / 0 View 116618 SBD
Notes: Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC [081231.1]
Gary Field (1/5) 98034 / 2 View 98034 SBD
Notes: SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. Files were re-encoded using FLAC, and added tags [090323.2]
Gary Field (1/5) 123830 / 1 View 123830 AUD
Notes: source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation [130330.wd002]
Gary Field (1/5) 123885 / 1 View 123885 AUD
Notes: source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac [130330.wd002]
cldydmzunrl (1/0) / 0 View 116618
Marc Deardorff (1/5) shn / 2 View 1980
Notes: SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed
Marc Deardorff (1/5) flac / 2 View 87134
Notes: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC
Marc Deardorff (1/5) flac / 2 View 98034
Notes: SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
phil (1/5) flac / 0 a View 87134 sbd>cd
Notes: betty board.
Jim O'Brien (1/4.9) CD / 3 View 1980 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Ed Izsak (1/5) CDR / 1 A View   SDBD
Brian C (1/4.7) SHN / 2 A A View   SBD>Dolby A Reel>Dolby A Decode>DAT>SoundForge>CDR
Notes: w/lr 8/15/98
mike (1/5) Flac / 2 View 87134
mike (1/5) Flac / 2 View 116618