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Grateful Dead 07/07/89
John F. Kennedy Stadium, Philadelphia, PA
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Set I
Hell In A Bucket >
Iko Iko
Little Red Rooster
Ramble On Rose
Stuck Inside Of Mobile With The Memphis Blues Again
Loser >
Let It Grow >
Blow Away
Set II
Box Of Rain >
Scarlet Begonias >
Fire On The Mountain
Estimated Prophet >
Standing On The Moon >
Drums >
Space >
The Other One >
Wharf Rat >
Turn On Your Lovelight

Encore:
Knockin' On Heaven's Door
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(4665) View Source    View Archive
AKG 414TL's FOB; via Dave of ratdog.org
(7855) View Source    View Archive
Audience (was labeled as (Healy Mix) SBD>MC>DAT>CDR_; via Paul B.; Tim wiley
(10925) View Source    View Archive
Audience DAT mastered with unknown mics/deck; via Chaz Connor; Seeded to etree by Scott Clugston
(35410) View Source    View Archive
flac16; Seamless fix of shn id 7855 - Audience [was labeled as (Healy Mix) SBD>MC>DAT>CDR>EAC>SHN(WAV>FLAC)]. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
(89616) View Source    View Archive
flac16; Source: 1st Gen; (FOB) 2 x Sennheiser 421's > Sony D5 > Sony D5 > 2 x Maxell UDXL I C90 Location: FOB, 30 feet from the stage, slightly ROC, mics were run above head level (7 - 8 feet high). Taper: Lucien Zaleski Transfer: Nakamichi Dragon > Kind Cables RCA/XLR > Lunatec V3 (@ 26/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Transferred and mastered by Alex Ford January 2008.
(89653) View Source    View Archive
flac16; Source: AKG414 FOB (probably from Dan Tepper's rig - AKG414TL > AKG B18 power supplies > Technics SV-MD1) Transfer: CDs received from Dan Lynch; extracted with Max 0.7.1 using CD paranoia setting; compressed using XACT 1.6.2 FLAC level 5; shntool, ffp and md5 by XACT 1.6.2)
(96993) View Source    View Archive
flac24; 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009.
(96994) View Source    View Archive
flac16; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. January 2009.
(125119) View Source    View Archive
flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(125120) View Source    View Archive
flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(133776) View Source    View Archive
flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
(139283) View Source    View Archive
flac16/48kHz; Source: Schoeps CMC4/MK2 > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.40(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
(140152) View Source    View Archive
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(140262) View Source    View Archive
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(141727) View Source    View Archive
flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
(142464) View Source    View Archive
flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK41 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
(142782) View Source    View Archive
flac24; Matrix 2 Source Mix - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - matrix mixing by Kevin Tobin
(142783) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - matrix mixing by Kevin Tobin
(142784) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - dts mixing by Kevin Tobin
(142785) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - surround mixing by Kevin Tobin
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User (active/rating) Media / # Show Sound Details DB Source User Source
Richard Markley (1/5) flac / 2 View 142464
Notes: HD3
Richard Markley (1/5) DVD / 3 View   Lazy Cow video
Notes: HD3
upstateDB (1/5) dvd / 3 A A View  
Matt Vernon (1/4.8) SHN / 3 View 10925
Notes: Audience DAT mastered with unknown mics/deck. Nonetheless, this is a most enjoyable, "you are there", FOB Audience recording. Enjoy! EAC'ed / SHN'ed by Scott Clugston
Matt Vernon (1/4.8) DVD5 / 1 View  
Notes: Grateful Dead 1982 & 1989 News Footage Video: VHS> Unknown Gens> JVC HR S9800U> S-Video> ADVC-55> Firewire> Vegas 8> Mpeg-2 @ 8mbps 4:3 NTSC> DVDLab Pro 2 Audio: Audio is from original broadcast for news segments> Izotope RX Denoiser and Hum Removal -7/28/82: FOB Senn 421's>D5 -7/07/89: Healy Mix>MC>DAT 16/48 LPCM VHS courtesy of Loose Lucy. Transfer, Edit, Synch, Author by Sundrop. ------------- 7/28/82 Red Rocks - News Broadcast & Footage: This WNEW ch5 (now WNYW) news segment features John David Klein's report from the Jack Kerouac conference in Boulder, CO. The footage includes Ken Kesey's comments about Kerouac as well as an interview with Weir and Garcia from the backstage area of Red Rocks during their 7/28/82 performance. The segment then transitions to coverage of the Grateful Dead performance and the Deadheads who are "On The Road." After the news segment, the "B-Roll" footage from the WNEW cameraman is included and features portions of Truckin' and Not Fade Away. It is obvious that the cameraman was not there to film the performance but was there to get as many "establishing" shots as possible for the news piece. Audio for the performance