Browse Collections Artists Sources   Search Dates

Add Show    List Management    Help


Grateful Dead 08/03/82
Starlight Theater, Kansas City, MO
Add Source    Reviews    List Collectors    Add to Collection    I Was There    Add to Want List    Wanted By    History    Edit Show
Set I
Mississippi Half Step-> Franklin's Tower-> Minglewood Blues, Peggy-O, El Paso, Cumberland Blues, Althea-> Cassidy-> Big Railroad Blues, Women Are Smarter, Might As Well
Set II
Shakedown Street-> Samson & Delilah, To Lay Me Down-> Let It Grow-> Drums-> He's Gone-> The Other One-> Stella Blue-> Sugar Magnolia, E: Casey Jones
Set III

Comment

Last Changed By System
Sources
(5984) View Source    View Archive
Recording by Paul Hogan. MC (FOB, 27th Row, , Senn 441's > Sony TC-D5) > DAT > CD; includes SBD: ? > C patches in d1t5,6 by Alan Fink; orig CD seed from Paul B.; note md5s for unpatched d1t5,6 are also included for reference
(19228) View Source    View Archive
Lineage:SBD>MC>PCM>DAT>CDR Missippi Half-Step cuts in at 12 seconds, Cassidy has several cuts throughout , Let It Grow cuts at tailend as they play out to drums * Aud patch assumed from widely circulated audience source ; upgrade in circulation
(30705) View Source    View Archive
flac16; Sick Bits Vol. 12, SBD/AUD matrix of two previously circulating sources; SBD: shnid=19228, AUD: shnid=5984; edited and mixed by Chris Chappell.
(33614) View Source    View Archive
flac16; Patch fix of shnid 19228 by Bill Tetzeli; Main source: SBD> MC> PCM> DAT> CDR> EAC> SHN; Patch source: MAC> DAT> CD> EAC> SHN; upgrade in circulation. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
(77196) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
(121407) View Source    View Archive
flac16; Set 2 Source (unconfirmed): AKG CE-1 > UHER CR-40 (cassette master audience); Transfer: unknown cassette > ? > CD; CD > FLAC
(121973) View Source    View Archive
flac24; Aud -> AKG CE1s -> Uher CR240 cassette -> Uher Royal Deluxe 7.5 ips -> Korg MR1000 @24/96 -> AudioGate -> flac level 8; Recorded by Jimi, transferred to digital by CR. AudioGate was used for tracking only.
(136587) View Source    View Archive
flac16; AUD: FOB, Sennheiser 441's > Sony TC-D5 > MAC > (likely) 1st Gen, from the Brian Schley tape collection; Transfer: TDK-MA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F.
(138618) View Source    View Archive
flac16 44.1khz Master: Nakamichi cm300|cp4 shotgun capsules >> Nakamichi 550 >>Sony TCD5M 2nd in line; Maxell XLII 90, Dolby B on Location: set1] 100 feet from stage| 8 feet up|25 ft LOC set2] 85 feet from stage|10 feet up|5 ft LOC Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SD Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
(138619) View Source    View Archive
flac24 48khz Master: Nakamichi cm300|cp4 shotgun capsules >> Nakamichi 550 >>Sony TCD5M 2nd in line; Maxell XLII 90, Dolby B on Location: set1] 100 feet from stage| 8 feet up|25 ft LOC set2] 85 feet from stage|10 feet up|5 ft LOC Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SD Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
(140037) View Source    View Archive
flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.

Collectors With This Show

<< Previous       1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 480 | 481 - 510 | 511 - 540 | 541 - 570 | 571 - 600 | 601 - 630 | 631 - 660 | 661 - 690 | 691 - 720 | 721 - 750 | 751 - 780 | 781 - 802    Next >>

User (active/rating) Media / # Show Sound Details DB Source User Source
HAK (0/4.9) CDR / 3 A View 77196 SBD
Notes: Millerized
Frank Colonna (0/0) CDR / 3 A+ View   SBD/AUD Matrix
Notes: SBD: (shnid=19228) Lineage:SBD>MC>PCM>DAT>CDR AUD: (shnid=5984) FOB: 27th Row, by Paul Hogan, Senn 441's > Sony TC-D5 > DAT > CD
rhchilipeppers2 (0/0) flac / 0 View 77196
johnniemal (0/0) / 0 View  
Daev (0/0) / 0 View 77196
tom murphy (0/0) flac / 3 View 30705
Notes: sick bits 12
Chris Davis (0/5) cdr / 3 A View 77196 SBD -> Cassette Master -> PCM -> Dat -> CD All Transfers and Mastering By Charlie...
evas (0/0) cdr/data / 3 View 77196
michael (0/0) / 0 View 77196
Fred (0/0) / 0 View 77196
Keith Geraghty (0/5) flac / 2 A A View  
Notes: Sick Bits Volume 12
[email protected] (0/0) / 0 View 30705
burdy (0/0) / 0 View   SBD>MC>PCM>DAT>CDR
Notes: Spool 10. SHN form.
burdy (0/0) / 3 View   Matrix: SBD>MC>PCM>DAT>CDR/FOB: 27th Row, by Paul Hogan, Senn 441's > Sony TC-D5 > DAT > CD
Notes: Spool 38 - add WAV>SHN to lineage.
Pat (0/0) / 0 View 30705
Casey (0/0) / 0 View 77196
Troy H (0/5) flac / 2 View 30705 Matrix: SBD: SBD >MC >PCM >DAT >CDR; AUD: MC (FOB, 27th Row, by Paul Hogan, Senn...
Notes: General Notes: As requested, this show (which came in a close second place in the voting from Sick Tidbits #1) is a matrix of two sources that are not great on their own, but together they work very nicely, even a better combo (IMO) than the show from 3 nights earlier at Manor Downs (Sick Bits Vol. 11), which has both a better SBD and AUD, but for some reason the combination doesn't sound as sweet as this one. Don't get me wrong, both shows are amazing. The FOB AUD is a vast improvement over a widely circulated AUD, which is used as the patch on the SBD source; however, the FOB suffers from previously employed NR to the point where some phasiness is noticeable even when coupled with the SBD. It also has some harsh mids around 2k which needed cutting. The SBD is balanced with everyone in the mix, but like most boards from this era, it's heavy in the mids. Aside from the fact that the SBD is lightly compressed with SBEs on every track, plus the AUD has some harsh mids and heavy NR, amazingly the two sources work well. The only bummer is that there is no SBD after the cut in Stella for the rest of the show, so no matrix. Also, there is only about 2.5 minutes of Cassidy in SBD (multiple cuts). This show is a true classic, featuring an incredible Half-Step-> Franklin's (one of the best transitions into Franklin's out of any song), a cool Shakedown with some awesome Brent piano, a rare first set Womer R and a rare second set TLMD (only 3 in '82), and an inspired Let It Grow. Pretty much every Jerry tune shines, including the Space-> He's Gone which is the beginning of at least 35 minutes of music in the key of E. The encore, Casey Jones, is one of only two played in '82, and it's also stashed for almost 2 years.
Tanner (0/0) / 0 View 77196
Tanner (0/0) / 0 View 5984
Tom (0/0) FLAC / 2 View 77196
Tom (0/0) FLAC / 2 View 30705
Testing Account (0/0) / 0 View  
Testing Account (0/0) / 0 View  
Testing Account (0/0) / 0 View  
Testing Account (0/0) / 0 View  
Testing Account (0/0) / 0 View  
Testing Account (0/0) / 0 View  
Testing Account (0/0) / 0 View  
Testing Account (0/0) / 0 View  
Testing Account (0/0) / 0 View