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Grateful Dead 10/18/74
Winterland Arena, San Francisco, CA
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Set I
Around & Around, Sugaree, Beer Barrel Polka Tuning, Mexicali Blues, Peggy-O, Beat It On Down The Line, Brown Eyed Women, Cumberland Blues, El Paso, Tennessee Jed, Jack Straw, Row Jimmy, Weather Report Suite Prelude-> Weather Report Suite Part 1-> Let It Grow
Set II
Phil & Ned-> Dark Star-> Drums-> Dark Star-> Morning Dew
Set III
Promised Land-> Bertha-> Greatest Story Ever Told, Ship of Fools, Not Fade Away-> Goin' Down The Road Feelin' Bad-> One More Saturday Night, E: U.S. Blues
Comment

Last Changed By System
Sources
(225) View Source    View Archive
set 2 (d1) seeded 3/00, set 3 (d2) seeded 4/00; SBD MR > PCM > DAT > CDR; via A. Fink, R. Nayfield, M. Ferguson; 12/26/69 filler; known flaws: d2 Cut in Promised Land @ 2:29, Filler Black Peter cuts after 2:06; note some material from show appears on album Steal Your Face- go buy it; see public commnets for flaw note on d2t5
(5436) View Source    View Archive
sets 2,3; SBD MR > PCM > DAT 44.1kHz > CD > shn; via Jack Romanski to gdlive
(21213) View Source    View Archive
SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN. SHN'd By Charlie Miller
(21785) View Source    View Archive
Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II and III : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller
(22796) View Source    View Archive
Bertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+
(34950) View Source    View Archive
Recording Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude -> CD -> EAC -> SHN All Transfers Done By Charlie Miller
(110515) View Source    View Archive
flac16; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
(110558) View Source    View Archive
flac24; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
(110771) View Source    View Archive
flac16; Recording Info: Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Set 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(111459) View Source    View Archive
flac24; Multi-track SBD reels > ? > reel > ? > FLAC; Presented by Jamie Waddell; A **GEMS** Production January 2011
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Graig Kreindler (3/5) cd / 4 A View   SBD>MR>DAT>CD (Franks Tree)
Notes: Small skip in Not Fade Away...I wish there was a better source of this, because this is my favorite show from 1974. The Dark Star>Morning Dew sequence is incredibly breathtaking...oh man, I getchills just thinking about it. If we could get copies of this show from the same sources as 10/16 and 10/17, I would be a very happy man!!
Steve de Carteret (3/0) CDR / 3 View   SBD
MikeB (3/0) CDR / 4 A View   SBD
JEM (3/5) Cdr / 4 A- View   Master Audience
Tripp Wojohn (3/4) SHN / 1 View 5436
Jeff Crowe (3/0) .shn / 2 View  
Jack Cummiskey (3/0) shn / 1 View 21213 MR > PCM > DAT 44.1kHz > CD
Greg Berberich (3/0) CDR / 2 View 225
Notes: No SHN
Brian O'Connor (3/0) CDR / 3 B- View  
Hunter Best (3/5) CD-R / 3 A+ A View   SBD MR > PCM > DAT > CD
Michael Turner (3/0) Cas - C90 / 3 A- B View  
ScottB (3/0) CDR / 3 View  
Tim O (3/4.9) CDR / 2 View   SBD MR > PCM > DAT 44.1kHz > CD
Notes: Sets 2 & 3
michael dietrich (3/5) shn / 2 View 5436
Giles (3/0) / 0 View 225
Thomas Massengale (3/0) SHN / 1 View 5436
Notes: No Set 1
Nathan Jordan (3/5) SHN / 2 A+ View   SBD MR>DAT>CDR
Notes: Super. Set II and III only.
Jason (3/5) SHN / 2 View 5436 MR > PCM > DAT 44.1kHz > CD > SHN > gdlive.com
Notes: Sets II and III
Martin Novak (3/0) / 0 A View   SBD
Mike O'Malley (3/5) CDR / 1 View 225 MR > PCM > DAT > CDR
Notes: set 2 ONLY .shn available
Mike Willis (3/0) Audio / 2 View 5436 SBD>MR>PCM>DAT>CDR
MAB (3/0) cdr / 2 View  
Notes: Set 2&3
Gr8tful Andrew (3/0) SHN / 1 View 5436
Mike Abrams (3/0) shn / 1 View   SBD > MR > PCM > DAT 44.1kHz > CD > SHN
Notes: sets 2 & 3
Dan Freedman (3/0) CDR / 3 View   SBD>MR>PCM>CDR>EAC>SHN>CDR
Ed Stevenson (3/5) / 2 View 5436 SBD
Whit (3/0) cdr / 3 View  
Notes: rough sbd mixes>C>Reel to Reel>?>DAT@48K>ZA2>@44.1K>sound forge and cd architect>CDR (franks pick tree) aud splice first 2:08 of disk 1
Jon Salmon (3/0) CDR / 3 A- View  
Notes: Slight hiss, but an excellent recording with a unique sound.
daniel dirocco (3/0) cdr / 2 View 5436
Notes: sets 2 & 3 only
Bill Egeln (3/0) SHN / 1 A View   SBD:MR> PCM> DAT 44.1kHz> CD