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Phish 12/30/94
Madison Square Garden, New York, NY
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Set I
Wilson->Rift, AC/DC Bag, Sparkle, Simple, Stash, Fee->Scent of a Mule, Cavern
Set II
Sample in a Jar, Poor Heart->Tweezer, I'm Blue I'm Lonesome*, You Enjoy Myself, Purple Rain->HYHU, Harry Hood, Tweezer Reprise, (encore) Frankenstein
Set III
 
Comment
*Acoustic; This show was described as Page's peak experience with Phish in an Entertainment Weekly article. Note this is the "later show" on this date. The earlier-in-day Letterman taping is also listed in this db- if you want to list the "Late Show with Letterman" gig, use this link.
Last Changed By Hamilton, Greg & Diana
Sources
(2086) View Source   
purported SBD/Aud matrix > cass/0 > DAT (see info file for more details); Seed provided by Mark Oppenlander; SHN conversion by Jason Fritz; Retracking and editing by Mike Wren
(7805) View Source   
flac16, 44kHz; (FOB/ORTF) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Apogee AD-500e > Sony TCD-D10; Sony PCM-r500 > Sek'd Prodif Plus > Soundforge > CDWave > FLAC; Source by Eliot Byron; Transfer by Jim Raras
(32559) View Source   
AKG 460B/ck61 > custom pre-amp > Teac DAP-20 > Casio DAT deck @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel
(134030) View Source   
flac16, 48kHz; Sennheiser k3u/me80's > Sony TCD-D10 > Sony TCD-D7 > DAT(m); DAT(m) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source by unknown; Patch DAT(m) provided by Bill Shaw; Transfer by Terry Watts
(138834) View Source   
flac16 44.1khz Set 1 only. Source: SBD > C0 > DAT. Transfer: Archive PYTHON > vDAT > Audacity > CDWave > xAct > Flac. Seeded to Etree 7/2017 by Rusty
(138842) View Source   
flac16 48khz Source: Set 1 only. SBD > C0 > DAT. Transfer: Archive PYTHON > vDAT > Audacity > CDWave > xAct > Flac. Seeded to Etree 7/2017 by Rusty
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.

Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Feel the Heat (5/5) SHN/CDR / 2 View 2086
Notes: MD5's match etree
Ian Sawers (5/4) CDR / 2 A A View   SBD/Aud matrix > cass/0 > DAT
Notes: SBD/Aud matrix > cass/0 > DAT
Doug Rozsa (5/4.5) CDR / 2 A View 2086 SBD/AUD Matrix?
Timothy Henningsen (5/5) SHN / 2 A A View   SBD\AUD(Matrix) -> ? -> Original Silvers -> Eac(secure) -> Wav -> SHN
Hank Schandel (5/5) SHN / 2 View   SBD/Aud matrix > cass/0 > DAT
William Glass (5/0) cd-r / 2 A View  
John Coulter (5/4) CDR / 3 View   DAUD
organicgroove (5/0) CD-R / 3 A View  
Tyler Bruce (5/4.3) cdr / 3 View   SBD/Aud matrix > cass/0 > DAT
Notes: SBD/Aud matrix > cass/0 > DAT
PsillyT (5/0) shn / 2 View 2086 SBD/Aud matrix > cass/0 > DAT
chris ventura (5/0) / 0 View  
cambodi (5/0) shn / 2 View   DAUD/FOB Schoeps mk4(ORTF) >
Josh (5/5) / 1 A A View  
Notes: one set
Kevin Kachel (5/0) shn / 2 View 2086 SBD/Aud matrix > cass/0 > DAT
Notes: Sounds like a great aud recording to me. See shn detail for more info.
Jay Thomson (5/4.9) SHN / 2 View 2086 see notes
Notes: This source is a purported SBD/Aud matrix > cass/0 > DAT (as noted at http://www.freedumb.net/sbd/sbdlist.html), however this lineage is questionable. There is a cut at 45:07 in the first set, however this sounds like a DAT cut or digi dropout, as opposed to an analog tape flip (I left this cut as it existed from the original DAE, rather than editing, because it occurs during a song (Scent of a Mule). Another reason I question the analog generation is because there is zero perceptible analog hiss anywhere in this recording. Also, analog tapes tend to stretch as they are used, and people usually get between 46 and 48 minutes per side of a 90 minute tape. 45:07 is considered an odd place for an analog flip to occur. Also, there is no noticeable cut at around the 90 minute mark in the show (where the next tape flip should occur). As for my skepticism for the SBD/AUD matrix, there are moments when I would swear this source is true, however the noticeable echo and reverb normally associated with audience tapes from indoor arenas (MSG in this case) is quite noticible. If this is not an SBD/Aud Matrix, this source would likely be an FOB, since the audio presence is very "up front." There is a well circulated FOB Schoeps CMC3/mk4 source from 12/29/94. This 12/30/94 source may very well be from the same rig and taper, however this is pure speculation.
Marko (5/0) CDR / 3 View  
Kevin Wasik (5/0) shn / 2 A A View 2086 SBD\AUD(Matrix) -> ? -> Original Silvers -> Eac(secure) -> Wav -> SHN
James (5/0) .shn / 2 View 2086
Erin (5/5) CDR/SHN / 2 View 2086 SBD/AUD matrix??
jlaughli (5/0) shn / 0 View   SBD\AUD(Matrix) -> ? -> Original Silvers -> Eac(secure) -> Wav -> SHN
andrew (5/0) CD / 3 View  
Matthew Barney (5/0) cdr / 2 View  
Joel (5/0) CDR / 2 A A View  
Mickey Mossey (5/5) CDR / 3 A A View  
zach bernstein (5/0) / 0 A- A- View  
Notes: good show.
zach bernstein (5/0) / 0 A A View  
Notes: My first Phish show.
andrew (5/4.5) SHN / 2 View 2086 purported SBD/Aud matrix > cass/0 > DAT (see info)
edwin (5/3) SHN / 2 View 2086 SBD/Aud matrix > cass/0 > DAT
Lars (5/0) CDR / 3 View 2086
Jesse Kaisner (5/5) / 2 View