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Set I
Cold Rain & Snow, Me And Bobby McGee, Loser, Easy Wind, Playin' In The Band, Bertha, Me & My Uncle, Ripple, Next Time You See Me, Sugar Magnolia, Greatest Story Ever Told-> Johnny B. Goode
Set II
China Cat Sunflower-> I Know You Rider, Bird Song, Cumberland Blues, I'm A King Bee, Beat It On Down The Line, Wharf Rat, Truckin', Casey Jones, Good Lovin'-> Drums-> Good Lovin'-> Uncle John's Band
Set III
Comment
E.S.P. show - Other artist(s): NRPS
Last Changed By
System
Sources
(1980) View Source
View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different
(87134) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
(98034) View Source
View Archive
flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
(116618) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(123830) View Source
View Archive
flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation
(123885) View Source
View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013
(1980) View Source
View Archive SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different
(87134) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
(98034) View Source
View Archive flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
(116618) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(123830) View Source
View Archive flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation
(123885) View Source
View Archive flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Richard Markley (1/5) | SHN / 2 | View | 1980 | |||
| Notes: | DVD274 | |||||
| Richard Markley (1/5) | flac / 2 | View | 116618 | |||
| Notes: | HD3 | |||||
| James (1/0) | / 0 | View | 87134 | |||
| SIRMick (1/5) | SHN / 2 | View | 1980 | |||
| SIRMick (1/5) | / 0 | View | 87134 | |||
| Matt Vernon (1/4.8) | SHN / 3 | B | B+ | View | 1980 | |
| Notes: | sbd - not as rich as others of this year, somewhat thin and tinny. Show drags. Bobby comments that Mickey is not feeling well (we now know he had split). Easy Wind has Pigpen improving the lyrics a tad. No real jams in set 2, as Good Lovin' had a repetitive structure but no real improv. UJB had a sgort jam that would become a later launching point for that song's improv. You can skip this one and not miss anything IMHO. | |||||
| Matt Vernon (1/4.8) | Flac / 3 | B | A- | View | 87134 | |
| Notes: | Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner. [2007-09-21]As of this date, this is the preferred version of this source. My thoughts on the performance are unchanged. | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | X | X | View | 98034 | |
| Notes: | flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.) [2009-04-06]Should look for the original shnid, in meantime Ladner transcription is preferred | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | B+ | A- | View | 116618 | |
| Notes: | flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller [2012-02-04]This is a very clear, well mixed tape. The performance is leisurely though and therefore undistinguished from typical shows of this period. | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | SBD | View | 87134 | ||
| Notes: | SBD TB4 | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | SBD | View | 98034 | ||
| Notes: | SBD TB12 | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | SBD | View | 116618 | ||
| Notes: | SBD TB12 | |||||
| Brian (1/0) | cdr / 3 | View | ||||
| Notes: | Bettyboard | |||||
| gone (1/4.9) | CDR / 3 | -- | A | View | SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |
| Notes: | Have not had time to listen to yet | |||||
| GratefulBrad (1/5) | flac / 0 | View | 87134 | |||
| winterland121072 (1/0) | / 0 | View | 1980 | |||
| winterland121072 (1/0) | / 0 | View | 87134 | |||
| winterland121072 (1/0) | / 0 | View | 98034 | |||
| winterland121072 (1/0) | / 0 | View | 116618 | |||
| winterland121072 (1/0) | / 0 | View | 123830 | |||
| winterland121072 (1/0) | / 0 | View | 123885 | |||
| David Schroer (1/5) | cdr / 3 | View | ||||
| Chuck Kiefe (1/5) | CD-R / 3 | View | ||||
| Notes: | SBD>Bettyboard 7" Reels>PCM>DAT>CD | |||||
| Israel Frankel (1/0) | flac cd-r / 3 | View | 116618 | |||
| Randy Foley (1/5) | CDR / 3 | A | View | SBD | ||
| Notes: | (72:17)/(57:21)/(39:45) | |||||
| Curtis Ensler (1/0) | CDR / 3 | View | ||||
| Notes: | SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R -> ? -> SHN | |||||
| Hugh Owen (1/5) | cdr / 3 | A | A | View | 87134 | sbd |
| doug smith (1/0) | shn / 2 | View | 1980 | |||
| Freddy (1/0) | CDR / 3 | View | 116618 | "MILLER" | ||
| wharfratpat (1/4) | SHN / 3 | View | 1980 | |||