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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
barry bryson 2 (5/0) | cdr / 2 | View | ||||
Dan Nelson (5/0) | CDR / 3 | Yes | A- | View | AUD | |
Notes: | 1st Gen>DAT>CDR | |||||
Dan Nelson (5/0) | CDR / 3 | Yes | A | View | AUD | |
Notes: | 1st Gen Cassette>DAT>CDR Gaps Filled W/ Alternate Source Winston Remaster | |||||
Jeff (5/5) | CDR / 3 | A | View | Mike Millard Master>1st gen (unknown media)>DAT>CDR>EAC>WAV>FLAC | ||
Notes: | "For The Benefit Of Anyone Who Was Making A Bootleg" | |||||
Jeff (5/5) | CDR / 3 | A+ | View | Milard Source>Master Cassette>Cassette>Dat (CDRs from Winston > EAC > FLAC) | ||
Notes: | "Mike The Mike Tribute Series - Winston Remasters Long Beach March - 11th 1975" | |||||
Joe (5/5) | CD-R / 3 | A | View | Aud | ||
Notes: | Long Beach - Winston Remasters | |||||
noah phence (5/0) | / 0 | View | ||||
RnW (5/5) | CD-R / 3 | A | View | |||
Notes: | Set 1: Rock and Roll, Sick Again, Over the Hills and Far Away, In My Time of Dying, The Song Remains the Same, The Rain Song, Kashmir, No Quarter, Trampled Underfoot, Moby Dick, Dazed and Confused, Stairway to Heaven, Whole Lotta Love(intro)>The Crunge>Black Dog | |||||
OpenCode (a.k.a. John K. Joachim) (5/0) | CDR (shn) / 3 | View | ||||
John Sherwood (5/0) | CD-R / 3 | View | Master Cassette>Casette>DAT>Millard.source | |||
Marko (5/0) | CDR / 2 | View | ||||
Michael & Kate Jackson (5/3.7) | CDR / 2 | A | A | View | ||
Dru Redman (5/4.9) | CDR / 3 | A | A | View | SBD | |
tuktu (5/5) | / 2 | View | ||||
DRS (5/0) | CD-R / 2 | A | View | |||
Notes: | Missing "Dazed and Confused" | |||||
oakley clark (5/4.5) | CDR / 2 | A | A | View | SBD | |
matt thackeray (5/5) | CDR / 2 | b | View | audience tape | ||
Notes: | no source info | |||||
Bluegrass Archivist (5/5) | CDR / 1 | A | A | View | ||
Notes: | Songs missing | |||||
joe (5/0) | CD / 0 | View | ||||
Super Freak (5/0) | CDR(DAO) / 2 | A+ | View | sbd | ||
Super Freak (5/0) | CDR(DAO) / 2 | A+ | View | sbd | ||
Michael Shilling (4/5) | CDR/Flac / 2 | A- | View | |||
Notes: | Long Beach Arena Complete. Liberated Bootleg. Confusion Records (Confuse 001). Incredible sounding Audience. Must HAVE! | |||||
Jeff Hagen (4/5) | CDr's / 3 | A | A- | View | ||
Notes: | Winston Re-Master's Series Shn also available | |||||
Jeff Hagen (4/5) | CDr's / 2 | View | ||||
Jeff Hagen (4/5) | CDrs / 2 | View | SILVERS>EAC>WAV>FLAC | |||
Notes: | LZ Collection #10 "Bad Girl Songs" | |||||
Chris Masciangelo (4/4) | CDR / 3 | View | "The American Return" Godfather Records (GR/478/479/480) | |||
Edgar H (4/5) | / 3 | A+ | View | "Long Beach Californication - Mastered" (Empress Valley Supreme Disc) | ||
Notes: | This is a speed-corrected version, courtesy of dadgad prod, of Empress Valley's latest soundboard release. Props to dadgad for his efforts! | |||||
Edgar H (4/5) | / 3 | A | A+ | View | Godfather Records (GR/478/479/480) | |
Notes: | My personal favorite of the '75 American Tour - Plant's voice is good, Jimmy is playing well, and Bonzo+JPJ are really holding down the groove. Not to mention a drop-dead soundboard recording, done right by Godfather Records. | |||||
Edgar H (4/5) | / 3 | View | 1st gen cassettes(TDK SA 90)x3>Nakamichi 670 pitch & azimuth-adjusted playback... | |||
Notes: | JEMS: Previously uncirculated set of unmarked tapes for this show transferred with Dolby B on as per Mike's notes on the tape labels using an adjustable outboard Dolby B unit. This is the 1st time (May 2010) these tapes have ever been digitized. The sound is completely unaltered except for pitch correction during playback and fades added for each of the tape flips. | |||||
Edgar H (4/5) | / 3 | View | "The Beachcombers" (A Group/Personal Project) | |||
Notes: | Remasterd SBD. What we've done to make this project: - We've corrected the tape speed issues that plagued the raw recording, the whole tape was originally running about 2% fast. - We've reduced some of the "hotness" in the recording, bringing the volume to a more reasonable level. - We've fixed the click found near the end of "Moby Dick". - We've tried to balance the instruments as best we could. - We've tried to bring out things that we're buried in the raw recording (cheers, comments, clapping, etc) - We've tried to recreate a better sense of ambience and a feel of the acoustics of the venue as best we can. |