segment is the FOB Sennheiser 421 recording. ------------- 5/27/89 Oakland - Against Aids Commercial Jerry Garcia and Bob Weir's commercial for the In Concert Against Aids event held at Oakland Alameda County Coliseum Stadium. ------------- 7/12/89 Washington, D.C. - News Broadcast Several news segments from the "Live at Five" show, 6pm news and 11pm news WRC-TV NBC4 in Washington, DC. -1st Segment: Don Williams interviews Weir and Nadine Winter. -2nd Segment: Susan Kidd interviews Bruce Hornsby. -3rd Segment: Previous Williams segment plus Deadhead interviews. -4th Segment: Joe Johns segment with Deadheads and WDC Police Captain. Note: There are extremely brief performance shots of RFK 7/6/86 & 7/12/89 shows. ------------- 7/07/89 Philadelphia, PA - Set I partial Pro Line Feed It is suspected (but not confirmed) that a news outlet was allowed to plug in to the professional video line feed for the first few songs of this show. This suspicion is backed up by the fact that each song is missing a minute or two in the middle. Missing footage filled in with motion slideshow. Audio replaced by the Healy Mix MSC audio. 1. Hell in a Bucket 2. Iko Iko 3. Little Red Rooster
Matt Vernon (1/4.8) SHN / 3 View 7855
Notes: healy mix sbd - wiley
Matt Vernon (1/4.8) DVD5 / 3 View  
Notes: Grateful Dead 7/7/89 J.F.K. Stadium Philadephia, PA Set 1 DVD 1 Hell In A Bucket (07:42) Iko Iko (08:01) Little Red Rooster (10:31) Ramble On Rose (08:07) Memphis Blues (09:38) Loser (07:16) Let It Grow (12:33) Blow Away (12:37) Disk Time - 1:16:26 Set 2 DVD 2 Box Of Rain (04:48) Scarlet Begonias (10:03) Fire On The Mountain (13:37) Estimated Prophet (09:13) Standing On The Moon (08:33) Drumz (09:48) Disk Time - 56:03 Set 2 cont. DVD 3 Jam (09:58) The Other One (07:59) Wharf Rat (10:35) Turn On Your Lovelight (08:09) E:Knockin' On Heaven's Door(09:07) Disk Time - 45:48 Video: 1st or 2nd generation VHS Audio: (Healy Mix) SBD>MC>DAT>CDR>EAC>SHN Flaws: digital static D1t1 @ 0:17 in tunning before Bucket Shn conversion done by Tim Wiley 2/27/02 [email protected] I used EAC in secure mode to extract all tracks at 100% no reported errors Many thanks to Paul B. for the cds. (shnid=7855) Notes -Video assets courtesy of Lazy Cow. -SBD audio courtesy of the Wheel -Audio synchronization by Kevin Tobin using Adobe Audition to compress/expand the audio in multitrack mode to match the original audio. -Video patches created with Ulead VideoStudio 9 by Kevin Tobin. -Multiplexing via TMPGEnc MPEG Editor by Kevin Tobin. -DVD authoring via DVD Architect 3 by Kevin Tobin. -MD5 checksums files are now being placed in the disk folders to support multiplatform use. Please remove before burning VOB files to dvd disk. Audio\Video Faults: None Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : 720x480 (525/60) Frame Rate : 29.97 Source picture letterboxed : Not letterboxed Bitrate : Disk 1 6.100 Mbps Disk 2 8.400 Mbps Disk 3 8.400 Mbps Menu : Yes (song list on separate menu) Audio Attribute : Number of Audio channels : 2 Number of Audio streams : 1 Audio Coding mode: Linear PCM audio Sampling Rate : 48kHz 1536Kbps Brokedown House Productions Do NOT Buy or Sell this video
Matt Vernon (1/4.8) FLAC / 3 A- A- View 89653
Notes: Source: AKG414 FOB (probably from Dan Tepper's rig - AKG414TL > AKG B18 power supplies > Technics SV-MD1) Transfer: CDs received from Dan Lynch; extracted with Max 0.7.1 using CD paranoia setting; compressed using XACT 1.6.2 FLAC level 5; shntool, ffp and md5 by XACT 1.6.2) [2008-01-29]This is an extremely cruncy tape esp. for Phil fans and those endowed with sub-woofers. Vrey enjoyable - Hell In a Bucket starts out with some PA adjustments, and the rest of set 1 is well delivered, ending with a strong Blow Away that has a Brent rap at the end. Set 2 is how the setlist reads. There is a small bit of diginoise in one place and the disk 2->3 break has a redundant bit that could be remastered out. Highly recommended show and tape!
SpiralLightofVenus (1/5) DVD / 0 SBD View 35410
Notes: DVD SBD TB5
SpiralLightofVenus (1/5) SHN / 0 AUD View 7855
Notes: AUD TB4
SpiralLightofVenus (1/5) DVD / 0 SBD View 7855
Notes: DVD SBD TB5
SpiralLightofVenus (1/5) FLAC / 0 AUD View 139283
Notes: AUD TB19
SpiralLightofVenus (1/5) FLAC / 0 SBD View 140262
Notes: SBD TB19
Craig S (1/0) CDR / 3 View 35410
winterland121072 (1/0) / 0 View 10925
winterland121072 (1/0) / 0 View 4665
winterland121072 (1/0) / 0 View 35410
winterland121072 (1/0) / 0 View 7855
winterland121072 (1/0) / 0 View 89616
winterland121072 (1/0) / 0 View 96993
winterland121072 (1/0) / 0 View 96994
winterland121072 (1/0) / 0 View 89653
winterland121072 (1/0) / 0 View 125120
winterland121072 (1/0) / 0 View 125119
winterland121072 (1/0) / 0 View 133776
Dustin B. (1/0) CD-R / 3 View  
Mike Tausig (1/5) SHN / 3 View 10925
Notes: FOB>MDAT>D>CD>EAC>SHN
Mike Tausig (1/5) SHN / 3 View 4665
Notes: FOB>AKG 414TL's>Mcass>D>CD>EAC>SHN
Mike Tausig (1/5) SHN / 3 View 7855
Notes: Healy Ultra Matrix>Mcass>D>CD>EAC>SHN
Mike Tausig (1/5) FLAC / 3 View 35410
Notes: Seemless fix for Healy SHN ID 7855